Selected quad for the lemma: water_n

Word A	Word B	Word C	Word D	Occurrence	Frequency Band	MI	MI Band	Prominent
water_n	body_n	duty_n	great_a	42	3	2.1433	3	false

Text snippets containing the quad

ID	Title	Author	Corrected Date of Publication (TCP Date of Publication)	STC	Words	Pages
A53227	The entertainment of His Most Excellent Majestie Charles II, in his passage through the city of London to his coronation containing an exact accompt of the whole solemnity, the triumphal arches, and cavalcade, delineated in sculpture, the speeches and impresses illustrated from antiquity : to these is added, a brief narrative of His Majestie's solemn coronation : with his magnificent proceeding, and royal feast in Westminster-Hall / by John Ogilby.	Ogilby, John, 1600-1676.; Walker, Edward, Sir, 1612-1677.	1662 (1662)	Wing O171; ESTC R12527	94,501	208

annual Feasts will celebrate This said the Nymphs obeying thither throng The Walls and Roof with stately Arras hung His Wat'ry Court with Royal Purple shone And Boards enchac'd with Pearl and pretious Stone The River Thames having ended his Speech the three Sea-men who entertain'd the Nobility with the former Song addressed the following to His Majesty I. King CHARLES King CHARLES great Neptune of the Main Thy Royal Navy rig And We 'll not care a Fig For France for France the Netherlands nor Spain The Turk who looks so big We 'll whip him like a Gig About the Mediterrane His Gallies all sunk or ta'ne We 'll seize on their Goods and their Monies Those Algier Sharks That Plunder Ships and Barks Algier Sally and Tunis We 'll give them such Tosts To the Barbary Coasts Shall drive them to Harbour like Conies Tan tara ran tan tan Tan tara ran tan tara Not all the World we fear-a The great Fish-Pond Shall be thine-a Both here and beyond From Strand to Strand And underneath the Line-a II. A Sail a Sail I to the Offin see She seems a lusty Ship Hoise all your Sails a-trip We 'll weather weather her whate're she be Your Helm then steady keep And thunder up the Deep A Man of War no Merchant She We 'll set her on her Crupper Give Fire Bounce Bounce Pickeering Villains trounce Till Blood run in Streams at the Scupper Such a Break-fast them we shall Give with Powder and Ball They shall need neither Dinner nor Supper Tan tara ran tan tan Tan tara ran tan tara Pickeering Rogues ne're spare-a With Bullets pink Their Quarters Vntil they stink They sink they sink Farewel the Devil's Martyrs III. They yield they yield shall we the poor Rogues spare Their ill-gotten Goods Preserv'd from the Floods That King CHARLES and we may share With Wine then chear our Bloods And putting off our Hoods Drink to His MAJESTY bare The King of all Compassion On our Knees next fall T' our Royal Admiral A Health for His Preservation Dear JAMES the Duke of YORK Till our Heels grow light as Cork The second Glory of our Nation Tantara ran tan tan Tantara ran tan tara To the Royal Pair-a Let every man Full of Wine-a Take off his Can Though wan though wan To make his Red Nose shine-a The Sea-men having ended their Song the several sorts of Musick performed their Duty whilest His Majesty passed on towards Cheapside At the Stocks the Entertainment was a Body of Military Musick placed on a Balcony consisting of six Trumpets and three Drums the Fountain there being after the Thuscan Order venting Wine and Water In like manner on the Top of the great Conduit at the Entrance of Cheap-side was another Fountain out of which issued both Wine and Water as in a Representation of Temperance and on the several Towers of that Conduit were eight Figures habited like Nymphs with Escutcheons in one Hand and Pendents or Banners in the other and between each of them Winde-Musick the number eight On the Standard also in Cheap-side there was a Band of Waits placed consisting of six Persons THE THIRD ARCH THE third Triumphal Arch stands near Wood-street end not far from the place where the Cross sometimes stood It represents an Artificial Building of two Stories one after the Corinthian way of Architecture the other after the Composite representing the TEMPLE of CONCORD with this Inscription on a Shield AEDEM CONCORDIAE IN HONOREM OPTIMI PRINCIPIS CUJUS ADVENTU BRITANNIA TERRA MARIQ PACATA ET PRISCIS LEGIBUS REFORMATA EST AMPLIOREM SPLENDIDIOREMQ RESTITUIT S. P. Q. L. CONCORD was reputed by the Romans in the number of their Goddesses as we finde in JUVENAL Cui colitur Pax atque Fides Concordia Virtus and had several Temples upon various occasions vowed and dedicated to her There arose a dangerous Feud which continued for some Years between the Senate and People of Rome whereupon Furius Camillus * Anno U.C. cccxxcvi turning himself to the Capitol desired of the Gods that he might speak and act that which might tend to the benefit of the Commonwealth and reconciliation of the two dissenting Parties and to that end vowed a Temple to CONCORD Wherefore having called the Senate after a long and various Debate upon certain Conditions brought the Senate and People to an Agreement Which Temple according to his Vow by a Decree of the Senate was erected and dedicated to CONCORD This is mention'd though obscurely in tabulis Capitolinis but plainly by OVID * Fastor Lib. i. Nunc bene prospicies Latiam CONCORDIA turbam Nunc te sacratae constituêre manus Furius antiquus populi superator Etrusci Voverat voti solverat ille fidem Caussa quòd à Patribus sumptis secesserat armis Vulgus ipsa suas Roma timebat opes Now maist thou CONCORD Rome with kindness see Now sacred Hands a Fane erect for thee Furius who conquer'd the Etrurian made A solemn Vow which solemnly he paid Because the People did their Princes beard Taking up Arms and Rome her own Wealth fear'd The like Vow was made by L. Manlius † Anno U.C. DXXXV upon a Mutiny of the Army under his Command and the Year after the Temple was erected and dedicated by M. and C. Atilius Regulus elected for that purpose So in the Sedition of Gracchus * Anno U.C. DCXXXII who encamped on the Aventine and refused the Conditions offered him by L. Opimius Consul the Consul immediately vowed a Temple to CONCORD and after his Victory over those seditions Conspirators dedicated it in Foro. Which did highly incense the Communalty who thought that CONCORD could not be founded on the Slaughter of their Fellow-Citizens and some of them adventured to add this Inscription to the Title of the Temple VECORDIAE OPUS AEDEM FACIT CONCORDIAE We finde mention of the like Temples in several Inscriptions collected by Gruter as in this D.N. CONSTANTINO MAXIMO PIO FELICI AC TRIUMPHATORI SEMPER AUGUSTO OB. AMPLI CATAM TOTO ORBE REM PUBLICAM FACTIS CON SILIISQ S. P. Q. R. DE DICANTE ANICIO PAULINO JUNIORE C.V. COS ORD PRAET. URBI S. P. Q. R. AEDEM CONCORDIAE VETUSTATE COL LAPSAM IN MELIOREM FACIEM OPERE ET CULTU SPLENDIDIORE RESTITUE RUNT And in another not unlike the former AEDEM CONCORDIAE VETUSTATE COLLAPSAM AMPLIOREM OPERE CULTUQ SPLENDIDIOREM RESTITUIT S. P. Q. R. In the Spandrils of the Arch there are two Figures in Female Habits leaning One representing PEACE the other TRUTH That of Peace hath her Shield charged with an Helmet and Bees issuing forth and going into it the Word PAX BELLO POTIOR TRUTH on the other side in a thin Habit on her Shield TIME bringing Truth out of a Cave the Word TANDEM EMERSIT Over the great Painting upon the Arch of the Cupula is represented a large GERYON with three Heads crowned in his three right-Hands a Lance

jerks Air with Serpents dire Of Tisiphone Virgil Aen. vi Continuò sontes ultrix accincta flagello Tisiphone quatit insultans torvósque sinistrâ Intentans angues vocat agmina saeva sororum Cruel Tisiphone insulting shakes Her dreadful Whip and arm'd with twisted Snakes In her left hand straight on the guilty falls And Troops of unrelenting Furies calls Pindar calls Sedition 〈◊〉 〈◊〉 〈◊〉 〈◊〉 〈◊〉 a bad Nurse for Children The reason may be taken from these Verses of Homer describing the consequents of it Iliad xxii 〈◊〉 〈◊〉 〈◊〉 〈◊〉 〈◊〉 〈◊〉 〈◊〉 〈◊〉 〈◊〉 〈◊〉 〈◊〉 〈◊〉 〈◊〉 〈◊〉 〈◊〉 〈◊〉 〈◊〉 〈◊〉 〈◊〉 〈◊〉 My slaughter'd Sons my Daughters ravish'd see My Court destroy'd and from the Nurses knee Their tender Babes snatch'd by the cruel Foe And in one Sea their Bloods commixed flow The HYDRA on which Rebellion is mounted the Ancients have very variously represented * In Corinthiacis Pausanias attributes but one Head to it Pisander Camirensis † Ibid. many Alcaeus nine Simonides fifty 〈◊〉 〈◊〉 〈◊〉 〈◊〉 〈◊〉 whom Virgil follows Quinquaginta atris immanis hiatibus Hydra Aen. vi Savior intus habet sedem Hydra with fifty ugly Jaws one more Cruel then this by half 's within the door On the South Pedestal is a Representation of BRITTAIN'S MONARCHY supported by LOYALTY both Women Monarchy in a large Purple Robe adorn'd with Diadems and Scepters over which a loose Mantle edg'd with blue and silver Fringe resembling Water the Map of Great Britain drawn on it on her Head London in her right Hand Edinburgh in her left Dublin Loyalty all in White three Scepters in her right Hand three Crowns in her left Purple is call'd by Tertullian Regiae dignitatis insigne De Idololat a Badg of Royal Dignity Lactantius Lib. iv cap. vii In Rufinum Lib. ii Et sicuti nunc Romanis indumentum Purpurae insigne est Regiae dignitatis assumptae sic illis c. Claudian of Rufinus Imperii cerius tegeret ceu Purpura dudum Corpus ardentes ambirent tempora gemmae Certain of Empire as if Purple now Had cloath'd his Limbs and Gems impal'd his Brow So Strabo says that the Posterity of Androclus Son of Codrus King of Athens had at Ephesus besides many other Honours granted them a Purple Robe in token of their Royal descent According to which we finde in Sidonius Apollinaris Purpuratus to be equivalent with Imperator Epist lib. ii Qui videbatur in jugulum Purpurati jamjam ruiturus Epist xiii Who seem'd ready to murder the Emperour and Serò cognoscunt possereum Majestatis pronunciari etiam eum qui non adfectâsset habitum Purpuratorum They too late understand that even he that affected not the Habit of the Emperours might be found guilty of Treason From whence the Civilians observe that it was Treason to assume the Royal Robes And Ammianus Marcellinus speaks of a Woman who had suborn'd several to accuse her Husband of High Treason for having stoln the Emperour Diocletian's Purple Vest out of his Sepulchre and hiding it Eusebius He Diocletian first beautified his Shoes with Gold and Pearls and pretious Stones For the Kings before him were honoured in the same manner with the Consuls having onely a Purple Vest for a badge of their Royalty The same saith Paeanius who translated Eutropius The Royal Robe before was distinguish'd only by its Purple colour Wherefore when any resolv'd Tyrannically to sieze upon the Royal Dignity they immediately usurp'd a Purple Robe which they sometimes forc'd from a Standard In Gordianis as Trebellius reports of Saturninus The same Authour Gordianum Proconsulem reclamantem se terrae affligentem opertum Purpurâ imperare coëgerunt primò quidem invitus Gordianus Purpuram sumpserat postea verò quum vidit neque filio neque familiae id latam esse volens suscepit Imperium They forc'd Gordian the Proconsul who denied and cast himself upon the ground to be vested in Purple and receive the Title of Emperour at first he was very unwilling to receive the Purple Robe but when he saw that that was unsafe for his Son and Family he receiv'd the Empire willingly Where Purpurant sumere and sumere Imperium are the same Sometimes they committed Sacrilege upon the Statues of the Gods In Saturnino Vopiscus Depositâ Purpurâ ex simulachro Veneris cum cyclade uxoria à militibus circumstantibus amictus adoratus est Taking a Purple Robe from the Statue of Venus and his Wife 's inner Vest of Gold he was invested and adored by the Souldiers as Emperour Trebellius Celsum Imperatorem appellaverunt peplo Deae Coelestis ornatum They put on Celsus the Vest of the Goddess of Heaven and call'd him Emperour Wherefore when we read of the Consular Purple Robes under the Romane Emperours as in that of Latinus Pacatus Quorum alter post amplissimos Magistratus purpuras Consulares and of Sidonius Te picta Togatum Purpura plus capiat quia res est semper ab aevo Rara frequens Consul Purple should rather thee affect since we One often made a Consul seldome see it must be understood either of the Senatorian Segments added to their Consular Robes or of a Purple mix'd with some other Dye which is mentioned in Theodosius's Code as a Warp of Purple the Woof of another colour or the like For the Imperial Interdict comprehends all of whatsoever degree Temperent universi cujuscunque sint sexûs dignitatis artis professionis generis ab hujúsmodi speciei possessione quae soli Principi ejusque domui dedicatur Let every one of what Sex Dignity Art Profession and Birth they be forbear the possession of this sort of Purple which is appropriated to the Prince alone and his house The first Imperial Edict of this nature is conceived to be in the time of the Emperour Nero which is to be understood de holoveris of pure unmix'd Purple Neither was Purple peculiar to the Imperial Robes onely but to their Pens too The Emperour Leo forbad that any Rescripts of his should bear other then a Purple Inscription So Nicetas in the Life of Manuel the Emperour says That at his entrance upon the Empire he sent Letters to Constantinople written with Purple Constantinus Manasses in his Annals The Emperour granted the request of his Sister and taking a Pen in his hand confirm'd the Paper in Purple Letters Epitome Chron. Werweronis And Palaeologus the Emperour swearing subjection to the Roman See in the Church of Santo Spirito at Rome subscribed in Letters of Purple The art of making this Purple both for Robes and Ink L. Sacri C. de diver Rescr is still preserv'd but we meet not with the materials though we have left us both the place and manner of taking preparing and whatsoever is necessary for that purpose Monarchy is said to be supported by Loyalty because the Love of the Subject is the securest Guard of the Prince