and hath as much recourse to the heart as to the head and so to the other parts of the body for any thing I can perceive But that matter I call the rational and sensitive spirits which others call the animal and vital spirits perchance fools may think me extravagant for giving the matter other names but I was forced to take these names because they were more significant to the sense of my discourse besides perchance they may think when I speak of rational and sensitive spirits that they are hobgoblins ghosts or visions such as nurses fright their children with or superstitions or as the wiser sort doth to make credulous fools beleeve to keep them in awe knowing they are apt to disorders Chap. 182. Musick may cure mad folks THere is great reason why Musick should cure madnesse for this sort of madnesse is no other but the spirits that are in the brain and heart put out of their natural motion and the spirits having a natural sympathy with Musick may be composed into their right order but it must be such Musick as the number of the notes must goe in such order as the natural motion of the brain though every brain hath not one and the same motion but are set like notes to several tunes wherefore if it were possible to set notes to the natural motion of the heart or that brain that is distempered it might be perfectly cured but as some notes do compose the brain by a sympathy to the natural motion so others do make a discord or antipathy and discompose it putting the natural motions out of tune Thus much for the sensitive Maladies Chap. 183. Of the fundamental diseases first of fevours THere are many several sorts or manners of fevors but I will onely treat of the fundamental fevours which are three from which three all other fevors are partly derived the first is a malignant fevor the second the hective fevor and the third the ordinary burning fevours the first is catching and often deadly the second is never catching but alwayes deadly the third is neither catching and seldom deadly the first proceeds from violent disordered motions and distempered matter and humour The second from swift motions which distemper and make waste of the matter which matter I mean the substance of the body The third is too violent motions on well tempered matter And these three sorts of fevours are often mixt as it were a part of all mixt into one but a high malignant fevor is a sudden usurpation for the disordered motions joyned with a mistempered matter which is corrupt humours surprise the body and destroy the life therein as we shall see in great plagues the body is well sick and dead in a moment these or the like diseases are caused after three manner of wayes as being taken from outward infection or bred by an evil habit in the body or by taking some disagreeing matter therein which causeth a war of sicknesse for upon the disorder which the disagreeing matter makes the natural motions belonging to the body grow factious and like a common rout arise in an uproar which strives onely to do mischief stopping some passages that should be kept open and opening some passages that should be kept shut hindring all regular motions from working after that natural manner forcing those they can over power to turn rebels to the life of the body For it is against the nature of the innated matter to be idle wherefore it works rather irregularly then not work at all but as long as a body lies sick the power is divided one part of the innated matter working irregularly the other according to the natural constitution which by the regularity they strive to maintain the chief forts of life which are the vital parts especially the heart and disordered motions striving to take or pull them down making their strongest assaults thereon for the disordered innated matter makes out-works of corrupted matter stopping as many passages as their power will give leave so striving either to starve the vital parts or to oppresse them with corruption or to burn them by their unnatural heat they make in the body or to drown them with watrish humor which is caused by the distemper of ill disgestions and obstructions the regular innated matter strives to break down those works and to cast and expel that filth out of the body and according as each party gets the better the body is better or worse and according as the siege continues the body is sick and according as the victory is lost or won is life or death Chap. 185. Of the infections of animals Vegetables and elements Such motions as corrupt animal bodies corrupt vegetable bodies and as corrupt and malignant air is infectious to animals so likwise to vegetables and as malignant diseases are catching and infectious to those that comes neer them so oftentimes vegetables are infectious to animals as herbs and fruits which cause some yeers such dangerous sicknesse and killing diseases to those that eat thereof likewise those bodies that are infected do infect sound and nourishing food when once it is eaten causeth that which is good also malignant when once in the body Chap. 186. Of burning fevros ALL burning fevours for the most part are produced from the vital spirits as when they move irregularly they corrupt the natural humours which cause a distemper of heat in the body moving towards expulsions which are dilation and when they move with supernatural quicknesse after an extenuating maner they inflame the body in either causes emptying the body and quenching the fire is to be put in execution for the emptier the body is the lesse humours there will be Ltkewise lesse motion as having lesse matter for in matter motion lives likewise the lesse cumbustible matter there is the sooner the unnatural fire will be quenched unlesse that the fire be in the arteries then it is like a colepit set on fire wherein there is no quenching it unlesse you drown the coles so when the unnatural heat is in the arteries you must drown the life of the body like the colein the pit before you can quench the fire but a 〈◊〉 may be eased somwhat prolonged with cooling brothes and quenching julips for though they cannot enter the arteries yet they may keep the outward parts cold and moist which may cast cold damps quite through the body but in this case all evacuations are dangerous for the more empty the body is of humour the sooner the body is consumed for the humours serve as oyl and though they flame yet they keep in the light of life in all other fevours evacuations of all sorts are good for if it be some melancholy pitch humours that are set on fire in the body or some oylie cholerick humours it is but quenching it with cooling julips without any hurt to the body and if it be a brandy blood set on fire it is
the letters are out yet the Table-book and in Pen remain So although this Motion is gone the spirit and matter remain But if those spirits make other kindes of motions like other kinds of Letters or Language those Motions understand not the first nor the first understands not them being as several Languages Even so it may be in a sound for that kinde of knowledge the Figure had in the sound which is an alteration of the motion of the rational spirits caus'd by an alteration of the motion of the sensitive spirits in dull matter And by these disorderly motions other motions are rub'd out of the Table-book which is the matter that was moved But if the same kinde of letters be writ in the same place again that is when the spirits move in the same motion then the same knowledg is in that figure as it was before the other kinde of knowledge which was made by other kinde of motion is rub'd out which several knowledge is no more known to each other then several Languages by unlearned men And as Language is still Language though not understood so knowledge is still knowledge although not general but if they be that we call dead then those letters that were rubbed out were never writ again which is the same knowledge never returns into the same figures Thus the spirits of knowledge or the knowledge of spirits which is their several motions may be ignorant and unacquainted with each other that is that some motion may not know how other motions move not onely in several spirits but in one and the same spirit no more then in every Effect can know their cause and motion is but the effect of the Spirits which spirits are a thin subtle matter for there would be no motion if there were no matter for no thing can move but there may be matter without Self-motion but not self-motion without matter Matter prime knowes not what effects shall be Or how their several motions will agree Because t is infinite and so doth move Eternally in which no thing can prove For infinite doth not in compasse lye Nor hath Eternal lines to measure by Knowledge is there none to comprehend That which hath no beginning nor no end Perfect knowledge comprises all can be But nothing can comprise Eternity Destiny and Fates or what the like we call In infinites they no power have at all Nature hath Generosity enough to give All figures ease whilst in that Form they live But motion which innated matter is By running crosse each several pains it gives Chap. 42. Of the Creation of the Animal Figure THe reason that the sensitive spirits when they begin to create an animal figure the figure that is created feels it not untill the model befinished that is it cannot have an animal motion until it hath an animal figure for it is the shape which gives it local motion and after the Fabrick is built they begin to furnish it with strength and enlarge it with growth and the rational spirit which inhabits it chooseth his room which is the Head And although some rational spirits were from the first creating it yet had not such motions as when created besides at first they have not so much company as to make so much change as to take parts like instruments of Musick which cannot make such division upon few strings as upon more The next the figure being weak their motions cannot be strong besides before the figure is inlarged by growth they want room to move in This is the reason that new-born Animals seem to have no knowledge especially Man because the spirits do neither move so strong nor have such variety of change for want of company to make a consort Yet some animals have more knowledge then others by reason of their strength as all beasts know their dams and run to their Dugs and know how to suck as soon as they are born and birds and children and the like weak Creatures such do not But the spirits of sense give them strength and the spirits of reason do direct them to their food and the spirits of sense gave them Taste and 〈◊〉 and the spirits of reason choose their meat for all Animal Creatures are not of one dyet for that which will nourish one will destroy another Chap. 43. The gathering of Spirits IF the rational spirits should enter into a figure newly created altogether and not by degrees a Childe for example would have as much understanding and knowledge in the womb or when it is new-born as when it is inlarged and fully grown But we finde by experience there are several sorts and degrees of knowledge and understanding by the recourse of spirits which is the reason some figures have greater proportion of understanding and knowledge and sooner then others yet it is increased by degrees according as rational spirits increase Like as children they must get strength before they can go So Learning and experience increase rational spirits as Food the sensitive But experience and Learning is not alwayes tyed to the eare for every Organ and Pore of the body is as several doors to let them in and out For the rational spirits living with the sensitive spirits come in and go out with them but not in equal proportion but sometimes more sometimes fewer this makes understanding more perfect in Health then in sicknesse and in our middle age more then in the latter age For in age and sicknesse there is more carried out then brought in This is the reason Children have not such understanding but their reason increaseth with their years But the resional spirits may be similized to a company of Good-fellows which have pointed a meeting and the company coming from several places makes their time the longer ere their numbers are compleated though many a brain is disappointed but in some figures the rooms are not commodious to move in made in their Creation for want of help those are Changelings Innocents or Natural Fools The rational spirits seem most to delight in spungie soft and liquid matter as in the Blood Brain Nerves and in Vegetables as not onely being neerest to their own nature but having more room to move in This makes the rational spirits to choose the Head in Animals for their chief room to dance their Figures in for the Head is the biggest place that hath the spungy Materials thus as soon as a figure is created those rational Spirits choose a Room Chap. 44. The moving of Innate matter THough Motion makes knowledge yet the spirits give motion for those Spirits or Essences are the Guiders Governours Directers the Motions are but their Instruments the Spirits are the Cause motion but an Effect therefrom For that thin matter which is spirits can alter the motion but motion cannot alter the matter or nature of those Essences or spirits so as the same spirits may be in a body but not one and the same
knowledge because not the same motion that made that knowledge As for example how many several Touches belong to the body for every part of the body hath a several touch which is a several knowledge belonging to every several part for every several part doth not know and feel every several touch For when the head akes the heel feels it not but onely the Rational spirits which are free from the incumbrance of dull matter they are agile and quick to take notice of every particular touch in or on every part of the figure The like motions of a pain in the Body The like motions of the Rational spirits we call grief in the minde and to prove it is the like motion of the Rational Spirits to the sensitive which makes the knowledge of it is when the rational Spirits are busily moved with some Fantasmes if any thing touches the body it is not known to the rational spirits because the rational spirits move not in such motion as to make a thought in the head of the touch in the heel which makes the thoughts to be as senselesse of that touch as any other part of the body that hath not such paines made by such motions And shall we say there is no sense in the heel because no knowledge of it in the head we may as well say that when an Object stands just before an eye that is blinde either by a contrary motion of the thoughts inward by some deep Contemplation or otherwise we may as well say there is no outward object because the rational spirits take no notice of that Object t is not that the stronger motion stops the lesse or the swifter the slower for then the motions of the Planets wold stop one anothers course Some will say what sense hath man or any other Animal when they are dead it may be answered that the Fignre which is a body may have sense but not the Animal for that we call Animal is such a temper'd matter joyn'd in such a figure moving with such kinde of motions but when those motions do generally alter that are proper to an Animal although the matter and Figure remain yet it is no longer an Animal because those motions that help it to make an Animal are ceas'd So as the Animal can have no more knowledge of what kind of sense the Figure hath because it is no more an Animal then an Animal what sense dust hath And that there is the reason that when any part is dead in an Animal if that those motions that belonged to the Animal are ceas'd in that part which alter it from being a part of the Animal and knowes no more what sense it hath then if a living man should carry a dead man upon his shoulders what sense the dead man feels whether any or no. Chap. 45. Of Matter Motion and Knowledge or Understanding VVHatsoever hath an innate motion hath knowledge and what matter soever hath this innate motion is knowing but according to the several motions are several knowledges made for knowledge lives in motion as motion lives in matter for though the kind of matter never alters yet the manner of motions alters in that matter and as motions alter so knowledge differs which makes the several motions in several figures to give several knowledge And where there is a likenesse of motion there is a likenesse of knowledge As the Appetite of Sensitive spirits and the desire of rational spirits are alike motions in several degrees of matter And the touch in the heel or any part of the body else is the like motion as the thought thereof in the head the one is the motion of the sensitive spirits the other in the rational spirits as touch from the sensitive spirits for thought is onely a strong touch and touch a weak thought So sense is a weak knowledge and knowledge a strong sense made by the degrees of the spirits for Animal spirits are stronger as I said before being of an higher extract as I may say in the Chymistry of Nature which makes the different degrees in knowledge by the difference in strengths and finenesse or subtlety of matter Chap. 46. Of the Animal Figure WHatsoever hath motion hath sensitive spirits and what is there on earth that is not wrought or made into figures and then undone again by these spirits so that all matter is moving or moved by the movers if so all things have sense because all things have of these spirits in them and if Sensitive spirits why not rational spirits For there is as much infinite of every several degree of matter as if there were but one matter for there is no quantity in infinite for infinite is a continued thing If so who knows but Vegetables and Minerals may have some of those rational spirits which is a minde or soul in in them as well as man Onely they want that Figure with such kinde of motion proper thereunto to expresse knowledge that way For had Vegetables and Minerals the same shape made by such motions as the sensitive spirits create then there might be wooden men and iron beasts for though marks do not come in the same way yet the same marks may come in and be made by the same motion for the spirits are so subtle as they can pass and repass through the solidest matter Thus there may be as many several and various motions in Vegetables and Minerals as in Animals and as many internal figures made by the rational spirits onely they want the Animal to expresse it the Animal way And if their knowledge be not the same knowledge but different from the knowledge of Animals by reason of their different figures made by other kinde of motion on other tempered matter yet it is knowledge For shall we say A man doth not know because he doth not know what another man knows or some higher power Chap. 47. What an Animal is AN Animal is that which we call sensitive spirit that is a figure that hath local motion that is such a kinde of figure with such kinde of motions proper thereunto But when there is a general alteration of those motions in it then it is no more that we call Animal because the local motion is altered yet we cannot knowingly say it is not a sensitive Creature so long as the figure lasts besides when the figure is dissolved yet every scattered part may have sense as long as any kinde of motion is in it and whatsoever hath an innate motion hath sense either increasing or decreasing motion but the sense is as different as the motions therein because those properties belonging to such a figure are altered by other motions Chap. 48. Of the dispersing of the Rational Spirits SOme think that the Rational spirits flye out of Animals or that Animal we call Man like a swarm of Bees when they like not their hives finding some inconvenience seek about for another habitation or leave the body like Rats
truth of those sleeping motions untill waking motions otherwayes inform them for rational motion in every particular figure knows little of the sensitive but what the senses shews them in the several motions yet the rational generally knows what they present unto them which every particular sense doth not each motion is unknown and are strangers to each other in one and the same figure for the ear knows not what the eye seeth nor the eyes know not what the nose smelleth nor the nose knows not what the tongue tasts nor the tongue knows not what the body feels but the rational innat matter in a figure knows all the sensitive motions in the same figure as long as the figure is perfect and moves in an Animal way and that the rational motion moves regular for when the motions are irregular they can take no perfect copies nor notice how the sensitive move that is the reason that in perturbed passions which are onely irregular motions the senses become as it were uselesse to them but most commonly the disorder of one brings the disorder of the other I will not say at all times and so when the sensitive spirits are regular the rational is regular but not at all times for some times the one is regular the other is not but the rational which takes copies of the sensitives is oftener disordered by the sensitives then the sensitives by the rational for when there is grief in the minde many times the body is in good health but it is seldom known when the body is sick but the minde is troubled Chap. 155. Of Local Dreames THe reason that many times we dream of walking woods or houses and the like is through this following reason The rational innate matter as I often said before turns most commonly into such figures as the sensitive innate matter prints or hath printed upon the senses now if a tree or house or the like be printed on the inside of the pia mater or the like sensitive part when we are asleep the rational innate matter straight figures them these figures move after a local manner although they have not an animal or local shape the reason is that the rational innated matter being purer in it self without the mixture of dull matter moves onely in their own matter and the figure moves in the matter whereas the sensitive innated matter working upon the dull part of matter moves in that dull matter and not the dull matter in the sensitive innated matter that is the sensitive innate matter moves in the dull part of matter and the dull part of matter is moved by the sensitive innate matter thus the sensitive figure is moved but not moving but the rational innated matters figures give their own motions likewise if we have seen a battle or heard of a battle and afterwards we dream of the same or of the like battle then the rational innated matter puts its self into animal figures and moves after a local manner each figure placing it self after that manner or way as was related or printed by the senses or after away of its own invention and when the figures encounter each other as they must do to fight a battle in the brain and then some seeme to be falling and others dead and some mangled those figures are as falling and broken and cease to move after the local manner and when one party seems to move as in a confusion then the motions are irregular and just as the senses present so doth the rational innated matter act in the brain when we sleep and sometimes when we are awake as in imagination Chap. 156. Of the senses and the objects that pass through the senses THat innate matter which I call the sensitive spirits makes holes which holes serve as doors in animal figures to receive outward objects as the holes that are made in the eyes ears nostrils mouth and the pores of the skin wherein the animal receives light sound scent tast and touch the senses are brought and presented by the sensitive innated matter to the rational innated matter who takes knowledg thereof as for example there is a hous or a tree or any the like gross material figure these being placed beforethe passage of the eyes those sensitive spirits in the eye taking notice thereof with the help of that brings the objects therein strait prints or paints those objects upon the optick nerve or upon the outside of the brain as the dia mater or pia mater upon which the rational spirits view as on pictures then copie them out not by working on the dull part of matter as the sensitives innated matter doth but turn themselves by number and measure into figures like those printed or painted figures the difference is that the rational matter is like sculptures the others as pictures upon flats these rational figures we call knowledg or understanding and as long as these rational figures last though the object is absent and the prints rub out by other objects or by distance of place or the like we call memory but when those rational figures are dissolved and afterwards repeated be wrought without a presentment of the senses we call it remembrance and the reason the memory is not so strong as the present sense nor the remembrance so perfect as the memory is that with the present object there are two figures as the rational sculpture and the sensitive point when the memory is but one as the sculpture which remains as with the rational but the sensitive print is rubbed or worn out and the reason why remembrance is not so perfect as the memory is because remembrance is but a copy of a copy from the original print for remembrance is but a pattern taken from the Memory and the memory 〈◊〉 a pattern taken from the objects Chap. 157. Of figure presented to the senses and figures together THe reason why figurative senses are quicker then the figurative growth is It is less labour in printing on the dull part of matter then in cutting out sculpt figures not for the strength of actions as for the several laborious actions therein fetching their material a far way and for many several places which requires time and place when printing is but a press laid upon a flat Chap. 158. Of objects and the senses something differing from the other Chapter THat innate matter which I call the sensitive spirits for distinction sake makes holes or doors in animal figures to receive outward objects as the ears eyes nostrils mouth pores of the skin and the like and these outward objects are presented to that part of innate matter which I call rational spirits but that part of innate matter I call sensitive spirits as for example thus there is a house or a tree or any the like gross material figure which is subject to the sense of animal figures these standing at the doors of the eyes which as soon as the sensitive spirits
when they find the house rotten and ready to fall Or scar'd away like Birds from their Nest. But where should this Swarm or Troop or Flight or Essences go unlesse they think this thin matter is an Essence evaporates to nothing As I have said before the difference of rational spirits and sensitive spirits is that the sensitive spirits make figures out of dull matter The rational spirits put themselves into figure placing themselves with number and measure this is the reason when Animals die the External Form of that Animal may be perfect and the Internal motion of the spirits quite alter'd yet not absent not dispers'd untill the Annihilating of the External Figure thus it is not the matter that alters but the Motion and Form Some Figures are stronger built then others which makes them last longer for some their building is so weak as they fall as soon as finished like houses that are built with stone or Timber although it might be a stone-house or timber-house yet it may be built not of such a sort of Stone or such a sort of Timber Chap. 49. Of the Senses THe Pores of the skin receive touch as the eye light the eare sound the nose scent the tongue tast Thus the spirits passe and repasse by the holes they peirce through the dull matter carrying their several burthens out and in yet it is neither the Burthen nor the Passage that makes the different sense but the different motion for if the motion that coms through the Pores of the Skin were as the motions which come from the Eye Ear Nose Mouth then the body might receive sound light scent Tast all other as it doth touch Chap. 50. Of Motion that makes Light IF the same motion that is made in the Head did move the Heel there would appear a Light to the Sense of that part of the figure unlesse they will make such matter as the Brain to be infinite and onely in the head of an Animal Chap. 51. Opticks THere may be such motion in the Brain as to make Light although the Sun never came there to give the first motion for two opposite motions may give a light by Reflection unlesse the Sun and the Eye have a particular Motion from all Eternity As we say an Eternal Monopolor of such a kinde of Motion as makes Light Chap. 52. Of Motion and Matter VVHY may not Vegetables have Light Sound Taste Touch as well as Animals if the same kinde of motion moves the same kinde of matter in them For who knows but the Sap in Vegetables may be of the same substance and degree of the Brain And why may not all the senses be inherent in a figure if the same Motion moves the same matter within the figure as such motion without the figure Chap. 53. Of the Brain THe Brain in Animals is like Clouds which are sometimes swell'd full with Vapour and sometimes rarified with Heat and mov'd by the sensitive spirits to several Objects as the clouds are mov'd by the Wind to several places The Winds seem to be all Spirits because they are so agile and quick Chap. 54. Of Darknesse TO prove that Darknesse hath particular motions which make it as well as motion makes light is that when some have used to have a light by them while they sleep will as soon as the light goeth out awake for if Darknesse had no motion it would not strike upon the Opick Nerve But as an equal motion makes light and a perturb'd motion makes colour which is between Light and darknesse So darknesse is an Opposite Motion to those motions that make light for though light is an equal motion yet it is such a kinde or sort of Motion Chap. 55. Of the Sun VVHY may not the Sun be of an higher Extract then the rational spirits and be like Glasse which is a high Extract in Chymistry and so become a shining body If so sure it hath a great knowledge for the Sun seems to be composed of pure spirits without the mixture of dull matter for the Motion is quick and subtle as we may finde by the effect of the light and heat Chap. 56. Os the Clouds THe Clouds seem to be of such spungy and porous Matter as the Rain and Aire like the sensitive spirits that form and move it and the Sun the Rational Spirit to give them knowledge And as moist Vapours from the Stomack rise and gathering in the Brain flow through the eyes so do the Clouds send forth as from the Brain the Vapours which do rise in showres Chap. 57. Of the Motion of the Planets THE Earth Sun Moon the rest of Planets all Are mov'd by that we Vital Spirits cal And like to Animals some move more slow And other some by quicker motion go And as some Creatures by their shapes do flye Some swim some run some creep some riseth high So Planets by their shapes about do winde All being made like Circles round we finde Chap. 58. The Motion of the Sea THe Sea 's more quick then fresher waters are The reason is more Vital spirits are there And as the Planets move still round about So Seas do ebb and flow both in and out As Arrows flye up far as strength them lend And then for want of strength do back descend So do the Seas in ebbes run back again For want of strength their length for to maintain But when they ebb and flow at certain times Is like the Lungs that draw and breath out wind Just so do Seas draw back and then do flow As constant as the Lungs do to and fro Alwayes in motion never lying still The empty place they leave turn back to fill We may as well inquire of Nature why Animals breath in such a space of Time as the Seas ebb and flow in such a space of Time AN EPISTLE TO CONDEMNING READERS MAny perchance will laugh in scorn at my opinion and ask what reason I have to think those things I have described should be made with such a kinde of Motion my answer is that I guess by the forms I mean the figures or shapes what the motion may be to produce them for I see the figure of a four leg'd Creature hath other motions then two legged Creatures or then those Creatures that have no legs and I see some shape Creatures that can flee by reason of their figures which is made proper to produce that kinde of motion for those that are not made so cannot do so By this I think it probable that Internal motions are after the manner of External motions for we may guess at the cause by the effects so by the figures of Snow Frost Hail Rain Vapor and the like we may guesse at other Internal or external motions that produced their External figures or alterations and by the effects of light darknesse heat cold moisture what manner of motions produced them wherefore I know no reason why any should condemn my opinions But
which move after another manner for though both these sorts of motions are to bring towards a point yet Contraction me thinks strives more against Vacuum then Attraction gathering all into a firm body stopping up all porous passages shutting out space and gathering in matter as close as it can indeed Attractions are but in the way to Contractions as Dilations to expulsions but this sort of motions is surfling pleating folding binding knitting twisting griping pressing tying and many the like and after several manners or fashions Thirdly Retention is to hold or to stay from wandring to fix as I may 〈◊〉 the matter to one place as if one should stick or glue parts together Fourthly Dilations are to inlarge as to spend or extend striving for space or compasse it is an incroaching motion which will extend its bounds as far as it can this sort of motion is melting flowing streaming spreading smoothing stretching and millions of the like Fiftly Expulsive is a motion that shuns all unity it strives against solidity and uniformity it disperses every thing it hath power on this sort of motion is breaking dissolving throwing about Sixthly Digestive motions are the creating motions carrying about parts to parts and fitting and matching and joyning parts together mixing and tempering the matter for proper uses Chap. 67. Of Exterior Motions produced from the six principle Motions I Will here repeat some of the varieties of grosse exterior motions such as are visible to our grosser senses to cleer my readers imaginary motion Some motions draw as horses draw Coaches Carts Sleds Harrows or the like others as horses and dogs are led in a bridle or string Some as beasts draw their prey to the Den moving backwards Some draw up lines shorter and thicker and some draw in circular lines sloping lines and square lines Other sorts of drawing some straight lines some square lines round lines slope lines some motions draw up some draw down some draw side-wayes some crosse some regular Other motions do as if one should drive or shove a solid substance before them the varieties of these motions Some are as if a man should drive a wheel-barrow or rowling of barrels or driving a plough or a rowler and millions the like Others are as if beasts and men were to carry burthens some bearing burthens on their back some on their head some in in their mouth some in their arms some in their hands some under their armes some on their thighs some on their stings as Bees do and millions the like and every one of those burthens have several motions thereto and yet all but bearing motions Other sorts of motions as throwing the bar pitching the bar throwing a ball striking a ball throwing a bowl flinging a dart darting a dart throwing upward downward straight-out side-wayes and all these several manners is but a throwing motion Leaping running hopping trotting gallopping climing clamering flying and infinite others yet all is but a lofty motion Diving dipping mowing reaping or shearing rowling creeping crawling tumbling traveling running and infinite the like examples may be given of the varieties of one and the same kinde of motion Chap. 68. Of double motions at one and the same time on the same matter AS for example spinning flax or the like is drawn long and small twisted hard and round and at one time Again a bowl runs round-way and yet straight-out at one time A shuttle-cock spins about in a straight line The winde spreads and yet blows straight-out at one and the same time Flame ascends Circular and many the like examples may be given Chap. 69. Of the several strengths ALthough there be infinite strengths of Motion yet not to all sorts of figures nor to all degrees of matter for some figures move slow others move swift according to the Nature of the shape or the interior strengths or the degree or quantity of innated matter that created them for though every degree of innated matter is of one and the same strength yet there are different degrees but onely two degrees are subject to our weak sense as the innate minde and the innated body which we call sense and reason which sense and reason may be in every thing though after different manners but we have confined sense onely to animal kinde and reason onely to mankinde but if the innated matter is in the dull parts of matter as the life of the body then there is no part that hath not sense and reason whether creating or created dissolving or dissolved though I will not say that every creature enjoys life alike so every figure is not innated alike for some is weaker innated and some stronger either by quantity or degree yet every figure is innated for it is innated matter that creates and dissolves figures yet the innated matter works according to the several degrees and tempers of the dull part of matter and to such properties and figures and figures properties and proper figures that is motion doth form the onely matter into figures yet motion cannot alter the Entity of only matter but motion can and doth alter the interior and exterior figures and though the several degrees of matter may be placed and replaced in figures yet the nature of the matter cannot be altered Chap. 70. The creations of Figures and difference of Motions THose motions that are proper to create figures are different from those motions that dissolve them so that sympathetical internal motions do not onely assist one another but Sympathetical external Motions and Sympathetical figures this is the reason that from two figures a third or more is created by the way of procreation yet all figures are created after one and the same kinde of way yet not after one and the same manner of way as Vegetables Minerals and some sorts of Animals as such as are bred from that we call corruption as some sorts of worms and some sorts of flies and the like Yet are they created by the procreation of the heat and moisture the same way are plants that grow wilde produced but those that are sown or set although they are after one and the same kinde of way yet not after the same manner for the young vegetables were produced from the seeds and the earth which were sowed or set together and in grafts is when two different plants produce seed of mixt nature as a Mule is produced or the like creature from two different Animals which make them of mixt nature for As there is a Sympathetical conjunction in one and the same kinde of figure so there is a Sympathetical conjunction in some sorts of figures but not in all nor to all for that would make such a confusion in nature as there would be no distinction of kindes besides it were impossible for some kinde of figures to make a conjunction with other kindes being such a difference betwixt them some from the nature of the figures others from the shape
the same figure Chap. 96. Of the needle I Perceive the norths attraction of the Load-stone is not after the same manner of attraction as the Load-stone attracts iron for the attractions of the Load-stone draws iron to it but the attraction of the north draws the Load-stone towards it by the turning it that way as the Sun will do the the heads of some sorts of flowers For if the north attracted the Load-stone as the Load-stone iron the Load-stone would be in a perpetual motion travelling to the north pole unlesse it were fixt but I do not hear that a Load-stone doth remove out of the place wherein it is but it turns as I may say the face towards it now the question will be whether the Loadstone turns it self towards the north or the north turns by compulsion or by sympathy the experiment will be by iron that if a great quantity of iron should be said at one side of the needle whether the needle would not vary from the north towards the iron if it do it shews the Load-stone turns itself towards the north or else it could not turn from the north for certainly the north hath a greater operative power to turn the Load-stone to it then the Load-stone could have to turn it self from it so if a quantity of iron can cause the needle to vary it shews that the Load-stone turns to the north by a self motion and not the motions of the north that make it turn to it but if it varies not towards the iron then the north forces it unlesse the Load-stone takes more delight to view the norths frowning face then to imbrace hard iron or that the feeding appetite is stronger then the viewing delight for it onely turns it self to the face of the north but if it turns not it self the north forces it to turn which as I have said before is to be found by the experiments of iron but if it turns it self I beleeve it may receive some refreshments from those raies which stream from the north for all things turn with self-ends for certainly every thing hath self-love even hard stones although they seem insensible so the Load-stone may work as various effects upon several subjects as fire but by reason we have not so much experience of one as the other the strangenesse creates a wonder for the old saying is that ignorance is the mother of admiration but fire which produceth greater effects by invisible motions yet we stand not at such amaze as at the Load-stone because these effects are familiar unto us But per chance the Load-stone is nourished by iron as many creatures are by heat for though the creatures are nourished there with yet the heat alters not its vertue nor the body in whichthe heat inheres loses not the property of heating the sun is not weakned by warming the earth though the earth is stronger by the warm ' th of the sun but warm ' th feeds after a spiritual manner not a corporal and as somethings are nourished by warm'th so others by cold as ice snow and many other things that are above number So the Load-stone may be refreshed although not fed by the cold north and as fire is fed by fuel so is the vertual part of the Load-stone by iron or as exercise gets health and strength to Animal bodies so doth the Load-stone on iron and as idlenesse breeds faintnesse or weaknesse 〈◊〉 doth the Load-stone from iron Chap. 98. Of stone FIre hath more power over Metals in some sense then on stone and in some sense hath more power over stone then metals For fire will sooner melt metal then dissolve stone but when the exterior form of stone is dissolved it is changed from the nature of being stone and be comes dust and ashes And though metal would likewise change the interior nature if the exterior form were dissolved yet metal although it be melted keeps the interior nature and exterior form but not the exterior motions for metal is metal still although it be melted onely it becoms fluid this sheweth that fire doth not onely alter the exterior motion of stone but dissolves the exterior form and so the interior nature which in metal it doth not unlesse a more forcible fire be applied thereto then will serve to melt which shewes that although the interior motions of stone be contractions as all solid bodies are yet the interior nor exterior natural figure is not circular as metals are for stone cannot be made fluid and as it were liquid as metal will be but crumbles into dust and wasts as wood or the like and not evaporates away as water which metal doth This sheweth that the exterior and interior natural form of stone is composed of parts and not in one piece as a circle I do not mean in one piece as the exterior bulk but in one piece in the exterior and interior nature For though you may pound or file metal to dust that dust as small as Atoms the like may be done to stone wood and flesh or any thing that is dividable yet it will keep the nature of being metal stone wood flesh or the like although the parts be no bigger then an Atom but if you do dissolve the exterior nature the interior nature doth dissove also thus the exterior form may be altered but not dissolved without a total dissolution Chap. 99. Of burning ALL that is hot is not of a burning faculty nor all that is burning is not actually hot and though Burning Motions work several wayes according to the temperament of the matter and composure of the figures it meets with yet the nature of all kinds of burnings is to expulse by a piercing and subdividing faculty provided that the burning Motions and burning figures are strong enough to incounter what opposeth them but when the opposed bodies and motions have an advantage either by strength or otherwayes it alters the nature and faculty of burning and many times there is great dispute and long combats amongst the several motions and different figures for the preheminency Chap. 100. Of different burning THough all that is of a burning nature or faculty may be called fire yet all that hath a burning nature or faculty is not of that sort of fire which is a bright shining hot glowing fire as for example vitrals brimstone oyl or spirits or that we call cordials or hot-waters or any of the like nature Besides all burning figures or motions work not after one and the same manner though after one and the same nature being all of a burning quality or faculty for some burn interiorly others exteriorly but as I havesaid all burning is of a subdividing faculty Chap. 101. Fires transformation THe interior and exterior figures of hot glowing burning bright shining fire are all one and the motions working apart according to the nature of the figure it works on can change every thing it hath power over into its own likenesse yet the
both of philosophical opinions may give a great light to this study Physicians must first take care in their prescriptions to prevent errours of mistake before he apply remedies to cure Cap. 142. The frame of mans body I Will first discourse of the orderly course of nature which is to have a perfect shape according to the kinde or sort of figure it was created to that is like a house to be well built next to have it strong and firm thirdly to have it commodious fourthly to have it well furnished fifthly to have it clean from dirt or rubbish sixthly to keep it in repair seventhly to prop it from falling down with old age the pulling it down by some evil accident or burning it by feavers or the like or drowning it by dropsies Andthough I may similize it to any figure yet I onely imploy it to man-kinde that is to havea perfectand upright shape a clear strength sound parts plump and fat clean from gross humors and obstructions to keep it healthful with wholsome food to help nature with cordials or physick death being the destruction Chap. 143. Of natural self-tyrannie MOtion doth not onely divide matter infinite but disturb matter infinite for self-motion striving and strugling with self-motion puts it self to pain and of all kinde of motions the animal motions disturbs most being most busie as making wars and divisions not onely animal figures against animal figures but each figure in itself by discontents and dislike which discontent makes more pain then ease orpleasure or tranquillity by reason of irregularity but motion is an infinite and eternal tyrant on infinite figures for as motion makes figures so motion dissolves figures which makes infinite and eternal matter eternal restless for the extract of infinite matter which is an innated matter which innate matter is motion and makes the dull part of matter so too by working thereon thus the onely and infinite matter is a tyrant to its self or rather I may say infinite is a tyrant to motion and motion to figure and eternity to all For though infinite eternal matter motion and figure are individable yet they are all as separated in aspiring for motion although it is but an effect of matter yet strives for absolute power over matter and figures and infiniteness strives for the absoluteness and power 〈◊〉 motion and figure and eternity strives for absolute power over all thus the effects strive to have power over the prime causes which is the onely matter for if there were no matter there could be no figure nor motion nor infinite nor everlasting the like do the minor effects over the minor causes for effects are causes of effects Chap. 144. The two ground motions amongst the rational innate matter THe rational innate matter moves as it were two-fold for they have different motions in the figures from the figurings like as the sensitive matter which moves the dull part of matter internally and externally according to the nature of each figure as for example the creating of a figure is one way and the severall actions of the created is another way the like doth the rational innate matter it first runs into figures and then moves figuratively Again some figures they are stronger then others will force the weaker figure to move after their manner Chap. 145. The two chief parts belonging to man is the head and the heart wherein resides the rational spirits THe head and the heart are the two residing parts for the rational innate matter to move in making passions in the heart and reasons in the head and whensoever those parts be disaffected the understanding and passions are disordred and many times so as never to be rectified but some times this disorder comes by the mis-working of the sensitive 〈◊〉 matter and sometimes by the wrong steps and false measures of the rational innated matter But though the annimal knowledg or reason be disordered yet not extinguished unless the annimal sense be absolutely altered which is to dye for though they move not regular yet they move after an animal manner As for example a man although he goeth not upright according to his natural shape but creeps upon his hands and knees or that he is forced to role from place to place having neither armes nor legs yet he moves in an animal manner and partly to what his natural shape is for these force motion or want of some of the outward parts alters him not from being an animal nor it from being a man unless all the sensitive motions which naturally belong to their figure be altered and then he turns from that kinde of creature Chap. 146. Whether the passions are made in the head or heart SOme are 〈◊〉 〈◊〉 the passions are made in the head others that they are made in the heart for my part I am of the latter opinion that is that all passions are made in the heart as Love Hate Fear Anger Grief Jealousie Envy Malice and the like and also the Will and opinions which are a kinde of passions and that imaginations conceptions fancies understanding judgment memory and remembrance is made in the brain and that which we call thought or animal knowledg is made both in the brain and heart for if either of these two parts be wounded that knowledg dies as both the sensitive knowledg and rational both being that which we call thought the one belongs to the body the other to the minde for touch is a weak thought and thought a strong touch and my reason is why I think that the passions are created in the heart and not in the head is first passion and judgment seldom agree Secondly when we have the passion of fear or anger or the like all the motions that work to those passions are felt in the heart for if we do observe we shall finde all passions arise from the heart and all the parts near thereto will be disturbed when in the brain we finde no violent motions at all perchance the sensitive part may be disturbed as to make the head-ache as with a general distemper Thirdly there are oft times passions felt as it were in the heart without any knowledg or thought of it in the head as when we shall be sad and angry and fearful and know no reason why Besides objects many times passe by or as it were steal through the senses and likewise creep through the brains and raise a passion in the heart without any notice taking thereof or knowledg how it came therein Lastly that although there is a great sympathy betwixt the passions and imaginations yet they are not after one and the same manner of motions which sheweth they are created in several figures the one in the triangular heart the other in the spherical brain and the different shapes of the head and heart may be one cause that makes the difference betwixt passions and imaginations as well as the different motions But to prove passions are
made in the heart and not in the head is that when the brain is distempered and mad as we say yet the passions may be free and regular and Love and Hate which are the two chief passions may be constant to the objects they were placed on thus the minde or soul which is the rational innate matter lies as much in the heart as the head Chap. 147. Of different passions in one and the same part AS for passion we shall love and hate at one and the same time but not one and the same thing at one and 〈◊〉 same time for that is impossible But different passions are made according to the subjects or objects they move by or to yet the rational innated matter which creates passions may move partly sympathetically and partly antipathetically at one and the same time As for example a man may be in love with a woman for her beauty or wit or behaviour and yet have an aversion to her bad qualities but a man cannot love the person of a woman and hate it at one and the same time but to the creating of those passions that sympathies as love and hope and joy and the like The rational innate matter doth as it were spread and delate its self but for those passions that antipathies it contracts it self more together as in hate fears jealousies doubts envy spight and the like and when two or three passions arise at one time as a passion of grief for my friend that is killed and a passionate hate to his murtherer or the like then the rational innated matter divides its self partly moving after one manner and partly moving after a quite contrary manner and so may divide into as many parts and after as many several manners as their place or quantity will give way to but when we love what was hated or hate what was loved then the innate matter changes their motions towards such a subject or object without a division but when they move disorderly the passions are like a tempest at Sea passions beat against passions in a confused manner distempering the whole body causing the senses to mistake with the violence thereof likewise in the brain there may be opposite motions amongst one and the same degree of innated matter either rational or sensitive either by an alteration of motion in one and the same part of matter or by divisions moving in parts but when the rationall innate matter moves in a regular division and the measures of time and the notes of motions skilfully set and rightly kept that is curiously or neatly and carefully ordered then there is a harmony which harmony is a quiet minde gentle imaginations a clear understanding a solid judgment elevated fancies and ready memory but when this rational innated matter moves disorderly there arises extravagant fancies false reasons misunderstandings and the like Chap. 148. The affinity betwixt imaginations and passions IT is the rational innate matter that makes passions and not the sensitive innated matter for the senses onely present the 〈◊〉 the rational the passions which shews the rational innated 〈◊〉 is as much in the heart as in the head and may be of the same degree of strength although they work different wayes as being different figures yet there is such sympathie with each other whether by recourse or otherwise as passions will raise imaginations corrupt judgment disorder reason and blindfold understanding And imaginations will raise passions as fear love hate doubts hopes and the like which shews that the rational innate matter in the head and heart hath such affinity as the sensitive innated matter hath in the stomach and head as the pain in the head will make the stomach sick and a sickness in the stomach will make the head-ache I will not say at all times but most commonly neither will imaginations at all times raise a passion nor a passion an imagination but very often Chap. 149. Of the Brain THe brain is not the cause of knowledg and understanding for a bird that hath but a little brain seems as understanding if not more then a great beast as an ox or the like which hath far greater quantity of brain but perchance the bird hath more of the rational innated matter in his little brain then the beast that hath more braine for the rational innated matter moves in the brain not on the brain for that is wrought and moved by the sensitive innate matter being made of the dull part of matter for when the brain is defective it is caused by the sensitive innated matter not the rational innated matter yet oft times the sensitive innate matter disorders the motions of the rational innated matter as we shall see in distempered and sick bodies like-wise the disordred motions in the rational innate matter will disorder the sensitive motions as we shall see by troubled mindes Chap. 150. Of the multitude of figures amongst the rational matter in the brain and heart THe reason why we may have millions of several figures in our memory at one time so likewise raised up to our remembrance when we can receive but one perfect figure through our senses at one time is that the passages for outward objects to enter is so straight in all animal figures as that but one object can take place therein I mean as being perfectly distinct for the passages being straight many objects entring at once make a confusion at least a disorder for if more then one object be presented at one time to any particular sense they are received but by piece-meals as in the small parts and many times the divided parts are so mixt together as no piece is perfectly seen or heard or smelt or tasted or touched besides the passages being straight the sensitive innate matter cannot work so regular having not liberty for it is not with the sensitive innate matter as with the rational innate matter by reason the sensitive innate matter works upon gross materials as upon the dull part of matter which makes that it cannot move so nimbly nor divide into parts so suddenly especially in a straight passage as the rational innate matter can which moves onely in number and measure without any dull mixture for the rational innate matter can figure out the whole world and millions of several figures therein sooner and swifter then the sensitive innate matter can print one figure upon any of the senses and not onely those figures that the sensitive innate matter presents or hath presented but makes those figures that were never presented as those we call phantasms and as I said the rational innate matter hath more room to move in as in the head and heart then the sensitive innate matter hath in the ear eye nostrils mouth or pores of the flesh so there may be a greater quantity or proportion of that rational moving matter together in a body or bulk as I may say then of the sensitive innate matter in the foresaid passages
bullet the pistol or that which makes the sound is the center which spreads sound as fire doth light and when such a compass of air is filled with sound either vocal or verbal every ear that stands in the compass must needs receive the sound if they 〈◊〉 not deaf likewise every eye may see day-light that is not blinde and the rebounds of sound are as the reflections of light and verbals are received into the ear as figures into the eyes and as cross lines of light make various colours so different notes make various tunes But some may say that if the air were full of one and the same words or notes that more would enter the ears then was sent I say that is impossible unless the ear could draw the spreading or streaming lines from the circumference to a point which the ear cannot But I believe art may do the same for sound as it can with light for art can draw with glasses made for that purpose many beams to appoint but if the eyes did so it would burn them out Also they can draw several species through a small hole I believe artificial echoes are or may be made after such a manner Chap. 165. Of taste touch and smell THese senses are made by such motions as sound is and as they are set on the drum of the ear so these are set on the nerves of the tongue or on the skin for when the skin is off our tongue we cannot taste likewise for touch they are set on the nerves and sinnews and when these notes are set harmoniously it pleaseth the senses otherwise it displeaseth them which displeasure is pain amongst the sensitive innated matter and hate amongst the rational innate matter As for scent they are motions that draw like lines like a plat-form upon the pia mater of the brain indeed the second draught of the sensitive innated matter is to draw all their figures upon the pia mater of the brain Chap. 166. Of Touch. TOuch is the general sense of the whole body which the other senses are not for though every part of the body is of a several touch yet it is all touch When sight onely belongs to the eyes sound onely to the ears scent onely to the nostrils and taste onely to the tongue besides the loss of any of these senses nay all of them may be wanting as if they were not belonging to life as indeed they are not but onely as conveniencies to the life but not of necessity whereas touch is as it were the life of the figure for when this sense is generally wanting in the animal figure it is as we say dead that is the natural motion belonging thereto is generally altered or quite changed as we say This sense is received through the pores of the flesh and the nerves are the instrumental strings whereon motion playes either a harmony of pleasure or a discord of pain for as their strings are struck so is pain or pleasure felt but I have treated sufficiently of this sense in my chapter of numb'd palsies Chap. 167. Of the pores of the body THe pores are passages which let out the smoke or vapor unnatural heat and the superfluous humors in the body also they are passages to let in comfortable warmth refreshing colds nourishing air these passages have their inconveniencies for they are a means to conveigh out the good with the bad and many times takes in infections as malignant diseases that passe through the pores for infection comes in as much through the pores as any other part of the body Besides many times the radical moisture is carried out by unnatural heats and sometimes the vital spirits by too many transparations but these pores passages are drawn or shut closer together by contracting motions or set wider open by extenuating motions but if these common and necessary passages to the interiour parts be 〈◊〉 close shut either by cold contractions or hot contractions it smoothers and choakes the vital parts by keeping the vapor or smoke that should go forth for the pores in this case are as the funnels of chimneys wherein the smoke ascends up and goeth out and if they are set too wide open by the extenuating motions they cause the body to starve by giving passage to such matter as should be kept in to feed the body or by giving too free passage to the natural moisture that should quench or temper the heat in the body or by giving too free a passage to the gadding spirits that should stay in the body to be imployed to the substance and strength thereof besides when they are too open they are as apt to take in by giving passage to that which is a prejudice to the 〈◊〉 of the body as infections malignity or unnatural colds or the like But the pores of the body are always imployed where the other passages of the body are imployed but some times THE NATVRAL VVARS IN ANIMAL FIGVRES PART V. CHAP. 167. ALL animals after they are created and have an animal life the figure is inlarged by nourishing motions and sympathetical matter these nourishing motions are disgesting motions carrying those parts which are received by the senses unto those parts that are created therein building thereon and fitting therewith strengthning by adding thicknesse as well as inlarging by extention yet all that is received into the stomack is not nourishing the reason is that the temperament of the matter is not sympathetical that is agreeing not with the motions therein For though it is not so antipathetical to make an open war which war is sicknesse yet they do hinder and obstruct like several factions those natural motions which make health but when the natural motions and tempers of humours are quite opposite to the food that is received or the unnatural humours bred in the body by evil digestion they become mutanous by the quantity that is received or that ariseth from obstructions whereupon there becomes a fierce and cruel fight of contrary motions and temperaments of matter and whilest they are in the battle we say the body is sick and if the natural motions be not strong enough to beat that evil and dangerous matter out or at least able to resist them so far as to guard themselves until the evil parts do spend themselves with their own fury or till the natural motions and temperaments can have some assistance as cordials or physick it destroyes the figure it fights with but if the natural motions be more powerfull either by their own strength or by their assistance then the mutinous and rebellious humours or the foreign enemy as surfets and the like but when they are beaten out killed or taken prisoners which is to be purged corrected or purified which makes the humours obedient and peaceable Chap. 168. Of the four natural Humours of the Body and those that are inbred AS there is natural Fire Aire Water and Earth that is made by an intire creation derived
from their own proper principles As likewise a metamorphosed Fire Aire Water and Earth So there are humours in Animal bodies and in other bodies for all I can perceive and though the bodies cannot be metamorphosed yet the humours may But in every Animal body there is natural Melancholy Choler Flegme and blood the natural blood is the vital vapor the natural Flegme is the radical moisture the natural Choler is the radical heat the natural Melancholly is the animal spirits being the highest extract And if we do but observe those that be naturally melancholly have the soundest judgements the clearest understanding the subtilest observation and curiousest inventions the most conceptions the 〈◊〉 fancies and the readiest wits likewise the strongest passions and most constant resolution but humours which are inbred as flegme choler and Melancholy are made as Metamorphosed fire aire water slime mud and earth as for example the chylus is the matter that is metamorphosed The dilating motions transform it from chylus to slime from slime to water from water to blood from blood to vapor from vapor to comfortable and lively heat from comfortable and lively heat to burning fevers and hectick fevers and the like Likewise the chylus by contracting motions turns from chylus to slime If they be cold contractions it turns from slime to flegme from flegme to heavy melancholly If hot contractions it turns from chylus to temperat choler from temperat choler to choler adust from choler adust to melancholly which from a slimy humour to a muddy humor from a muddy humour to an earthy dry humour Some sort of hot contractions make it sharp some salt some bitter Likewise several sorts of salts sharpnesse and bitternesse are wrought with mixt motions cold contractions make the humour glassy and stony Hot contractions make the humours tough clammy glutenous and stony Hot dilatings make the humour oylie cold dilations watry Likewise mixt motions makes mixt humours and mixt tempers inclining to each side as the motions predominate Chap. 169 The five natural Maladies of the body EVery diseased figure is either pained sick dissy numb weak or mad sometimes they meet all in one figure these are distinct senses one from another as for pain although every several part of the body hath different sense yet they agree in the general as to be all pain But sicknesse is quite different from pain for it is another sense for to have a pain in the stomach is not to be sicke in the stomach neither is any part of the body but the stomach is liable to this sense the head may ake and the heart may ake heel or any part of the body but none but the stomach can be sick Indeed it is a different sense from pain Thirdly a swimming or diseases in the head are different from both the other it is a third sort of sense neither is any other part of the body subject to this disease but the head not properly yet faintnesse or weaknesse is a disease as it were tempered with the three former diseases as to have pain sick and dissy or swimming to be mixt or compounded into one disease but it is so mixt and compounded into all three as neither is perfectly or distinctly felt so as it is no distinct sense this disease is generall to the whole body The fift is madnesse this sense is neither painful nor sick nor dissy but light in the head which is different from dissy or swimming but this disease infecteth with a distemper the five outward senses The last is a numbnesse and deadnesse of particular parts and sometimes of the whole body but this disease is not onely a different sense but an other nature which is naturally unknown to the figure for the figure is not any wayes sensible thereof indeed it is of the nature of sowning for those that sown the motions of the animal sense and minde are quite altered for a time but then the animal motions return that is rechanged to the proper motions again so that those dead parts that cannot be restored to the sense of touch are as it were in a continual sown for though in a sown the exterior motion are proper to the sense of touch is changed yet the interior motions proper to the consistence of that figure are not changed for if the interior consistent motions were changed it would turn to 〈◊〉 so in dead palsies if the interior consistent motions were changed those parts would corrupt as do dead carcases Numb palsies ie different from dead palsies as fainting from sowning for fainting is in the next degree to a sown so a numb palsie is the next degree to dead palsies Chap. 170. I will treat first of the motions that make sicknesse THe motions that cause sicknes are different according as the sicknes is or rather the sicknesse is according to the different motions for some motions are like the ebbing and flowing tides of the sea For the humor furdles or folds upwards as the flowing tide which most commonly provokes to cast as overflowing the mouth of the stomack but when the humour folds backward as the ebbing waters do that provokes to the stool for as falling tides run from one place they flows to another so when the humour fals back from the mouth of the stomack it overflows the belly but if the humour neither overflows the belly nor the mouth of the stomack it runs into the nerves like as the water runs through the earth and as the water breaks forth by springs so doth the Humor by several 〈◊〉 eumes Again some sorts of sicknesse in the stomack are made by such kinde of motions as water boyling in a pot over the fire for as ebbing and flowing motions are running backward and so forward so boyling motions are rising upward and falling downward there is as much difference in these motions as betwixt vaughting and running but these rising motions cause vapours to the head for the thin parts which rise highest when their rising strength failes fall not hastily down again but gather to a more solid body as vapor from the earth doht into clouds these clouds cause the dimnesse and darknesse of the sight obstructing the light that is brought by the optick nerves Again there are other sorts of sicknesse in the stomack caused by such motions as are like the rolling of a barrel the humour turning about in the figure of a barrel which figure or the like is somewhat bigger in the middle then the two ends this humour in the stomack is most commonly tough and thick being more united and somtimes one end of this humour is as set upward and the other downward and so turned as a barrel with the head upward and sometimes moved as a barrel the longest way on the ground these motions cause neither purging by vomits nor stool but thrust out into cold sweats for though these are not so strong dilating or expulsing motions as ouer
ravish the minde delight the sense and cause love in the minde others which the sense dislike causeth hate in the minde pain in the sense grieving in the minde pleasure in the sense delight in the minde but if the sense and minde disagree then the sense likes that the minde hates As for example the sense is taking pleasure upon an object which for the crosse disposition the minde 〈◊〉 or for some injury done or by some neglect or out of envie and as they sympathize and antipathize in their working and making so in the expulsions time works out a passion accidents work out passion evacuations work out passion the like in the senses so many times humors are expulsed by passions and as the superfluities are purged out of the body after the same manner are violent passions from the minde for as the body purges by siege by vomit by urin by spitting by sweating by bleeding by incisions and the like so strong passions are purged by weeping by sighing groaning speaking and acting but if the increasing motions of the humors in the body and the passions in the minde be as many and as strong as the expulsive motions then there is a continuance of the same humour or passion for whatsoever is cast forth or wasted is bred again Chap. 205. Of outward objects disagreeing with the natural motions and humours in the body INward commotions of the body are often times caused by outward objects or subjects as when the senses take adelight at some kinde of sound scent sight taste and touch as for example some will sownd at a fearful noise that is at a sudden or unacustomed or tumultuous noise others will sownd at the sight of bloud or at any cruel object or at the sight of a cat or many other creatures some will sownd at sweet-smels others if they should taste cheese or any meat they dissike naturally and some will not onely sownd but die laughing with tickling the reason is that the exterior motion anticipates with the natural motions belonging to the body sometimes onely to the sensitive parts other-some to the rational part others to both The reason is that the disordered motions of the outward senses disorder the interior motions which makes the body sick and the body passionate and sometimes the brain frantick and if they make not the body sick nor the brain mad yet those antipathetical and these disordered motions never fail to put the sense to pain or move passion but when these antipathetical motions be toostrong for the natural motions belonging to the body or minde it brings death or unrecoverable madnes for then the natural motions belonging to that body is as it were extinguished thus we may see that the outward senses may be perfect and the inward parts within that body may be corrupt and decayed so likewise the outward senses may be defected and the inward parts sound and so some parts of the body firme and others infirme and some of the outward parts or sense wanting or defective others free clear and distinguishing The reason is that some of the sensitive innated matter works orderly others disorderly and clear from the nature of the body for as I have said before some of the exterior parts of the body may be nummed or dead the reason is that the natural motions belonging to such a part of the body are altered for every part or parcel hath proper motions belonging thereunto But if in any part of the body the natural motions onely work irregularly then it onely causeth a pain in that part but if the motions work crosse to the nature of the body it causeth that part to die but if they alter but in part it causeth onely a numnesse which is in a degree of being dead but if the natural motions be onely stopt by some outward accident or actions as by a sudden fright which causeth the body to swoon by reason the spirits are contracted by the fright into so straight a compasse and thronged so close together that they cannot move in order or by the action of lying or pressing too hard or too heavy upon any part that hinders the spirits therein from moving after their natural manner which causeth a sleepinesse or numnesse in those parts that are prest by weight or strength those disorders are soon to be rectified Again as by giving liberty or helping the spirits with cordials which gives strength to them and sets them at liberty but if the sensitive parts be quite altered from their natural course they seldom are rectified But sometimes the assistance of the regular motions in the body joyning as it were with one consent do expel that innated matter out of that part wherein they work contrary to the nature of the body and supplies that part with fresh and new matter that moves as it should do Likewise as the sensitive innated matter works in some parts of the body irregularly and in other parts regularly and in one and the same part sometimes regularly and sometimes irregularly the same is it many times with the rational innate matter for sometimes that will moves regularly and sometimes iregularly that makes frantick men sometimes to be in their wits and sometimes out of their wits but if their madnesse be at certain times as at full of the moon or high tides or springs or falls or in the midst of summer or when they keep an evil or too full a diet then it proceeds from those outward accidents which give assistance to the disordered motions which inhabit in the body the original defect being amongst the sensitive innate matter for this shewes that the madness proceeds from some distemper of the body which most commonly is in the spleen or that which they call in women the mother from which parts arise grosse and noisom vapors which ascends up into the head and disaffects the brain and many times the brain is disaffected with its own distempers and whensoever the brain is distempered the rational innate matter which moves therein moves irregularly but when those times or seasons are past or that overfulnesse of humour is purged out the natural motions of humour get strength and the man is well untill the return thereof But if the irregularity be in the rational innate matter it is most dangerous for it seldom or never is cured nor seldom have intermitting fits but as a continual fever in the body so is a continual madnesse in the minde But I shall speak more of this in my following chapters Chap. 206. Of the inward sense and outward sense as the interior and exterior parts SOme of the exterior senses may be extinguished as sight hearing scent or taste or some parts of the body numb or dead or some disjoynted from the rest as leggs or arms toes brest eyes nose or the like and yet the material parts sound and whole which materal parts are the vital parts as the brain the heart the liver the lungs the
l. 25. r. print p. 123. l. 6. r. foul p. 130. l. 6. r. dissolution and l. 27. add and swooning p. 143. l. 3. r. sensitive p. 144. l. 24. r. gold p. 148. l. 10. r. veines p. 149. l. 6. r. fursball p. 157. l. 18. blot out or quick and l. 42. r. as p. 158. l. 30. r. dry and l. 33. r. dry p. 160. l. 11. r. then p. 161. l. 19. r. are not all expulsive p. 162. l. 22. r. matter from the. FINIS I mean of Form dull Matter Some think there was a 〈◊〉 〈◊〉 confused Heap The Readers may take either Opinion Several Motitions and severall Figures * Not the Matter but the Degrees * Not the 〈◊〉 of Figures but the manner of shapes which makes some shapes to have the advantage over others much bigger as a Mouse will kill an Elephant * Which is in Likenesse * Unlikenesse One Shape hath power over another one Minde knowes more then another Either by Growth or Sense or Reason For when Matter comes to such a degree it quickens That it begins to move and Motion is Life * I mean when I say Obstruct that it either turns their motion another way or makes them move slower * I do not say that bones are the solid'st matter in Nature * As the figure of man * All Motion 〈◊〉 Life I mean the Figure of dull matter As a plentiful Crop or a great Brood These degrees are visible to us Dancing is a measur'd Motion * Scorching is when the Motioh is too quick * That is when there come so many spirits as they disagree pressing upon one another * Those degrees that are neerest have the greatest Sympathy * Like Chess-men Table-men Nine-pins or the like * I say higher for expressions sake * Nothing can be made or known absolute out of Infinite and Eternal * Though it may mave oMotions yet not the Animal Motion * The Figure might be without an Animal Motion but an Animal motion cannot be untill there is an Animal Figure * Which food is when such Materials are not proper for such a Figure * The greater the number is the more variety of Motion is made which makes Figures in the brain * in Animal Shapes * To prove that it is the several Motion is that we shall have the same sense in our sleep either to move pleasure or feel pain * Like glasse * Natural power I say extract because it is the essence of matter This for example Drawing motions Driving m tions Bearing motions Throwing striking darting motions Lofty motions Low 〈◊〉 Conjunction of those different motions First the earth bears Vegetables and the plants bear seed and the seed and earth bear Vegetables again Unlesse a greater power destroy it before the natural time Life is in every thing It is but one thing but three words That is to weaken the degree Fish is a kind of flesh The yolk and white is mixt into one substance which we call an adle egge before it be a 〈◊〉 it is bloody T is a lump of flesh before it be bone or sinew And then it is no metamorphosing I shal declare And then it is called a new creature rather then a metamorphosed creature c. Which circular lines I shal expresse hereafter I mean natural extenuations As the pores of the skin Oyl hot-waters wine vitrals aquafortis From earth to water * As thns Or rather like flame As if an Ani mal creature should be pulled and dragged out of ' its natural garb I mean here the exterior nature not the interior nature I mean the heaviest metal to the hardest stone as gold to diamonds or tin or lead to a soft stone * As Vessels wherein water is put and fire underneath This sort of contraction is drawing inward Those sorts are falling backward The contracting motions too strong for the expulsive motions Yet there are but few bodies that are not overcome at last I mean the matter that made it As several men will as peace among neighbours and friends I say aptest not as they do I speak this as a comparison for I know the sun is much bigger then the earth As we say dead I thimk them to be Animals I say natural because there are metamorphosed elements If one powers water on the ground it flows with a Convex In a pear figure See my chapter of Fame Sound enters into all hollow places as well as into the Animal ear I call 〈◊〉 natural that are propper to the figure Fethers wool hair and the like which are neither liquid 〈◊〉 nor wet onely soft and sympathy All animals are not of one shape And as a man may pick a hole through the wall so water will pick a passage through the earth I mean all exterior motions Which moves in figures like dancing The world is presented like a popitplay in the head a Sleep nonrisheth and gives health and strength b Nourishment c Healing decayes 〈◊〉 Strengthening Knitting the muscles nervs and the like Urin to the bladder Excrements into the guts Vapors The innate matter can move slower then their strength or natural agilnesse but not above nor beyond their natural strength and agilnesse I call that matter so 〈◊〉 distinction * As we finde in Churches and caves made hollow arched a noise sounds loudest Lines of light may be made by the sensisitive spirits on the side of the optick nerve as on the outside as in sleep All innate matter is as the minde or life of nature All without outward help The property of each sense Fools have lesse rational innated matter in their braines then those that are wise * As for touch the pores of the flesh are like harpsical keys and the nerves like the wyer strings 〈◊〉 move when those keyes are touch'd which cause pleasure or pain like discord or harmony according as they are struck or plaid upon The head ake is different from the tooth ake or stomack ake and so every 〈◊〉 be it never so small differs As sauces may be equally mixt with several sorts of things as none can tast any one thing in it Like the over flowing of banks Ebbing from the mouth of the stomack as from the river Like low marshy grounds * I think it is rar fied vapor because it is so easily dispersed The stronger motions forceth the weaker to their wayes As on the opticks or as on the drum of the ear the pia mater or the skin for touch and taste As to see hear taste touch smell that which is not present or perhaps not in nature * Figures of innated matter In mad fits * If I mistake not Which is corrupt humors As a sound body Surfets or unholsom meats The stronger motions over power the the weaker Some dayes the body 〈◊〉 better then others so in an hour or half an hour As hot and dry Cordials As to draw every day an ounce or two as long as the violence of the discase lasts I meane there interior strength * As by letting bloud or the like Yet it is first caused by other distempered motions before they come to be distempered expulsions There are hot expulsions and cold expulsions and hot contractions and cold contractions As witnesse the frost and ice The like of other kinde of motions See in the chap of extenuations of water Sometimes longer and some times shorter For as long as the humor remains the 〈◊〉 are repeated Winde Collick A bilious Collick Cramps oft times taken for Collicks * Rheums * Sweats I have treated of the several sorts of fire That is when it works and converts a thinner substance to its own nature But bound about with straight smooth lines without as to the circumference As a flint hard suger brimstone or the like * That which is most apt to I mean purning motions Restraining motions Attractive motion Restoring motion * The humor that staies behiude We may hear a tune so often repeated that it may grow hateful although delightful at first