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Word A Word B Word C Word D Occurrence Frequency Band MI MI Band Prominent
master_n great_a landscape_n paint_v 4,360 5 12.9986 5 false
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ID Title Author Corrected Date of Publication (TCP Date of Publication) STC Words Pages
A51143 The history of painting, sculpture, architecture, graving, and of those who have excell'd in them in three books : containing their rise, progress, decay, and revival : with an account of the most considerable productions of the best artists in all ages, and how to distinguish the true and regular performances from those that are otherwise / by P. Monier ...; Histoire des arts qui ont rapport au dessein. English Monier, Pierre, 1639-1703. 1699 (1699) Wing M2419; ESTC R16358 161,014 242

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popolo_fw-la which_o 〈◊〉_d the_o fine_a ornament_n of_o that_o city_n fontana_n 〈◊〉_d moreover_o choose_v to_o be_v first_o architect_n and_o engineer_n of_o the_o kingdom_n of_o naples_n it_o be_v in_o this_o city_n he_o build_v the_o magnificent_a palace_n of_o the_o viceroy_n and_o several_a other_o edifice_n chap._n xx._n the_o art_n of_o design_v flourish_v in_o france_n under_o francis_n the_o be_v it_o and_o henry_n the_o iid_n and_o their_o successor_n by_o what_o we_o have_v say_v of_o vignola_n it_o may_v be_v gather_v that_o the_o true_a manner_n of_o architecture_n begin_v to_o revive_v in_o france_n and_o even_o before_o his_o time_n for_o it_o begin_v under_o lewis_n the_o xiith_o who_o cause_v jocondo_n to_o come_v out_o of_o italy_n king_n francis_n his_o successor_n have_v the_o like_a inclination_n not_o only_o for_o architecture_n but_o also_o for_o dipingere_fw-la for_o this_o great_a prince_n be_v so_o great_a a_o lover_n of_o these_o art_n that_o he_o make_v it_o 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philip_n and_o cornelius_n gall_n of_o the_o same_o country_n grave_v there_o and_o afterward_o in_o italy_n with_o a_o great_a deal_n of_o reputaion_n this_o art_n appear_v also_o in_o great_a splendour_n in_o france_n in_o the_o time_n of_o rosso_n and_o of_o the_o abbot_n st._n martin_n for_o renè_fw-la engrave_v the_o most_o part_n of_o their_o work_n which_o be_v at_o fountainbleau_n insomuch_o that_o in_o all_o the_o country_n where_o the_o art_n of_o design_v flourish_v grave_v flourish_v also_o and_o be_v esteem_v as_o a_o considerable_a part_n of_o those_o arts._n but_o the_o person_n who_o most_o advance_v grave_v about_o the_o end_n of_o the_o last_o age_n and_o improve_v it_o beyond_o what_o have_v be_v till_o then_o do_v be_v the_o famous_a augustin_n carrache_n for_o not_o to_o mention_v the_o correctness_n and_o excellent_a manner_n of_o design_v he_o be_v master_n of_o to_o a_o very_a high_a degree_n he_o make_v the_o stroke_n cut_v with_o his_o burin_n extreme_a even_o 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correggio_n but_o he_o leave_v his_o brother_n at_o parma_n and_o go_v himself_o to_o venice_n where_o he_o employ_v himself_o in_o grave_v the_o picture_n of_o tintoret_n and_o paul_n veronese_n and_o thereby_o render_v their_o work_n more_o famous_a by_o the_o beauty_n of_o his_o design_v which_o make_v his_o print_n more_o perfect_a than_o those_o of_o other_o graver_n he_o moreover_o grave_v several_a piece_n after_o correggio_n after_o baroche_n and_o make_v also_o several_a plate_n after_o the_o life_n of_o his_o own_o invention_n which_o be_v all_o very_a admirable_a it_o be_v also_o true_a that_o towards_o the_o end_n of_o the_o last_o age_n augustin_n carrache_n advance_v grave_v beyond_o those_o who_o have_v precede_v he_o and_o that_o which_o far_o distinguish_v he_o from_o other_o graver_n be_v the_o excellence_n and_o correctness_n of_o his_o design_n for_o he_o have_v so_o passionate_a a_o desire_n to_o make_v those_o art_n flourish_n that_o he_o with_o his_o illustrious_a brother_n hannibal_n and_o their_o cousin_n lewis_n carrache_n establish_v a_o academy_n at_o bologna_n it_o be_v this_o famous_a school_n which_o bring_v up_o the_o most_o ingenious_a designer_n and_o famous_a painter_n of_o bologna_n who_o maintain_v the_o excellence_n of_o design_v and_o paint_v in_o the_o high_a pitch_n those_o noble_a art_n have_v arrive_v to_o since_o their_o revival_n it_o be_v to_o these_o carrache_n we_o be_v oblige_v for_o have_v hinder_v paint_v at_o the_o begin_n of_o our_o age_n from_o a_o total_a declension_n at_o rome_n which_o then_o threaten_v it_o by_o reason_n that_o the_o mannerist_n of_o the_o school_n of_o joseph_n arpino_n and_o those_o of_o the_o school_n of_o caravage_a who_o be_v their_o antagonist_n get_v the_o better_a of_o those_o who_o follow_v the_o gusto_n of_o the_o ancient_n and_o the_o noble_a manner_n of_o raphael_n but_o at_o last_o the_o ingenious_a disciple_n of_o the_o academy_n of_o the_o carrache_n get_v the_o day_n both_o from_o the_o one_o and_o the_o other_o and_o re-establish_v the_o true_a way_n of_o design_v and_o paint_v which_o have_v ever_o since_o happy_o continue_v down_o to_o we_o and_o throughout_o all_o this_o age_n of_o 1600_o these_o art_n have_v appear_v and_o continue_v in_o perfefection_n which_o shall_v be_v the_o subject_a of_o the_o second_o part_n of_o the_o history_n of_o these_o arts._n by_o the_o ingenious_a graver_n we_o have_v mention_v in_o this_o last_o chapter_n it_o may_v be_v note_v that_o we_o reckon_v grave_v among_o the_o art_n that_o depend_v on_o design_v and_o paint_v as_o consequent_a to_o they_o for_o the_o painter_n first_o begin_v the_o right_a practice_n of_o it_o and_o to_o advance_v it_o to_o that_o high_a degree_n wherein_o now_o we_o see_v it_o we_o may_v moreover_o see_v that_o the_o way_n of_o make_v the_o punchion_n and_o die_v for_o strike_v of_o medal_n be_v one_o sort_v of_o grave_v which_o depend_v on_o sculpture_n and_o that_o the_o most_o excellent_a graver_n have_v be_v all_o well_o verse_v both_o in_o sculpture_n and_o paint_v for_o they_o never_o grave_a their_o coin_n till_o they_o have_v first_o model_v their_o work_n thus_o sculpture_n precede_v grave_v the_o ingenious_a medallist_n in_o the_o time_n of_o henry_n the_o iid_n and_o henry_n the_o ivth_o be_v sculptor_n and_o we_o common_o hold_v that_o john_n goujon_n make_v the_o fine_a medal_n of_o this_o first_o king_n and_o of_o catharine_n de_fw-fr medicis_n which_o be_v to_o be_v see_v john_n rondelle_n and_o estienne_n lanne_v be_v also_o famous_a who_o make_v the_o coin_n under_o henry_n the_o two_o and_o those_o fine_a testoon_n of_o that_o prince_n as_o to_o the_o medal_n of_o henry_n the_o ivth_o the_o fine_a be_v those_o of_o ......_o du_fw-ge pres_n who_o be_v a_o ingenious_a graver_n and_o excellent_a sculptor_n the_o bass_n relief_n which_o be_v to_o be_v see_v in_o the_o king_n of_o sicily_n street_n in_o paris_n be_v a_o proof_n of_o this_o grave_v have_v be_v always_o very_o much_o esteem_v and_o gain_v a_o great_a deal_n of_o credit_n as_o well_o as_o the_o other_o art_n of_o design_v the_o emperor_n commodus_n beside_o design_v which_o he_o learn_v learn_v also_o to_o grave_a as_o we_o have_v show_v in_o the_o begin_n of_o the_o second_o book_n and_o we_o can_v but_o believe_v that_o his_o end_n therein_o be_v to_o make_v medal_n the_o knowledge_n whereof_o have_v always_o be_v so_o much_o esteem_v both_o among_o the_o ancient_n and_o modern_n and_o that_o which_o far_o prove_v this_o be_v that_o we_o find_v no_o other_o way_n of_o grave_v among_o the_o ancient_n than_o that_o of_o grave_v very_o deep_a for_o make_v medal_n and_o grave_v fine_a stone_n for_o ring_n and_o other_o for_o seal_n which_o be_v often_o to_o be_v meet_v with_o in_o the_o cabinet_n of_o the_o curious_a finis_fw-la a_o table_n of_o the_o name_n of_o the_o artist_n mention_v in_o this_o history_n p._n after_o the_o name_n signify_v painter_n s._n sculptor_n a._n architect_n g._n graver_n or_o goldsmith_n s_n and_o a._n sculptor_n and_o architect_n p._n s._n a._n painter_n sculptor_n and_o architect_n a_o abacco_n a._n g._n page_n 189_o abbot_n de_fw-fr clagni_n a._n page_n 175_o aetion_n p._n page_n 20_o adrian_n a._n p._n s._n page_n 44_o 45_o agesander_n s._n page_n 113_o angelo_n s._n page_n 136_o agnolo_fw-it sanese_n s._n page_n 90_o aldigieri_n de_fw-fr levio_n p._n page_n 119_o aldegrave_n p._n g._n page_n 186_o alexander_n moretto_n p._n page_n 124_o alexander_n minganti_n s._n page_n 190_o alexander_n moretti_n p._n page_n 136_o albert_n durer_n p._n g._n page_n 183_o 184_o 185_o 186_o alphonsus_n lombardi_n s._n page_n 160_o alterius_fw-la labeo_n p._n page_n 26_o alexis_n baldovinetti_n p._n page_n 101_o alcamenes_n s._n page_n 22_o andrea_n mantegna_n p._n g._n page_n 108_o 133_o andrew_n de_fw-fr solario_n p._n page_n 115_o andrea_n del_n sarto_fw-la p._n page_n 116_o 144_o andrea_n pisano_n s._n page_n 93_o 94_o andrea_n orgagna_fw-la p._n s._n a._n page_n 93_o andrea_n verrochio_n s._n p._n page_n 99_o 112_o andrea_n del_o castagno_n p._n page_n 101_o andrea_n taffi_n p._n page_n 89_o andrea_n squarzella_n p._n page_n 116_o andrea_n lewis_n d'assise_n p._n page_n 117_o andrew_n contucci_n s._n page_n 160_o amico_n p._n page_n 164_o andrea_n palladio_n a._n page_n 68_o 167_o anthonio_n da_fw-la correggio_n p._n page_n 125_o usum_n more_o p._n page_n 180_o anthonio_n da_fw-la san_fw-it gallo_n a._n page_n 142_o 167_o 168_o antonio_n pollaivoli_n p._n s._n page_n 111_o anthony_n filaret_n s._n page_n 98_o antonello_n da_fw-la messina_n p._n page_n 105_o 106_o 107_o androcida_n p._n page_n 18_o hannibal_n a._n page_n 16_o hannibal_n carrache_fw-la p._n page_n 190_o apelles_n p._n page_n 19_o 20_o 23_o apollodorus_n a._n s._n page_n 44_o 45_o apollonius_n p._n page_n 89_o argellius_n a._n s._n page_n 34_o archiphron_n
leon_n baptista_n alberti_n be_v vignola_n palladio_n scammozzi_n serlio_n barbaro_n cataneo_fw-la philbert_n de_fw-fr lorme_n john_n bullant_a and_o du_fw-fr cerceau_fw-fr who_o have_v treat_v learned_o of_o these_o art_n for_o the_o advantage_n of_o those_o who_o design_n to_o be_v excellent_a therein_o the_o reason_n why_o we_o have_v rather_o give_v this_o treatise_n the_o title_n of_o the_o art_n that_o relate_v to_o design_v than_o the_o history_n of_o paint_v sculpture_n and_o architecture_n be_v because_o design_v not_o only_o comprehend_v those_o three_o part_n but_o also_o grave_v on_o copper_n cut_v in_o wood_n and_o grave_v for_o medal_n and_o damask-work_n and_o embroidery_n and_o inlay_v and_o several_a other_o work_v all_o depend_v on_o design_v for_o this_o reason_n all_o these_o art_n be_v put_v together_o and_o compose_v those_o academy_n which_o be_v call_v in_o italy_n academy_n of_o design_v where_o painter_n sculptor_n and_o architect_n take_v upon_o they_o successive_o the_o first_o place_n and_o for_o this_o reason_n they_o who_o intend_v for_o any_o of_o these_o profession_n first_o of_o all_o learn_v design_v and_o then_o determine_v their_o choice_n to_o some_o one_o in_o particular_a or_o sometime_o to_o more_o be_v capable_a of_o succeed_v therein_o if_o they_o be_v first_o of_o all_o good_a designer_n this_o have_v be_v evident_a heretofore_o in_o daedalus_n phidias_n euphranor_n and_o several_a other_o who_o be_v as_o excellent_a in_o sculpture_n and_o paint_v as_o in_o architecture_n and_o also_o of_o late_a in_o ghiberto_n who_o be_v a_o painter_n architect_n sculptor_n and_o goldsmith_n verochio_n and_o leonardo_n da_fw-mi vinci_n be_v also_o master_n of_o all_o these_o art_n as_o likewise_o bramante_n raphael_n julio_n romano_n baldassare_n vignola_n and_o pirro_n ligorio_n who_o be_v painter_n and_o architect_n michael_n angelo_n be_v equal_o excellent_a in_o architecture_n sculpture_n and_o paint_v for_o he_o be_v a_o excellent_a designer_n hence_o it_o be_v we_o have_v take_v our_o device_n on_o the_o frontispeice_n of_o this_o book_n which_o express_v that_o design_v be_v the_o parent_n of_o paint_v sculpture_n and_o architecture_n and_o now_o we_o can_v but_o expect_v that_o critic_n will_v be_v make_v reflection_n on_o the_o style_n we_o have_v use_v throughout_o this_o history_n but_o that_o the_o reader_n may_v not_o stick_v or_o carp_v if_o he_o meet_v with_o any_o obsolete_a term_n or_o word_n not_o much_o in_o use_n and_o if_o the_o turn_v of_o the_o phrase_n be_v not_o always_o so_o nice_a as_o he_o may_v expect_v he_o must_v know_v that_o the_o author_n design_n be_v only_o to_o make_v himself_o understand_v by_o those_o who_o learn_v design_v wherefore_o he_o hope_v that_o the_o unprejudiced_a reader_n will_v not_o so_o nice_o regard_v the_o politeness_n of_o expression_n since_o his_o business_n be_v paint_v and_o he_o look_v upon_o the_o rest_n only_o as_o accidental_a accomplishment_n if_o this_o history_n find_v a_o favourable_a acceptance_n we_o design_v hereafter_o to_o give_v a_o alphabetical_a explication_n of_o the_o term_n most_o use_v in_o the_o art_n of_o design_v whence_o several_a observation_n may_v be_v raise_v very_o necessary_a for_o the_o instruction_n of_o the_o disciple_n and_o lover_n of_o these_o arts._n the_o content_n book_n i._o of_o the_o original_a and_o progress_n of_o art_n that_o relate_v to_o design_v chap._n i._o god_n be_v the_o author_n of_o the_o design_n and_o model_n of_o man_n or_o of_o human_a shape_n page_n 1_o chap._n ii_o of_o the_o practice_n of_o the_o art_n of_o design_v and_o their_o progress_n among_o the_o assyrian_n p._n 4_o chap._n iii_o of_o the_o height_n to_o which_o paint_v and_o sculpture_n arrive_v among_o the_o egyptian_n p._n 6_o chap._n iu_o the_o egyptian_n communicate_v these_o art_n to_o the_o phoenician_n and_o they_o carry_v they_o into_o greece_n p._n 8_o chap._n v._o the_o art_n of_o design_v flourish_v under_o the_o king_n of_o israel_n p._n 11_o chap._n vi_o sculpture_n be_v practise_v by_o the_o babylonian_n and_o persian_n p._n 12_o chap._n vii_o of_o the_o art_n of_o design_v in_o africa_n and_o carthage_n p._n 14_o chap._n viii_o of_o the_o time_n wherein_o paint_v begin_v to_o flourish_v in_o greece_n p._n 17_o chap._n ix_o at_o the_o same_o time_n that_o paint_v be_v in_o its_o perfection_n in_o greece_n sculpture_n and_o architecture_n be_v so_o also_o p._n 21_o chap._n x._o how_o paint_v go_v from_o greece_n into_o italy_n p._n 24_o chap._n xi_o of_o the_o time_n wherein_o sculpture_n begin_v to_o be_v in_o esteem_n among_o the_o roman_n p._n 28_o chap._n xii_o of_o the_o excellence_n of_o the_o architecture_n of_o the_o grecian_n p._n 33_o chap._n xiii_o of_o the_o perfection_n of_o architecture_n among_o the_o roman_n in_o the_o time_n of_o the_o republic_n p._n 37_o chap._n fourteen_o architecture_n continue_v at_o rome_n under_o the_o emperor_n in_o the_o same_o excellence_n it_o have_v do_v in_o the_o time_n of_o the_o commonwealth_n p._n 41_o book_n ii_o of_o the_o decay_n of_o the_o art_n of_o design_v chap._n i._o under_o the_o reign_n of_o commodus_n the_o art_n of_o design_v begin_v to_o decline_v p._n 47_o chap._n ii_o architecture_n do_v not_o decline_v till_o after_o constantine_n although_o paint_v and_o sculpture_n do_v before_o p._n 49_o chap._n iii_o the_o empire_n remove_v to_o constantinople_n and_o the_o set_n up_o of_o the_o christian_a religion_n contribute_v to_o the_o ruin_n of_o the_o art_n of_o design_v p._n 52_o chap._n iu_o the_o take_n and_o pillage_n rome_n by_o the_o goth_n and_o vandal_n contribute_v to_o the_o ruin_n of_o the_o art_n of_o design_v p._n 54_o chap._n v._o the_o image_n in_o the_o primitive_a church_n do_v not_o keep_v up_o the_o art_n of_o design_v at_o rome_n but_o give_v birth_n to_o that_o manner_n which_o be_v afterward_o name_v gothick_n p._n 56_o chap._n vi_o the_o art_n of_o design_v decline_v less_o in_o the_o eastern_a empire_n than_o in_o the_o western_a p._n 58_o chap._n vii_o of_o the_o antiquity_n of_o image_n in_o the_o christian_a religion_n p._n 62_o chap._n viii_o of_o the_o entire_a ruin_n of_o these_o art_n by_o the_o sect_n of_o mahomet_n in_o all_o the_o part_n of_o his_o dominion_n p._n 66_o chap._n ix_o of_o the_o injury_n paint_v and_o sculpture_n suffer_v by_o the_o iconoclaste_n p._n 69_o chap._n x._o the_o dominion_n of_o the_o goth_n in_o italy_n bring_v in_o the_o rude_a manner_n p._n 74_o chap._n xi_o in_o the_o time_n of_o the_o lombard_n the_o gothick_n way_n continue_v in_o italy_n and_o in_o several_a other_o part_n of_o europe_n p._n 75_o chap._n xii_o from_o the_o time_n of_o charlemagne_n the_o true_a manner_n of_o building_n alter_v less_o in_o tuscany_n than_o in_o other_o country_n p._n 78_o chap._n xiii_o reflection_n on_o the_o fall_n of_o the_o art_n of_o design_v and_o on_o the_o gothick_n manner_n p._n 80_o book_n iii_o of_o the_o re-establishment_n of_o the_o art_n of_o design_n chap._n i._n the_o art_n begin_v to_o flourish_v again_o in_o tuscany_n in_o architecture_n and_o sculpture_n p._n 83_o chap._n ii_o of_o the_o time_n when_o paint_v begin_v to_o be_v re-establish_v at_o florence_n p._n 88_o chap._n iii_o the_o liberality_n of_o prince_n to_o ingenious_a artist_n have_v be_v a_o great_a mean_n of_o the_o revival_n of_o the_o art_n of_o design_v p._n 91_o chap._n iu_o the_o establishment_n of_o a_o academy_n of_o design_v at_o florence_n be_v a_o mean_n of_o re-establish_a the_o art_n p._n 95_o chap._n v._o the_o french_a and_o the_o dutch_a apply_v themselves_o to_o make_v paint_v reflourish_n and_o find_v out_o the_o secret_a of_o paint_v in_o oil_n p._n 101_o chap._n vi_o of_o the_o invention_n of_o paint_v in_o oil_n and_o its_o advantage_n in_o paint_v and_o how_o the_o secret_a go_v into_o italy_n p._n 105_o chap._n vii_o paint_v be_v re-establish_v in_o several_a province_n of_o italy_n p._n 107_o chap._n viii_o the_o school_n of_o florence_n become_v very_o famous_a by_o the_o great_a number_n of_o excellent_a man_n it_o produce_v p._n 111_o chap._n ix_o of_o the_o perfection_n of_o paint_v in_o the_o last_o age._n p._n 118_o chap._n x._o of_o the_o painter_n of_o lombardy_n who_o contribute_v to_o the_o re-establishment_n of_o the_o art_n p._n 124_o chap._n xi_o paint_v in_o point_n of_o colour_n be_v bring_v to_o its_o great_a beauty_n at_o venice_n p._n 128_o chap._n xii_o the_o same_o curiosity_n be_v in_o all_o the_o court_n of_o europe_n and_o chief_o in_o that_o of_o mantua_n p._n 133_o chap._n xiii_o architecture_n arrive_v to_o a_o very_a great_a excellency_n at_o rome_n p._n 137_o chap._n fourteen_o architecture_n begin_v to_o revive_v in_o the_o state_n of_o venice_n p._n 141_o chap._n xv._o michael_n angelo_n make_v architecture_n sculpture_n and_o the_o true_a
greece_n by_o cecrops_n and_o cadmus_n who_o carry_v they_o along_o with_o they_o out_o of_o egypt_n and_o phoenicia_n to_o the_o grecian_n paint_v being_n one_o of_o those_o art_n and_o which_o have_v appear_v down_o from_o the_o time_n of_o semiramis_n with_o architecture_n and_o grave_v go_v also_o to_o the_o greek_n since_o that_o be_v inseparable_a from_o design_v but_o the_o happy_a time_n when_o paint_v begin_v to_o be_v in_o its_o great_a splendour_n in_o all_o the_o state_n of_o greece_n be_v in_o the_o eighteen_o great_a eighteen_o you_o must_v note_n that_o they_o do_v not_o compute_v the_o first_o olympiad_n from_o the_o institution_n of_o the_o olympic_a game_n but_o from_o the_o year_n of_o the_o world_n 3400_o which_o be_v about_o the_o time_n of_o azarias_n king_n of_o israel_n thirty_o year_n before_o the_o foundation_n of_o rome_n according_a to_o vigenere_n in_o the_o table_n of_o philostratus_n p._n 328._o the_o painter_n bularchus_n flourish_v about_o the_o year_n of_o the_o world_n 3400_o about_o 300_o year_n before_o alexander_n the_o great_a olympiad_n when_o the_o famous_a painter_n bularchus_n live_v who_o be_v most_o celebrate_v of_o any_o of_o those_o time_n he_o draw_v the_o battle_n of_o the_o magnesian_o and_o the_o picture_n be_v sell_v for_o its_o 8._o its_o it_o be_v king_n candulus_n of_o lydia_n who_o buy_v this_o famous_a picture_n he_o be_v the_o last_o king_n of_o the_o race_n of_o the_o heraclide_n plin._n lib._n 35._o chap._n 8._o this_o king_n be_v before_o nabuchadnezzar_n ninety_o year_n pliny_n say_v that_o he_o die_v at_o the_o same_o time_n as_o romulus_n lib._n 35._o chap._n 8._o weight_n in_o gold_n which_o show_v that_o paint_n be_v then_o in_o very_o high_a esteem_n which_o be_v about_o the_o year_n of_o the_o world_n 3400._o some_o age_n after_o appear_v the_o work_n of_o 4000_o of_o in_o the_o eighty_o three_o olympiad_n according_a to_o pliny_n lib._n 35._o chap._n 8._o peneus_n fill_v the_o temple_n of_o jupiter_n olympius_n with_o his_o piece_n pausaniar_n in_o his_o eliac_n androcida_n a_o painter_n of_o cizicenia_n paint_v for_o the_o city_n of_o thebes_n the_o battle_n of_o leuctrum_n plutarch_n in_o the_o life_n of_o pelopidas_n they_o count_v the_o six_o age_n of_o the_o world_n from_o the_o deliverance_n of_o the_o jew_n by_o cyrus_n in_o the_o year_n 3468_o and_o that_o age_n last_v till_o the_o year_n 4000_o peneus_n brother_n of_o fidias_n who_o paint_v the_o battle_n of_o maraton_n which_o the_o athenian_n gain_v over_o the_o persian_n with_o great_a applause_n and_o in_o this_o excellent_a piece_n which_o be_v in_o the_o porch_n of_o pecilla_n he_o represent_v the_o captain_n of_o both_o side_n in_o the_o heat_n of_o the_o battle_n 10._o battle_n pliny_n lib._n 35._o chap._n 10._o miron_n and_o polignotus_n in_o the_o nineti_v olympiad_n have_v so_o great_a reputation_n that_o the_o athenian_a senate_n order_v they_o to_o paint_v the_o delphic_a temple_n and_o that_o which_o be_v call_v the_o porch_n of_o athens_n the_o amphitrion_n who_o be_v the_o head_n of_o the_o senate_n be_v so_o please_v with_o their_o performance_n that_o as_o a_o further_a acknowledgement_n of_o the_o merit_n of_o these_o two_o painter_n they_o assign_v they_o very_o fine_a and_o handsome_a lodging_n at_o this_o time_n there_o be_v a_o great_a many_o very_a famous_a painter_n and_o among_o the_o rest_n 9_o rest_n zeuxis_n live_v in_o the_o four_o year_n of_o the_o nineti_v olympiad_n he_o raise_v his_o fortune_n to_o that_o pitch_n that_o he_o will_v sell_v no_o more_o of_o his_o picture_n but_o give_v they_o away_o thus_o he_o present_v his_o alemena_n to_o those_o of_o agrigentium_fw-la and_o pan_n to_o archelaus_n plin._n lib._n 35._o chap._n 9_o zeuxis_n famous_a for_o the_o excellence_n of_o his_o pencil_n and_o the_o riches_n he_o acquire_v he_o have_v contemporary_a with_o he_o eupompus_n timanthus_n androcida_n mantin_n androcida_n pliny_n farther_z mention_n several_a other_o greek_a painter_n and_o among_o other_o euphranor_n of_o the_o isthmus_n who_o flourish_v in_o the_o hundred_o and_o four_o olympiad_n he_o be_v also_o a_o ingenious_a engraver_fw-mi have_v make_v several_a piece_n in_o marble_n and_o some_o colossus_n he_o write_v of_o symmetry_n and_o colour_n plin._n lib._n 35._o chap._n 11._o and_o pausanias_n in_o his_o attick_n p._n 4._o tell_v we_o of_o a_o gallery_n where_o this_o painter_n paint_v on_o the_o wall_n the_o twelve_o god_n theseus_n the_o lawgiver_n the_o battle_n of_o cadmus_n of_o leuctrum_n and_o mantin_n euphranor_n parasius_n and_o several_a other_o the_o last_o excel_v particular_o in_o the_o justness_n of_o his_o proportion_n eupompus_n bring_v up_o pamphilus_n the_o macedonian_a master_n of_o apelles_n pamphilus_n be_v instruct_v in_o all_o the_o liberal_a art_n particular_o arithmetic_n and_o geometry_n without_o which_o he_o esteem_v it_o impossible_a to_o succeed_v in_o paint_v by_o his_o authority_n and_o the_o regulation_n he_o make_v in_o the_o academy_n of_o paint_v 10._o paint_v diagraphicon_n pliny_n call_v it_o diagraphice_v lib._n 5._o chap._n 10._o he_o engage_v the_o most_o considerable_a youth_n of_o the_o city_n of_o scicione_n and_o of_o all_o greece_n to_o learn_v the_o art_n of_o design_v which_o then_o be_v esteem_v liberal_a and_o have_v in_o so_o high_a veneration_n that_o only_o the_o 10._o the_o plin._n lib._n 35._o chap._n 10._o nobility_n and_o gentry_n be_v permit_v to_o exercise_n they_o hence_o this_o city_n become_v very_o famous_a for_o the_o great_a number_n of_o excellent_a painter_n and_o engraver_n that_o be_v breed_v in_o it_o apelles_n who_o be_v the_o scholar_n of_o pamphilus_n carry_v paint_v to_o that_o degree_n that_o the_o ancient_n allow_v he_o one_o of_o the_o first_o place_n among_o painter_n by_o reason_n of_o his_o great_a qualification_n which_o honour_n oblige_v 10._o oblige_v protogenes_n be_v no_o less_o esteem_v by_o king_n demetrius_n than_o apelles_n by_o alexander_n this_o prince_n have_v besiege_v rhodes_n go_v to_o see_v he_o work_n in_o a_o house_n he_o have_v a_o little_a without_o the_o city_n and_o as_o he_o familiar_o ask_v he_o how_o he_o can_v work_v so_o tranquil_o he_o answer_v he_o that_o he_o know_v indeed_o that_o he_o be_v come_v to_o make_v war_n against_o rhodes_n but_o not_o against_o the_o arts._n this_o prince_n set_v so_o high_a a_o value_n on_o the_o piece_n of_o protogenes_n that_o he_o will_v not_o burn_v the_o city_n for_o fear_n of_o burn_v they_o choose_v rather_o not_o to_o take_v the_o city_n than_o to_o be_v the_o cause_n of_o their_o loss_n plin._n lib._n 35._o chap._n 10._o protogenes_n his_o rival_n to_o acknowledge_v he_o for_o his_o master_n thus_o alexander_n the_o great_a just_o choose_v apelles_n for_o his_o chief_a painter_n he_o give_v he_o great_a riches_n and_o make_v he_o a_o present_a even_o of_o his_o own_o mistress_n 55._o mistress_n her_o name_n be_v campaspe_n alexander_n give_v she_o to_o apelles_n when_o he_o have_v paint_v she_o plin._n lib._n chap._n 10._o this_o author_n take_v notice_n that_o this_o be_v one_o of_o alexander_n great_a victory_n thus_o to_o overcome_v himself_o in_o give_v that_o which_o he_o so_o much_o love_v to_o this_o glorious_a painter_n he_o paint_v his_o venus_n anadiomenes_n by_o this_o woman_n plin._n lib._n 35._o chap._n 10._o apelles_n write_v of_o the_o art_n of_o paint_v as_o do_v also_o his_o pupil_n perseus_n vigenerus_n on_o the_o piece_n of_o philostratus_n p._n 55._o because_o he_o perceive_v that_o he_o be_v passionate_o in_o love_n with_o she_o the_o person_n of_o quality_n have_v the_o same_o esteem_n for_o paint_v as_o this_o great_a prince_n wherein_o they_o follow_v his_o inclination_n this_o be_v verify_v in_o the_o story_n of_o aetion_n who_o after_o have_v paint_v the_o nuptial_n of_o aurelius_n of_o lucian_n in_o his_o dialogue_n entitle_v herodotus_n describe_v the_o beauty_n of_o this_o picture_n which_o be_v yet_o to_o be_v see_v in_o his_o time_n in_o italy_n this_o author_n authority_n be_v sufficient_a to_o assure_v we_o of_o the_o excellency_n of_o this_o painter_n because_o he_o himself_o be_v very_o well_o skill_v in_o the_o art_n of_o design_v and_o have_v learn_v engrave_v in_o his_o youth_n afterward_o he_o become_v intendant_a in_o egypt_n for_o marcus_n aurelius_n alexander_n and_o roxana_n expose_v the_o work_n to_o public_a view_n in_o the_o great_a assembly_n of_o the_o olympic_a game_n where_o proxenidas_n one_o of_o the_o deputy_n of_o greece_n then_o preside_v he_o be_v so_o charm_v with_o the_o beauty_n of_o this_o picture_n and_o thence_o conceive_v so_o great_a a_o inclination_n for_o the_o painter_n that_o he_o give_v he_o his_o daughter_n in_o marriage_n chap._n ix_o at_o the_o same_o time_n that_o paint_v be_v in_o its_o perfection_n in_o greece_n sculpture_n and_o architecture_n be_v so_o also_o
to_o constantine_n and_o irenaeus_n he_o assure_v we_o that_o there_o be_v keep_v in_o the_o basilicum_fw-la and_o in_o the_o vatican_n the_o 785._o the_o had._n 1._o epist_n to_o const_n and_o irenaeus_n baron_n annal._n to_o 3._o an._n 324._o and_o to_o 3._o an._n 785._o portraiture_n of_o st._n peter_n and_o st._n paul_n which_o be_v those_o which_o saint_n sylvester_n show_v to_o the_o emperor_n constantine_n maimbourg_n constantine_n constantine_n to_o adorn_v his_o new_a city_n set_v up_o on_o all_o the_o gate_n the_o image_n of_o the_o holy_a virgin_n and_o upon_o that_o of_o his_o palace_n the_o image_n of_o our_o saviour_n which_o leo_n isaurianus_n cause_v to_o be_v take_v away_o he_o also_o cause_v to_o be_v raise_v in_o the_o middle_n of_o his_o palace_n fine_a statue_n of_o our_o saviour_n in_o the_o form_n of_o the_o good_a shepherd_n and_o that_o of_o the_o prophet_n daniel_n in_o the_o lion_n den._n h._n of_o the_o iconocl_n of_o maimbourg_n the_o great_a after_o he_o be_v convert_v hence_o we_o may_v believe_v that_o the_o worship_n of_o image_n have_v its_o rise_n at_o the_o very_a beginning_n of_o the_o primitive_a church_n and_o that_o it_o continue_v till_o the_o time_n of_o the_o emperor_n leo_n isaurus_n in_o the_o east_n which_o continue_v the_o practice_n of_o the_o art_n of_o design_v although_o degenerate_v from_o their_o excellence_n yet_o less_o so_o in_o the_o province_n of_o the_o east_n than_o the_o west_n chap._n viii_o of_o the_o entire_a ruin_n of_o these_o art_n by_o the_o sect_n of_o mahomet_n in_o all_o the_o part_n of_o his_o dominion_n the_o advantage_n which_o the_o art_n of_o design_v have_v to_o maintain_v themselves_o long_a in_o the_o east_n than_o in_o the_o west_n do_v not_o last_v long_o for_o they_o suffer_v a_o entire_a overthrow_n in_o several_a province_n of_o the_o grecian_a empire_n by_o the_o sect_n of_o mahomet_n which_o begin_v to_o appear_v in_o the_o year_n 624._o this_o false_a prophet_n take_v damas_n and_o ruin_a syria_n and_o his_o sect_n increase_a in_o arabia_n egypt_n libya_n barbary_n spain_n and_o even_o on_o this_o side_n the_o pyrenean_n hill_n destroy_v all_o the_o ancient_a building_n and_o piece_n of_o the_o art_n of_o design_v which_o escape_v the_o visigoth_n and_o the_o vandal_n but_o the_o great_a desolation_n be_v make_v by_o the_o saracen_n in_o histor_n in_o they_o take_v also_o about_o this_o time_n the_o isle_n of_o candy_n cyprus_n and_o rhodes_n in_o the_o year_n 640._o it_o be_v they_o who_o break_v to_o piece_n that_o famous_a colossus_n of_o brass_n make_v by_o chares_n the_o indian_a which_o be_v set_v up_o at_o the_o entrance_n of_o the_o port_n of_o rhodes_n where_o ship_n pass_v between_o the_o leg_n of_o this_o great_a statue_n which_o be_v at_o last_o throw_v down_o by_o a_o earthquake_n and_o the_o saracen_n have_v break_v it_o to_o piece_n carry_v it_o to_o alexandria_n the_o brass_n of_o it_o jade_v nine_o hundred_o camel_n this_o be_v about_o the_o year_n 655._o dict._n histor_n italy_n they_o rule_v sicily_n for_o a_o considerable_a time_n and_o be_v master_n of_o a_o great_a part_n of_o the_o kingdom_n of_o naples_n for_o the_o space_n of_o thirty_o year_n principal_o from_o the_o city_n of_o regge_n to_o that_o of_o gath._n moreover_o these_o infidel_n carry_v their_o arm_n even_o to_o rome_n and_o take_v the_o town_n of_o vatic_a and_o burn_v the_o church_n of_o st._n peter_n there_o 135._o there_o roma_fw-it illustrata_fw-la p._n 9_o &_o italia_n illustrata_fw-la di_fw-it biondo_n p._n 135._o and_o st._n paul_n under_o the_o popedom_n of_o leo_n iu._n and_o have_v almost_o take_v the_o city_n in_o this_o space_n of_o time_n these_o people_n destroy_v every_o thing_n that_o be_v fine_a and_o curious_a in_o these_o two_o kingdom_n for_o at_o naples_n and_o the_o neighbour_a town_n there_o be_v only_o some_o remain_n of_o the_o fine_a house_n and_o palace_n of_o the_o ancient_a roman_n these_o palace_n be_v along_o the_o seashore_n on_o the_o coast_n from_o the_o cape_n of_o missena_n to_o the_o other_o side_n of_o the_o puzzolo_n trajan_n puzzolo_n puzzolo_n be_v sack_v by_o alaricus_n gensericus_fw-la and_o totila_n afterward_o it_o be_v rebuilt_a by_o the_o grecian_n the_o theatre_n of_o puzzolo_n be_v one_o hundred_o and_o seventy_o two_o foot_n long_o and_o eighty_o eight_o foot_n broad_a there_o be_v yet_o to_o be_v see_v the_o remain_n of_o the_o temple_n of_o augustus_n all_o of_o marble_n build_v by_o califurnius_n there_o be_v also_o in_o that_o city_n several_a other_o ancient_a temple_n the_o most_o considerable_a be_v that_o of_o diana_n which_o have_v a_o hundred_o column_n of_o a_o admirable_a corinthian_a order_n there_o be_v also_o yet_o to_o be_v see_v a_o part_n of_o the_o magnificent_a temple_n of_o neptune_n and_o the_o remain_v of_o a_o temple_n of_o trajan_n the_o ancient_a fragment_n which_o be_v still_o to_o be_v see_v in_o those_o place_n denote_v the_o splendour_n of_o these_o building_n there_o be_v nothing_o so_o curious_a and_o wonderful_a as_o the_o fishpond_n fleet_n fishpond_n this_o place_n now_o call_v the_o remainder_n of_o the_o wonderful_a fish-pool_n be_v among_o the_o remainder_n of_o the_o palace_n which_o luculus_n cause_v to_o be_v build_v at_o the_o cape_n of_o missona_fw-la this_o subterranean_a place_n be_v to_o keep_v fresh_a water_n for_o the_o fleet_n at_o missena_n prenestes_n missena_n missena_n a_o fine_a ancient_a city_n be_v ruin_v by_o the_o saracen_n in_o the_o year_n 596._o antiq._n of_o puzz_n d._n s._n m._n near_o this_o place_n be_v the_o city_n of_o cume_n whereof_o there_o remain_v a_o fine_a arch_n call_v arco-felice_a which_o be_v of_o fine_a ancient_a architecture_n here_o be_v yet_o to_o be_v see_v in_o this_o place_n the_o cave_n of_o the_o cumaean_a sybil._n the_o pavement_n be_v enrich_v with_o ancient_a painting_n after_o the_o mosaic_a manner_n such_o as_o there_o be_v at_o prenestes_n which_o point_v out_o the_o footstep_n and_o foundation_n of_o a_o noble_a palace_n the_o remain_v of_o the_o vineyard_n of_o luculus_n of_o the_o bath_n of_o cicero_n and_o of_o the_o fabric_n the_o at_o the_o gate_n of_o tipergol_n in_o baia_n caligula_n cause_v a_o bridge_n to_o be_v build_v of_o brick_n and_o pave_v with_o stone_n which_o go_v from_o thence_o to_o baia._n this_o bridge_n serve_v also_o for_o security_n of_o the_o port_n by_o break_v the_o great_a wave_n of_o the_o sea_n there_o yet_o remain_v of_o it_o thirteen_o great_a pile_n suetonius_n relate_v the_o reason_n which_o induce_v this_o emperor_n to_o make_v this_o wonderful_a fabric_n bridge_n of_o caligula_n build_v on_o the_o sea_n of_o the_o amphitheatre_n and_o theatre_n of_o puzzolo_n of_o the_o temple_n of_o castor_n palladio_n castor_n there_o be_v yet_o to_o be_v see_v at_o naples_n the_o gate_n of_o this_o temple_n which_o be_v measure_v and_o engrave_v by_o andrew_n palladio_n and_o pollux_n at_o naples_n and_o of_o several_a other_o ancient_a work_n which_o be_v place_n of_o delight_n of_o the_o roman_n in_o that_o country_n make_v we_o regret_n the_o ruin_n of_o those_o fine_a building_n those_o mischief_n make_v we_o look_v on_o this_o false_a religion_n as_o one_o of_o the_o most_o fatal_a plague_n that_o ever_o happen_v to_o architecture_n sculpture_n and_o paint_v for_o it_o be_v one_o of_o the_o principle_n of_o the_o mahometan_a sect_n to_o make_v no_o image_n of_o any_o live_a creature_n and_o this_o have_v cause_v in_o all_o the_o territory_n of_o the_o turk_n not_o only_o the_o declension_n but_o the_o utter_a destruction_n of_o the_o art_n of_o design_v chap._n ix_o of_o the_o injury_n paint_v and_o sculpture_n suffer_v by_o the_o iconoclaste_n in_o the_o other_o part_n of_o the_o empire_n of_o constantinople_n a_o hundred_o year_n after_o mahomet_n the_o iconoclaste_n set_v about_o break_v and_o demolish_n of_o image_n which_o can_v not_o be_v do_v without_o the_o great_a loss_n of_o paint_v and_o sculpture_n in_o all_o the_o part_n of_o that_o empire_n leo_fw-la isaurianus_n from_o a_o mean_a birth_n come_v to_o the_o empire_n according_a to_o the_o prediction_n of_o two_o jew_n who_o for_o a_o acknowledgement_n to_o they_o on_o that_o account_n order_v the_o destruction_n of_o all_o image_n throughout_o his_o dominion_n this_o give_v the_o first_o rise_v to_o the_o heresy_n of_o the_o iconoclaste_n whereof_o he_o be_v chief_a for_o as_o soon_o as_o he_o think_v himself_o establish_v on_o his_o throne_n he_o show_v his_o fury_n against_o the_o catholic_n by_o his_o edict_n and_o other_o violence_n which_o particular_o appear_v when_o he_o set_v on_o fire_n the_o famous_a manass_n famous_a this_o college_n or_o rather_o academy_n for_o there_o be_v teach_v all_o sort_n of_o science_n both_o human_a and_o divine_a be_v a_o magnificent_a palace_n build_v by_o constantine_n the_o
great_a they_o choose_v out_o the_o most_o learned_a man_n in_o all_o the_o empire_n to_o be_v the_o first_o master_n or_o director_n here_o be_v that_o famous_a library_n which_o contain_v six_o hundred_o thousand_o choose_a book_n but_o which_o perish_v partly_o in_o the_o fire_n in_o the_o time_n of_o basilicus_n and_o zeno._n among_o those_o that_o be_v save_v there_o be_v a_o dragon_n skin_n of_o twenty_o six_o foot_n long_o whereon_o be_v write_v in_o letter_n of_o gold_n homer_n work_n it_o be_v remarkable_a that_o in_o this_o fire_n several_a ancient_a piece_n and_o among_o other_o the_o venus_n of_o praxiteles_n which_o he_o make_v for_o the_o gnidian_o be_v burn_v but_o after_o this_o library_n be_v rebuilt_a and_o fill_v with_o three_o hundred_o thousand_o volume_n it_o be_v entire_o consume_v by_o be_v set_v on_o fire_n by_o leo_n isaurianus_n cedren_n zonar_n constant_n manass_n college_n of_o the_o orthodox_n therein_o to_o burn_v the_o head_n master_n and_o twelve_o professor_n for_o have_v reprehend_v he_o for_o his_o error_n and_o all_o these_o generous_a defender_n of_o the_o faith_n be_v therein_o consume_v with_o every_o thing_n that_o be_v of_o any_o value_n in_o that_o academy_n which_o have_v the_o fine_a library_n of_o all_o the_o east_n he_o moreover_o cause_v all_o the_o painting_n in_o the_o church_n to_o be_v deface_v and_o those_o which_o can_v be_v take_v away_o whether_o picture_n or_o statue_n he_o cause_v to_o be_v pile_v up_o together_o in_o the_o great_a square_n in_o constantinople_n where_o they_o be_v burn_v with_o all_o those_o that_o can_v be_v find_v in_o private_a house_n constantine_n call_v copronimus_n iconeclast_n copronimus_n he_o be_v so_o call_v for_o have_v defile_v the_o church_n wherein_o he_o be_v baptize_v by_o lay_v his_o ordure_n in_o it_o maimb_n hist_o iconeclast_n son_n of_o leo_n succeed_v he_o both_o in_o the_o empire_n and_o in_o the_o hatred_n he_o bear_v to_o image_n for_o it_o be_v this_o constantine_n who_o cause_v all_o the_o admirable_a painting_n of_o mosaic_a in_o the_o church_n of_o nostre_fw-fr dame_n to_o be_v cut_v to_o piece_n as_o also_o those_o of_o the_o palace_n of_o the_o blaquerne_n which_o the_o empress_n pulcheria_n have_v cause_v to_o be_v there_o make_v and_o which_o even_o leo_n himself_o have_v spare_v and_o in_o their_o room_n this_o emperor_n order_v to_o be_v draw_v on_o fresh_a plaster_n landscape_n and_o bird_n they_o break_v down_o and_o deface_v all_o the_o remain_v of_o any_o image_n on_o the_o altar_n and_o wall_n of_o the_o church_n and_o even_o on_o the_o sacred_a vessel_n and_o ornament_n nicetas_n the_o false_a patriarch_n to_o please_v this_o prince_n cause_v all_o the_o fine_a mosaic_a painting_n in_o his_o little_a hall_n of_o audience_n to_o be_v break_v to_o piece_n as_o also_o a_o great_a wainscot_n that_o reach_v all_o along_o the_o great_a auditory_a of_o his_o palace_n enrich_v with_o bass_n relief_n and_o he_o also_o cause_v all_o the_o wall_n of_o the_o church_n to_o be_v plaster_v over_o where_o there_o be_v image_n paint_v that_o he_o may_v not_o leave_v the_o least_o footstep_n of_o any_o image_n in_o the_o patriarchal_a palace_n as_o his_o two_o predecessor_n have_v do_v after_o constantine_n copronimus_n his_o son_n leo_n continue_v to_o destroy_v image_n during_o the_o five_o year_n which_o he_o reign_v but_o under_o the_o regin_v of_o constantine_n and_o irenaea_n his_o mother_n they_o be_v reestablish_v but_o afterward_o nicephorus_n after_o have_v dethrone_v this_o princess_n persecute_v the_o catholic_n as_o do_v his_o predecessor_n the_o emperor_n michael_n curopolatus_n re-establish_v religion_n and_o image_n for_o a_o short_a time_n for_o he_o be_v dispossess_v by_o leo_n the_o armenian_a who_o be_v also_o a_o iconoclast_n who_o cause_v to_o be_v deface_v break_a and_o cast_v into_o the_o sea_n and_o the_o fire_n all_o the_o image_n which_o have_v be_v reestablish_v michael_n furname_v the_o lisp_a his_o son_n continue_v in_o the_o same_o error_n but_o theophilus_n who_o succeed_v this_o last_o be_v yet_o a_o great_a enemy_n to_o image_n and_o paint_v for_o he_o be_v not_o content_v to_o take_v away_o those_o that_o have_v escape_v the_o fury_n of_o these_o emperor_n and_o which_o only_o serve_v for_o ornament_n but_o also_o declare_v himself_o a_o utter_a enemy_n to_o and_o persecutor_n of_o all_o painter_n and_o forbid_v they_o the_o exercise_n of_o their_o art_n this_o prohibition_n be_v make_v in_o particular_a to_o the_o glorious_a monk_n lazarus_n who_o be_v a_o excellent_a painter_n who_o notwithstanding_o do_v not_o desist_v from_o paint_v piece_n of_o devotion_n theophilus_n irritate_v at_o this_o cause_v he_o to_o suffer_v great_a torment_n but_o he_o continue_v notwithstanding_o his_o pious_a exercise_n therein_o he_o cause_v red_a hot_a plate_n of_o iron_n to_o be_v apply_v to_o his_o hand_n to_o burn_v his_o flesh_n think_v thereby_o to_o spoil_v his_o work_v and_o that_o he_o can_v thereafter_o paint_v no_o more_o which_o make_v he_o without_o any_o difficulty_n grant_v this_o excellent_a painter_n to_o the_o request_n of_o the_o empress_n theodora_n who_o beg_v he_o lazarus_n be_v cure_v of_o the_o wound_n he_o have_v receive_v by_o these_o cruel_a torment_n and_o private_o shut_v up_o in_o the_o church_n of_o st._n john_n the_o baptist_n he_o there_o notwithstanding_o his_o burn_a hand_n make_v his_o image_n this_o happy_a lazarus_n survive_v theophilus_n and_o after_o the_o death_n of_o this_o prince_n lazarus_n paint_v excellent_o well_o the_o image_n of_o our_o saviour_n which_o be_v set_v upon_o the_o principal_a gate_n of_o the_o imperial_a palace_n which_o be_v call_v the_o brazen_a gate_n in_o the_o room_n of_o that_o curopol_n that_o this_o image_n of_o our_o saviour_n be_v by_o constantine_n set_v upon_o the_o gate_n of_o his_o palace_n where_o there_o be_v at_o the_o entrance_n of_o it_o a_o porch_n cover_v over_o with_o tile_n 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john_n and_o it_o be_v record_v in_o some_o memoir_n that_o the_o column_n the_o pilaster_n and_o the_o vault_n be_v finish_v in_o fifteen_o day_n time_n vasari_n p._n 79._o st._n john_n they_o also_o build_v other_o consecrate_a to_o st._n luke_n 1061._o luke_n the_o church_n of_o st._n martin_n at_o luque_n be_v build_v by_o the_o pupil_n of_o buchette_v in_o the_o year_n 1061._o and_o some_o to_o pistoia_n but_o they_o do_v not_o at_o all_o exceed_v their_o master_n there_o remain_v the_o footstep_n of_o the_o old_a greek_a way_n chief_o in_o the_o sculpture_n as_o be_v to_o be_v see_v in_o the_o bass_n relief_n of_o st._n martin_n of_o luque_n finish_v by_o nicholas_n 1233._o nicholas_n these_o bass_n relief_n be_v finish_v in_o the_o year_n 1233._o pisan_n who_o learn_v of_o those_o grecian_a artist_n but_o he_o surpass_v they_o for_o there_o be_v a_o great_a deal_n of_o difference_n between_o his_o work_n and_o they_o this_o nicholas_n be_v the_o first_o engraver_n who_o begin_v to_o perfect_a sculpture_n after_o its_o revival_n for_o to_o surpass_v those_o who_o teach_v he_o he_o set_v himself_o to_o study_v the_o fine_a bass_n relief_n of_o the_o ancient_n which_o the_o pisans_n have_v bring_v from_o greece_n and_o which_o be_v to_o be_v see_v in_o the_o churchyard_n of_o pisa_n they_o be_v of_o a_o good_a order_n and_o ancient_a particular_o that_o which_o represent_v the_o hunt_n of_o atalanta_n and_o meleager_n the_o study_n of_o these_o bass_n relief_n furnish_v he_o with_o sufficient_a light_n to_o make_v some_o happy_a advance_n in_o sculpture_n and_o this_o he_o sufficient_o show_v in_o the_o sepulchre_n of_o st._n dominick_n at_o bulloign_n and_o his_o other_o work_n this_o show_v that_o this_o art_n as_o well_o as_o architecture_n begin_v to_o arrive_v to_o perfection_n at_o pisa_n at_o bullogn_n and_o at_o rome_n and_o maria._n and_o about_o the_o year_n of_o the_o world_n 1216_o appear_v marchione_n architect_n and_o engraver_n of_o arreze_n who_o work_v much_o at_o rome_n for_o the_o pope_n innocent_a the_o iiid_n and_o honorius_n iii_o who_o make_v the_o fine_a chapel_n of_o marble_n of_o presepio_n at_o st._n mary_n majeure_n with_o the_o sepulchre_n of_o that_o pope_n which_o be_v of_o the_o best_a engrave_v of_o those_o time_n but_o one_o of_o the_o first_o architect_n who_o begin_v to_o reform_v in_o italy_n be_v a_o german_a name_v james_n who_o build_v the_o great_a convent_n of_o st._n francis_n of_o stone_n he_o dwell_v at_o florence_n where_o he_o make_v the_o chief_a fabric_n he_o have_v a_o son_n call_v by_o corruption_n jacopo_n arnolpho_n lapo_n who_o learned_a architecture_n of_o his_o father_n and_o design_v of_o cimaboius_n and_o practise_v also_o sculpture_n he_o found_v the_o church_n of_o st._n cross_n at_o florence_n and_o several_a other_o building_n the_o most_o considerable_a whereof_o be_v the_o magnificent_a church_n of_o st._n mary_n delfiore_n whereof_o he_o make_v the_o design_n and_o model_n he_o die_v in_o the_o year_n 1200_o there_o be_v engrave_v in_o his_o praise_n in_o one_o of_o the_o corner_n of_o the_o church_n these_o verse_n annus_fw-la millenis_fw-la centum_fw-la bis_fw-la octonogenis_fw-la venit_fw-la legatus_fw-la roma_fw-la bonitate_fw-la donatus_n qui_fw-la lapidem_fw-la fixit_fw-la fundo_fw-la simul_fw-la &_o benedixit_fw-la praesule_fw-la francisco_n gestante_fw-la pontificatum_fw-la istud_fw-la ab_fw-la arnolpho_n templum_fw-la fuit_fw-la aedificatum_fw-la hoc_fw-la opus_fw-la infigne_fw-la decorans_fw-la florentia_n digne_fw-fr reginae_fw-la coeli_fw-la construxit_fw-la ment_fw-la fideli_fw-la quam_fw-la virgo_fw-la pia_fw-la semper_fw-la defend_v maria._n florence_n which_o be_v apparent_a by_o the_o beauty_n of_o the_o cathedral_n of_o st._n mary_n delfiore_n which_o arnolphus_n lapo_n begin_v to_o build_v in_o the_o year_n 1298_o and_o which_o philip_n bruneleschi_n afterward_o finish_v chap._n ii_o of_o the_o time_n when_o paint_v begin_v to_o be_v re-establish_v at_o florence_n paint_v which_o be_v almost_o lose_v begin_v to_o revive_v again_o in_o the_o church_n of_o st._n miniate_v at_o florence_n as_o be_v to_o be_v see_v in_o the_o mosaic_a paint_n of_o the_o choir_n this_o be_v do_v about_o the_o year_n 1013_o and_o till_o the_o year_n 1211_o wherein_o cimabüe_n be_v bear_v we_o do_v not_o see_v that_o that_o be_v acquire_v much_o perfection_n john_n cimaboüe_o be_v bear_v at_o florence_n with_o a_o natural_a genius_n and_o inclination_n to_o design_v which_o make_v he_o neglect_v other_o study_n to_o which_o he_o be_v design_v by_o his_o father_n for_o he_o deceive_v his_o tutor_n and_o be_v continual_o amuse_v himself_o in_o gratify_v the_o inclination_n and_o tendency_n of_o his_o genius_n the_o opportunity_n which_o he_o have_v of_o the_o society_n of_o two_o grecian_a painter_n who_o come_v to_o florence_n to_o paint_n the_o chapel_n of_o gondis_fw-la be_v very_o lucky_a for_o he_o to_o satisfy_v his_o inclination_n that_o way_n and_o when_o his_o father_n see_v he_o employ_v all_o his_o time_n in_o see_v they_o work_n he_o begin_v to_o despair_v of_o his_o son_n succeed_v in_o learning_n and_o so_o even_o let_v he_o learn_v to_o paint_n of_o these_o two_o greek_n the_o genius_n and_o application_n which_o cimaboüe_n have_v for_o design_n make_v he_o soon_o surpass_v his_o master_n insomuch_o that_o his_o work_n distinguish_v themselves_o from_o the_o ill_a and_o rude_a way_n which_o be_v then_o in_o use_n spread_v his_o reputation_n through_o all_o the_o neighbour_a town_n where_o he_o make_v several_a piece_n this_o begin_v to_o raise_v paint_v again_o and_o gain_v this_o painter_n the_o 1294._o the_o the_o reputation_n of_o cimaboüe_n be_v so_o great_a that_o he_o be_v choose_v architect_n with_o arnolphus_n lapo_n to_o order_v the_o fabric_n of_o the_o church_n of_o st._n mary_n delfiore_n at_o florence_n where_o he_o be_v bury_v after_o have_v live_v sixty_o year_n there_o be_v these_o word_n for_o his_o epitaph_n credidit_fw-la ut_fw-la cimabos_n picturae_fw-la
be_v judge_v that_o he_o much_o surpass_v his_o master_n there_o be_v several_a piece_n of_o his_o in_o fresco_n at_o florence_n at_o pisa_n at_o milan_n and_o at_o rome_n which_o be_v of_o the_o best_a sort_n which_o have_v till_o then_o appear_v he_o be_v also_o a_o good_a architect_n and_o die_v in_o the_o year_n 1350._o bring_v up_o this_o painter_n be_v also_o very_o well_o verse_v in_o sculpture_n and_o architecture_n he_o make_v the_o design_n of_o one_o of_o the_o fine_a brazen_a door_n of_o the_o chancel_n in_o st._n john_n church_n in_o this_o city_n and_o it_o be_v engrave_v by_o andrew_n architect_n andrew_n andrew_n pisan_n make_v several_a figure_n of_o marble_n in_o the_o church_n of_o st._n mary_n del_fw-it fiore_n and_o as_o from_o his_o youth_n he_o have_v also_o study_v architecture_n after_o the_o death_n of_o arnolpho_n lapo_n and_o ghiotto_n he_o be_v employ_v by_o the_o republic_n of_o florence_n to_o make_v the_o castle_n of_o discarpe_a he_o also_o build_v the_o church_n of_o st._n john_n of_o pistoia_n and_o the_o duke_n gautier_n of_o athens_n who_o then_o govern_v that_o city_n employ_v he_o in_o all_o the_o affair_n of_o architecture_n which_o he_o undertake_v both_o civil_a and_o military_a the_o merit_n of_o this_o andrew_n be_v take_v notice_n of_o throughout_o all_o that_o lordship_n and_o he_o pass_v through_o all_o the_o office_n of_o magistracy_n his_o chief_a piece_n be_v do_v about_o the_o year_n 1340._o he_o have_v one_o son_n who_o be_v also_o one_o of_o the_o best_a engraver_n of_o his_o time_n vasari_n v._o dell_n andrè-organa_n be_v pupil_n of_o andrew_n pisan_n and_o he_o be_v also_o a_o good_a engraver_n painter_n and_o architect_n he_o die_v in_o the_o year_n 1389_o his_o brother_n james_n be_v also_o a_o engraver_n and_o architect_n pisan_n this_o man_n be_v as_o famous_a for_o sculpture_n as_o ghiotto_n for_o paint_v for_o andrew_n follow_v the_o design_n of_o this_o painter_n study_v the_o ancient_a way_n with_o 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of_o design_n in_o italy_n to_o this_o end_n there_o first_o assemble_v ten_o sienne_n ten_o these_o painter_n who_o found_v the_o academy_n of_o design_n at_o florence_n be_v lapo_n gucci_n vanni_n cinuzzi_n corfino_fw-la buonajuti_fw-la pasquino_n cenni_n segnia_n d'antignano_n consiglieri_fw-la furono_fw-it bernardo_n daddi_n è_fw-fr jacopo_n di_fw-it cassentino_n &_o camarlinghi_n configlio_n gherardi_n è_fw-fr domenico_n pucei_n all_o painter_n this_o academy_n be_v in_o such_o favour_n with_o the_o government_n and_o afterward_o with_o the_o great_a duke_n of_o tuscany_n that_o cosmus_n one_o of_o they_o will_v needs_o be_v one_o of_o their_o number_n and_o cause_v himself_o to_o be_v draw_v like_o a_o designer_n as_o be_v relate_v by_o i._n armenini_fw-la lib._n deal_v n._n p._n p._n 40._o in_o these_o term_n della_n qualle_n si_fw-mi sa_fw-fr con_fw-la quanta_fw-la accortezza_fw-it &_o prudenza_fw-it il_fw-it grand_fw-mi duca_n cosmo_n ne_fw-fr facesse_n conto_fw-la &_o la_fw-fr ottenesse_n conciosa_fw-la ch'egli_fw-la si_fw-la compiacque_fw-la non_fw-la solo_fw-la di_fw-it firenza_fw-it essere_fw-la nel_fw-it nuemero_fw-it delli_fw-it academici_n del_fw-it disegno_fw-la mà_fw-la volse_a encora_fw-la essere_fw-la ritratto_n all_o vivo_fw-la in_o uno_fw-la delli_fw-it quadri_fw-la del_fw-it palco_fw-la della_fw-it maggior_fw-it sala_fw-la del_fw-it svo_fw-la palagio_n che_fw-it sedendo_fw-la col_fw-fr compasso_fw-la in_o mano_fw-la si_fw-la mostra_fw-la che_fw-it misura_fw-la &_o linea_fw-la la_fw-it pianta_fw-it di_fw-it siena_fw-it &_o i_o sum_o tall_a forma_fw-la conferisce_n &_o favella_fw-la col_fw-fr signor_fw-it chiappino_n in_o the_o time_n that_o james_n cassentino_n work_v at_o arezze_n spinello_n a_o painter_n of_o that_o city_n contract_v a_o friendship_n with_o he_o that_o he_o may_v profit_v by_o his_o knowledge_n but_o he_o surpass_v cassentino_n and_o the_o signior_n dardano_n arciaivoli_n cause_v he_o to_o paint_n in_o fresco_n the_o 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of_o he_o continue_v at_o florence_n the_o true_a gusto_n of_o architecture_n by_o reason_n that_o he_o be_v a_o excellent_a geometrician_n and_o good_a designer_n his_o treatise_n of_o the_o order_n and_o his_o work_n of_o architecture_n be_v a_o proof_n of_o it_o the_o famous_a bramante_n by_o his_o excellent_a architecture_n continue_v to_o improve_v the_o latter_a part_n of_o this_o age_n as_o bruneleschi_n and_o leon_n baptista_n have_v do_v and_o also_o the_o beginning_n of_o the_o age_n 1500._o wherein_o he_o live_v bramante_n learn_v paint_v from_o his_o youth_n and_o gain_v his_o livelihood_n thereby_o for_o a_o long_a time_n in_o the_o state_n of_o urbino_n where_o he_o be_v bear_v and_o in_o several_a city_n of_o lombardy_n where_o he_o make_v several_a picture_n but_o as_o he_o have_v also_o a_o genius_n for_o very_o great_a thing_n he_o go_v to_o milan_n to_o consider_v the_o building_n of_o the_o great_a church_n there_o then_o under_o the_o conduct_n and_o
ever_o since_o he_o wear_v the_o habit_n of_o the_o dominican_n and_o though_o his_o first_o talent_n be_v learning_n and_o theology_n he_o be_v notwithstanding_o a_o excellent_a architect_n and_o learned_a in_o perspective_n for_o from_o his_o youth_n he_o exercise_v himself_o in_o the_o true_a ancient_a way_n of_o architecture_n by_o his_o study_n after_o the_o theater_n amphitheatre_n triumphal-arche_n and_o other_o relic_n of_o ancient_a building_n which_o make_v verona_n famous_a when_o joconde_v set_v himself_o to_o practice_v this_o art_n he_o be_v immediate_o very_o much_o favour_v by_o maximilian_n who_o give_v he_o order_n to_o rebuild_v at_o verona_n the_o bridge_n which_o be_v call_v the_o stone-bridge_n and_o which_o be_v very_o considerable_a by_o reason_n of_o the_o rapidity_n of_o the_o river_n and_o its_o move_a bottom_n joconde_v from_o his_o youth_n have_v study_v the_o antiquity_n at_o rome_n and_o even_o the_o very_a inscription_n whereof_o he_o compose_v a_o very_a fine_a book_n which_o be_v present_v to_o the_o old_a duke_n laurence_n de_fw-fr medicis_n he_o also_o make_v note_n on_o caesar_n commentary_n and_o design_v the_o description_n of_o the_o bridge_n which_o that_o emperor_n make_v over_o the_o rhine_n after_o this_o joconde_v be_v send_v for_o from_o rome_n by_o lewis_n the_o twelve_o for_o who_o he_o raise_v several_a building_n the_o most_o famous_a be_v the_o bridge_n of_o notre_fw-fr dame_n at_o paris_n which_o this_o prince_n order_v he_o to_o make_v on_o the_o building_n whereof_o sannazar_n his_o friend_n make_v this_o epigram_n jocundus_fw-la geminum_fw-la imposuit_fw-la tibi_fw-la sequana_n pontem_n hunc_fw-la tu_fw-la jure_fw-la potes_fw-la dicere_fw-la pontificem_fw-la but_o joconde_v at_o his_o return_n to_o rome_n by_o the_o death_n of_o bramante_n be_v make_v one_o of_o the_o surveyor_n of_o the_o fabric_n of_o st._n peter_n with_o raphael_n d'urbin_n and_o anthony_n sangallo_n joconde_v also_o make_v at_o venice_n 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clement_n viith_o give_v he_o a_o pension_n to_o go_v with_o sangallo_n and_o fortify_v the_o frontier_n of_o the_o ecclesiastic_a state_n particular_o parma_n and_o placentia_n afterward_o he_o return_v to_o verona_n who_o fine_a gate_n he_o make_v and_o the_o republic_n employ_v he_o in_o the_o principal_a building_n of_o the_o state_n in_o the_o levant_n and_o on_o the_o terra_fw-la firma_n among_o which_o may_v be_v reckon_v the_o fortress_n of_o lido_n moreover_o john_n maria_n falconetti_n who_o be_v also_o of_o verona_n be_v a_o very_a famous_a architect_n he_o learn_v paint_v of_o his_o father_n but_o because_o he_o do_v not_o get_v much_o by_o it_o he_o set_v himself_o to_o study_v the_o antiquity_n of_o the_o city_n after_o which_o he_o go_v to_o rome_n and_o naples_n to_o survey_v the_o building_n of_o the_o ancient_n where_o he_o employ_v himself_o for_o the_o space_n of_o twelve_o year_n and_o omit_v nothing_o in_o his_o design_n neither_o there_o nor_o in_o the_o part_n round_o about_o but_o as_o he_o have_v not_o sufficient_a mean_n to_o continue_v his_o study_n long_o he_o employ_v himself_o some_o day_n in_o the_o week_n in_o paint_v thereby_o to_o supply_v his_o necessity_n afterward_o return_v to_o verona_n and_o find_v there_o no_o opportunity_n of_o employ_v himself_o in_o architecture_n he_o find_v himself_o oblige_v to_o take_v up_o paint_v again_o but_o through_o good_a luck_n he_o find_v in_o that_o city_n signior_n cornaro_n who_o be_v a_o great_a lover_n of_o architecture_n who_o cause_v he_o to_o come_v to_o his_o house_n where_o he_o dwell_v twenty_o one_o year_n he_o employ_v himself_o all_o this_o while_n in_o work_v and_o exercise_v that_o art_n which_o falconetti_n have_v so_o much_o study_v thus_o these_o three_o illustrious_a architect_n of_o verona_n introduce_v the_o true_a gusto_n and_o way_n of_o building_n into_o the_o venetian_a state_n this_o true_a and_o regular_a way_n of_o building_n be_v continue_v there_o and_o even_o augment_v by_o james_n sansovino_n a_o florentine_a who_o embellish_v venice_n with_o the_o great_a and_o most_o regular_a building_n that_o be_v there_o to_o be_v see_v the_o famous_a sansovino_n begin_v from_o his_o youth_n to_o study_v design_v and_o sculpture_n at_o florence_n which_o he_o very_o successful_o practise_v he_o entertain_v a_o great_a respect_n for_o andrew_n del_fw-it sarto_fw-la a_o excellent_a painter_n after_o this_o he_o go_v to_o rome_n where_o he_o get_v acquaint_v with_o raphael_n and_o bramante_n who_o do_v he_o justice_n in_o their_o recommendation_n of_o his_o skill_n to_o leo_n the_o ten_o the_o french_a and_o the_o spaniard_n and_o the_o german_n have_v at_o that_o time_n great_a inclination_n to_o build_v themselves_o national_a church_n at_o rome_n the_o florentine_n also_o obtain_v the_o same_o favour_n from_o the_o pope_n the_o florentine_n cause_v several_a model_n to_o be_v make_v by_o raphael_n baldassare_n anthony_n sangallo_n and_o sansovino_n it_o be_v the_o design_n of_o this_o last_o that_o they_o choose_v and_o sansovino_n begin_v to_o build_v the_o church_n of_o st._n john_n for_o the_o florentine_n according_a to_o the_o model_n he_o have_v make_v of_o it_o but_o this_o build_n be_v discontiun_v during_o the_o popedom_n of_o adrian_n the_o vith_o a_o fleming_n by_o his_o country_n who_o have_v no_o affection_n nor_o gust_n for_o the_o art_n of_o design_v insomuch_o that_o if_o he_o have_v reign_v long_o these_o art_n will_v have_v infallible_o sink_v into_o their_o old_a obscurity_n at_o least_o at_o rome_n clement_n the_o viith_o succeed_v he_o and_o prevent_v this_o misfortune_n for_o he_o set_v to_o work_v all_o the_o ingenious_a in_o these_o art_n and_o james_n sansovino_n continue_v by_o these_o mean_v the_o fabric_n of_o the_o church_n of_o the_o florentine_n till_o the_o year_n 1527_o wherein_o the_o army_n of_o charles_n the_o vth_o besiege_v rome_n which_o chase_v away_o from_o that_o city_n a_o great_a number_n of_o excellent_a men._n sansovino_n architect_n sansovino_n james_n sansovino_n die_v at_o venice_n at_o the_o age_n of_o 78_o year_n he_o bring_v up_o several_a disciple_n at_o florence_n and_o at_o venice_n who_o be_v nicholas_n call_v il_fw-it tribolo_fw-it who_o wrought_v in_o the_o abbey_n of_o mount_n cassin_n jerom_n de_fw-fr ferrara_n who_o wrought_v much_o at_o loretta_n and_o venice_n james_n colonna_n learn_v also_o sculpture_n of_o sansovino_n and_o die_v at_o bologna_n titian_n da_fw-mi milan_n peter_n de_fw-fr salo_n james_n alexander_n vittoria_n of_o trente_n thomas_n de_fw-fr lugan_n james_n bressan_n bartholomew_n amannatti_n and_o danese_n catanee_n who_o be_v all_o good_a sculptor_n and_o architect_n retire_v to_o venice_n to_o go_v thence_o to_o france_n into_o the_o service_n of_o francis_n the_o be_v it_o who_o very_o much_o desire_v he_o but_o be_v arrive_v at_o venice_n with_o a_o design_n to_o get_v something_o there_o because_o he_o have_v lose_v all_o his_o good_n at_o the_o pillage_n of_o rome_n his_o merit_n be_v represent_v to_o the_o doge_fw-it gritti_n and_o that_o he_o can_v prevent_v the_o ruin_n which_o threaten_v the_o dome_n of_o st._n mark_n immediate_o by_o the_o order_n of_o the_o doge_fw-it sansovino_n undertake_v it_o and_o by_o the_o help_n of_o some_o piece_n of_o timber_n and_o iron-band_n which_o he_o invent_v he_o set_v this_o great_a work_n out_o of_o danger_n this_o gain_v he_o so_o much_o reputation_n that_o the_o super-intendency_a of_o the_o work_n of_o the_o dukedom_n which_o become_v vacant_a be_v give_v he_o the_o first_o work_n which_o he_o make_v for_o the_o republic_n be_v zecca_n which_o be_v the_o chamber_n for_o the_o money_n or_o treasury_n with_o a_o great_a deal_n of_o beauty_n and_o advantage_n afterward_o he_o be_v employ_v about_o the_o fortification_n of_o the_o venetian_a state_n afterward_o he_o build_v the_o new_a architecture_n that_o embellish_v the_o palace_n of_o st._n mark_n he_o make_v also_o several_a work_n of_o
apply_v himself_o more_o to_o architecture_n than_o paint_v and_o sculpture_n because_o after_o the_o death_n of_o antony_n sangallo_n architect_n the_o pope_n prefer_v michael_n angelo_n to_o any_o other_o and_o make_v he_o chief_a architect_n of_o the_o fabric_n of_o st._n peter_n and_o of_o the_o apostolic_a chamber_n although_o he_o will_v have_v excuse_v himself_o from_o it_o have_v accept_v this_o charge_n he_o go_v to_o st._n peter_n to_o see_v the_o model_n of_o sangallo_n to_o finish_v what_o remain_v to_o be_v build_v of_o that_o great_a church_n and_o after_o have_v examine_v it_o he_o public_o declare_v that_o that_o architect_n have_v make_v the_o model_n of_o it_o without_o any_o art_n because_o without_o side_n he_o have_v make_v too_o many_o pillar_n one_o upon_o another_o and_o unncessary_a spire_n and_o too_o many_o small_a branching_n and_o little_a member_n which_o be_v quite_o contrary_a to_o good_a architecture_n last_o that_o this_o model_n be_v of_o a_o gusto_n rather_o barbarous_a than_o ancient_n beside_o this_o he_o show_v that_o the_o execution_n or_o performance_n of_o it_o will_v cost_v a_o million_o more_o than_o one_o that_o he_o will_v make_v michael_n angelo_n cause_v another_o model_n to_o be_v make_v in_o fifteen_o day_n time_n which_o cost_v only_o five_o hundred_o crown_n whereas_o that_o of_o sangallo_n cost_v four_o thousand_o and_o several_a year_n work_v so_o that_o at_o last_o this_o great_a church_n be_v finish_v according_a to_o the_o design_n of_o michael_n angelo_n in_o the_o beauty_n we_o see_v it_o now_o except_v the_o front_n which_o be_v not_o he_o nor_o so_o well_o do_v as_o the_o architecture_n of_o the_o outermost_a tower_n and_o the_o back_n part_n of_o that_o church_n while_o michael_n angelo_n carry_v on_o this_o building_n he_o also_o make_v several_a other_o which_o make_v part_n of_o the_o beauty_n of_o rome_n such_o as_o the_o palace_n of_o farnese_n and_o the_o capitol_n which_o excite_v the_o admiration_n both_o of_o architect_n and_o other_o ingenious_a men._n the_o fine_a piece_n of_o sculptor_n of_o michael_n angelo_n die_v at_o rome_n the_o 17_o february_n 1564_o he_o be_v almost_o ninety_o year_n of_o age._n this_o great_a man_n beside_o the_o affection_n of_o seven_o pope_n who_o he_o serve_v gain_v a_o very_a great_a reputation_n with_o solyman_n emperor_n of_o the_o turk_n with_o francis_n the_o one_a charles_n the_o vth_o the_o republic_n of_o venice_n and_o all_o the_o prince_n of_o italy_n particular_o with_o the_o great_a duke_n of_o tuscany_n who_o reign_v at_o the_o same_o time_n this_o illustrious_a designer_n die_v for_o when_o his_o body_n be_v in_o the_o church_n of_o sancto_n apostolo_n and_o the_o pope_n be_v about_o to_o set_v up_o a_o fine_a sepulchre_n for_o he_o this_o great_a duke_n cause_v his_o body_n to_o be_v private_o fetch_v away_o to_o bury_v it_o in_o his_o capital_a city_n and_o since_o he_o be_v not_o so_o happy_a as_o to_o have_v he_o alive_a he_o be_v resolve_v to_o have_v he_o dead_a and_o perform_v his_o funeral_n obsequy_n with_o all_o imaginable_a pomp_n and_o splendour_n this_o pomp_n be_v celebrate_v in_o the_o church_n of_o st._n cross_n at_o florence_n attend_v by_o all_o the_o gentleman_n of_o the_o academy_n of_o design_n who_o on_o that_o occasion_n give_v sufficient_a testimony_n of_o the_o esteem_n they_o have_v for_o this_o their_o master_n by_o the_o magnificent_a representation_n which_o the_o italian_n call_v catafalco_n and_o adorn_v the_o whole_a church_n with_o paint_v and_o sculpture_n and_o light_n a_o panegyric_n be_v there_o pronounce_v over_o he_o by_o messr_n benedetto_n varchi_n and_o on_o the_o representation_n be_v to_o be_v read_v this_o epitaph_n collegium_fw-la pictorum_fw-la statuariorum_fw-la architectorum_fw-la auspicio_fw-la opeque_fw-la sibi_fw-la prompta_fw-la cosmi_fw-la ducis_fw-la auctoris_fw-la suorum_fw-la commodorum_fw-la suspiciens_fw-la singularem_fw-la virtutem_fw-la michaëlis_fw-la angeli_fw-la bonarotae_n intelligensque_fw-la quanto_fw-la sibi_fw-la auxilio_fw-la semper_fw-la fuerint_fw-la praeclara_fw-la ipsius_fw-la opera_fw-la studuit_fw-la se_fw-la gratum_fw-la erga_fw-la illum_fw-la ostendere_fw-la summum_fw-la omnium_fw-la qui_fw-la unquam_fw-la fuerint_fw-la p._n s._n a._n ideóque_fw-la monumentum_fw-la hoc_fw-la suis_fw-la manibus_fw-la extructum_fw-la magno_fw-la animi_fw-la ardore_fw-la ipsius_fw-la memoriae_fw-la dedicavit_fw-la after_o these_o sumptuous_a obsequy_n the_o great_a duke_n order_v a_o honourable_a place_n in_o this_o church_n to_o build_v the_o tomb_n of_o michael_n angelo_n according_a to_o the_o design_n of_o george_n vasari_n it_o be_v enrich_v with_o three_o great_a marble_n figure_n represent_v paint_v sculpture_n and_o architecture_n which_o be_v make_v by_o baptista_n lorenzi_n and_o giovanni_n dell'opera_fw-la and_o valerio_n cioli_n all_o three_o ingenious_a florentine_a sculptor_n michael_n angelo_n in_o paint_v and_o sculpture_n and_o architecture_n and_o his_o other_o good_a quality_n have_v gain_v he_o such_o a_o esteem_n with_o the_o pope_n who_o he_o have_v the_o honour_n to_o serve_v that_o julius_n the_o iiid_v use_v to_o make_v he_o sit_v by_o he_o and_o talk_n with_o he_o concern_v the_o art_n of_o design_v and_o oftentimes_o this_o pope_n will_v take_v his_o part_n against_o those_o who_o criticise_v upon_o he_o by_o all_o these_o honour_n which_o michael_n angelo_n receive_v and_o the_o universal_a applause_n that_o be_v give_v to_o all_o his_o work_n we_o may_v conclude_v that_o it_o be_v this_o famous_a designer_n who_o in_o that_o age_n advance_v sculpture_n and_o architecture_n with_o the_o true_a way_n of_o design_v to_o the_o high_a degree_n of_o perfection_n that_o ever_o they_o arrive_v to_o at_o rome_n and_o florence_n chap._n xvi_o several_a disciple_n of_o michael_n angelo_n and_o raphael_n continue_v the_o excellency_n of_o paint_v and_o architecture_n at_o rome_n in_o the_o time_n of_o michael_n angelo_n there_o be_v at_o rome_n sebastian_n veni_fw-la sebastian_n sebastian_z the_o venetian_a be_v surname_v frate_n del_o piombo_n which_o be_v a_o charge_n of_o the_o apostolic_a chamber_n which_o he_o obtain_v of_o the_o pope_n on_o condition_n to_o pay_v a_o pension_n to_o john_n d'udine_fw-la who_o have_v be_v assistant_n to_o he_o in_o obtain_v that_o office_n this_o afford_v mean_n to_o sebastian_n to_o live_v without_o his_o profession_n and_o make_v he_o almost_o leave_v off_o paint_v he_o have_v a_o secret_a composition_n which_o he_o make_v of_o lime_n mix_v with_o mastic_n and_o grecian_a pitch_n melt_v down_o together_o and_o lay_v that_o mixture_n on_o the_o wall_n mix_v with_o slack_a lime_n that_o have_v be_v heat_v red_a hot_a in_o the_o fire_n prevent_v paint_v in_o oil_n on_o the_o wall_n from_o grow_v black_a and_o be_v spoil_v by_o the_o wet_a he_o die_v in_o 1547._o vasari_n v._n di_o fra._n s._n veni_fw-la the_o venetian_a afterward_o call_v frate_n del_fw-it piombo_n he_o have_v learn_v of_o john_n bellin_n at_o venice_n the_o principle_n of_o paint_v and_o of_o georgeone_n his_o second_o master_n the_o true_a way_n of_o colour_v this_o fine_a way_n of_o colour_v gain_v he_o the_o friendship_n of_o michael_n angelo_n when_o sebastian_n come_v to_o rome_n michael_n angelo_n think_v that_o this_o his_o grand_a manner_n of_o design_v join_v with_o that_o of_o colour_v will_v excel_v the_o piece_n of_o raphael_n d'urbin_n but_o it_o do_v not_o succeed_v but_o the_o favour_n and_o protection_n which_o sebastian_n receive_v from_o michael_n angelo_n make_v he_o prefer_v he_o to_o baptista_n franco_n to_o perin_n del_fw-it vago_fw-la to_o baldassar_n perruzzi_n and_o other_o disciple_n of_o raphael_n but_o these_o ingenious_a disciple_n though_o they_o do_v not_o equal_v he_o yet_o they_o have_v quality_n which_o make_v they_o always_o esteem_v and_o they_o very_o much_o contribute_v to_o the_o perfection_n of_o the_o art_n of_o design_v as_o do_v also_o john_n d'udine_fw-la who_o have_v be_v one_o of_o they_o who_o paint_v all_o the_o animal_n the_o flower_n and_o fruit_n which_o be_v in_o the_o work_v of_o raphael_n this_o john_n have_v also_o a_o great_a genius_n at_o invent_v those_o sort_n of_o ornament_n which_o be_v call_v grotesque_n this_o be_v to_o be_v see_v by_o those_o he_o paint_v in_o the_o room_n in_o the_o vatican_n and_o by_o the_o excellent_a design_n for_o tapestry_n which_o he_o make_v of_o that_o sort_n of_o work_n although_o it_o be_v agree_v that_o it_o may_v have_v be_v do_v after_o the_o ancient_a plaster_n as_o some_o be_v which_o be_v find_v about_o that_o time_n in_o the_o room_n in_o the_o garden_n of_o titus_n and_o those_o which_o be_v still_o remain_v in_o the_o temple_n of_o peace_n and_o in_o the_o city_n adriana_n and_o other_o ancient_a building_n notwithstanding_o all_o the_o design_n which_o be_v make_v by_o john_n d'udine_fw-la veneti_n d'udine_fw-la john_n d'udine_fw-la die_v at_o rome_n in_o 1564_o and_o be_v bury_v in_o the_o round_a church_n near_o raphael_n
d'urbin_n his_o master_n to_o the_o same_o city_n of_o udine_n and_o that_o of_o frioul_n we_o be_v oblige_v for_o a_o great_a number_n of_o good_a painter_n as_o pellegrino_n and_o john_n martin_n d'udine_fw-la who_o be_v disciple_n of_o john_n bellin_n pellegrino_n be_v the_o most_o ingenious_a and_o very_a much_o belove_v by_o the_o duke_n of_o ferrara_n he_o bring_v up_o several_a disciple_n but_o the_o most_o famous_a of_o the_o painter_n of_o this_o province_n be_v john_n antony_n licinio_n bear_v at_o pordenone_n a_o village_n distant_a from_o udina_n twenty_o five_o mile_n he_o have_v no_o other_o instructor_n than_o nature_n which_o he_o imitate_v from_o his_o youth_n he_o very_o much_o practise_v paint_v in_o fresco_n in_o the_o neighbour_a village_n afterward_o he_o go_v to_o udina_n where_o he_o paint_v several_a piece_n in_o oil_n and_o in_o fresco_n as_o as_o also_o at_o venice_n and_o genova_n he_o be_v common_o call_v pordenone_n the_o way_n of_o georgeone_n please_v he_o better_o than_o any_o other_o he_o die_v in_o 1540_o age_v fifty_o six_o year_n ridolfi_n v._o de_fw-la pitt_n veneti_n be_v so_o fine_a that_o it_o be_v question_v whether_o those_o of_o the_o ancient_n be_v more_o excellent_a for_o this_o john_n be_v not_o only_o a_o excellent_a painter_n but_o also_o a_o very_a ingenious_a sculptor_n and_o worker_n in_o plaster_n as_o be_v apparent_a in_o the_o small_a figure_n of_o that_o sort_n of_o work_n which_o he_o have_v mix_v among_o the_o ornament_n of_o the_o apartment_n of_o the_o vatican_n insomuch_o that_o he_o deserve_v to_o be_v esteem_v as_o the_o reviver_n of_o stucco-work_a for_o the_o perfection_n to_o which_o he_o carry_v it_o for_o it_o be_v he_o who_o by_o a_o through_o examination_n of_o the_o material_n whereof_o the_o ancient_a plaster_n be_v compose_v find_v that_o it_o be_v make_v of_o lime_n mix_v with_o powder_n of_o marble_n to_o give_v it_o duration_n and_o make_v it_o receive_v a_o fine_a polish_v and_o shine_v as_o plaster_n will_v have_v when_o it_o be_v work_v with_o care_n john_n francis_n surname_v il_fw-fr fattore_n of_o florence_n be_v a_o disciple_n of_o raphael_n with_o julio_n romano_n and_o may_v be_v just_o consider_v as_o a_o disciple_n of_o so_o worthy_a a_o master_n for_o after_o the_o death_n of_o that_o famous_a painter_n they_o joint_o finish_v he_o and_o julio_n the_o great_a hall_n of_o the_o vatican_n where_o they_o paint_v the_o history_n of_o constantine_n perrin_n mantuanus_fw-la perrin_n perrin_n del_fw-it vago_fw-la be_v also_o bury_v in_o the_o round_a church_n in_o 1547_o at_o the_o age_n of_o forty_o seven_o the_o principal_a disciple_n of_o perrin_n be_v jerom_n siciolante_n de_fw-fr sermonette_n and_o marcellus_n mantuanus_fw-la del_fw-it vago_fw-la a_o florentine_a and_o his_o brother-in-law_n be_v also_o disciple_n of_o raphael_n for_o perrin_n be_v at_o rome_n where_o he_o then_o study_a antiquity_n john_n d'udine_fw-la propose_v to_o raphael_n to_o work_v in_o plaster_n and_o on_o paint_v the_o room_n of_o the_o vatican_n which_o be_v then_o do_v and_o he_o paint_v several_a of_o they_o with_o history_n out_o of_o the_o old_a testament_n which_o be_v very_o well_o do_v he_o afterward_o make_v at_o rome_n after_o the_o death_n of_o raphael_n some_o fine_a piece_n in_o fresco_n at_o the_o church_n of_o the_o trinity_n on_o the_o hill_n at_o st._n marcellus_n and_o several_a other_o church_n but_o the_o most_o considerable_a piece_n of_o perrin_n del_fw-it vago_fw-la be_v the_o palace_n which_o prince_n doria_n cause_v he_o to_o build_v at_o genova_n after_o a_o model_n of_o this_o famous_a painter_n wherein_o he_o also_o do_v the_o paint_n and_o the_o plaster_n work_n which_o still_o render_v that_o building_n the_o fine_a and_o most_o considerable_a in_o all_o that_o city_n chap._n xvii_o at_o florence_n the_o true_a way_n of_o sculpture_n and_o paint_v be_v continue_v by_o some_o ingenious_a men._n baccio_fw-mi francis_n baccio_fw-mi baccio_fw-mi be_v bear_v in_o 1487_o and_o die_v at_o seventy_o two_o year_n of_o age_n he_o be_v accuse_v of_o have_v take_v to_o piece_n the_o fine_a painting_n of_o leonardo_n da_fw-mi vinci_n and_o michael_n angelo_n which_o they_o have_v do_v in_o the_o council_n hall_n whither_o all_o the_o disigner_n of_o florence_n go_v afterward_o to_o study_n and_o that_o out_o of_o envy_n to_o michael_n angelo_n among_o the_o rest_n who_o study_v this_o fine_a piece_n of_o michael_n angelo_n sebastian_z called_z aristotle_n of_o st._n gal_n draw_v it_o in_o little_a and_o keep_v it_o very_o careful_o especial_o since_o the_o original_a be_v ruin_v afterward_o in_o 1540_o at_o the_o persuasion_n of_o vasari_n his_o friend_n he_o paint_v it_o in_o oil_n in_o two_o colour_n only_o giovo_n send_v this_o picture_n into_o france_n to_o king_n francis_n bandinelli_n although_o he_o die_v before_o michael_n angelo_n may_v notwithstanding_o be_v account_v one_o who_o imitate_v his_o manner_n for_o after_o he_o have_v learn_v the_o trade_n of_o a_o goldsmith_n at_o florence_n he_o very_o eager_o study_v design_v and_o especial_o that_o famous_a piece_n of_o michael_n angelo_n which_o be_v in_o the_o council_n hall_n so_o that_o he_o have_v the_o advantage_n of_o acquire_v a_o correct_a way_n of_o design_v to_o which_o he_o join_v the_o study_n of_o anatomy_n baccio_fw-mi give_v proof_n of_o his_o skill_n by_o his_o work_n and_o by_o some_o stamp_v he_o cause_v to_o be_v engrave_v by_o augustin_n venetianus_n he_o also_o practise_v sculpture_n with_o a_o great_a deal_n of_o applause_n for_o on_o account_n of_o that_o and_o a_o fine_a print_n of_o the_o martyrdom_n of_o st._n laurence_n which_o he_o procure_v mark_n antony_n to_o engrave_v pope_n clement_n the_o viith_o honour_v he_o with_o the_o order_n of_o knigthood_n of_o st._n peter_n his_o chief_a work_n in_o marble_n be_v the_o great_a figure_n of_o hercules_n with_o cacus_n which_o be_v in_o the_o square_n of_o the_o palace_n of_o florence_n he_o make_v this_o piece_n to_o accompany_v that_o of_o michael_n angelo_n and_o that_o of_o benvenuto_n cellini_n which_o stand_v in_o the_o same_o square_n the_o piece_n of_o adam_n and_o eve_n which_o be_v at_o the_o altar_n in_o the_o cathedral_n of_o florence_n be_v one_o of_o his_o best_a and_o most_o considerable_a work_n benvenuto_n cellini_n be_v a_o person_n of_o particular_a merit_n he_o be_v a_o excellent_a goldsmith_n and_o compose_v a_o book_n which_o treat_v of_o that_o art_n and_o the_o way_n of_o cast_v figure_n in_o brass_n he_o come_v into_o france_n to_o serve_v francis_n the_o it_v for_o who_o he_o make_v several_a piece_n in_o that_o metal_n and_o he_o have_v a_o peculiar_a excellence_n in_o engrave_v coin_n for_o medal_n and_o money_n we_o ought_v to_o place_n among_o the_o illustrious_a tuscan_n of_o that_o time_n daniel_n da_fw-mi age._n da_fw-mi daniel_n da_fw-mi volterra_fw-mi die_v at_o fifty_o seven_o year_n of_o age._n volterra_fw-mi equal_o excellent_a in_o paint_v sculpture_n and_o architecture_n he_o learn_v of_o baldassare_n perruzzi_n afterward_o he_o be_v employ_v under_o perin_n deal_v vaga_n in_o the_o church_n of_o trinity_n del_fw-it monte_fw-it and_o there_o build_v the_o fine_a chapel_n of_o st._n helen_n in_o that_o church_n and_o paint_v over_o against_o it_o another_o just_a like_o it_o the_o picture_n in_o fresco_n which_o he_o there_o make_v can_v be_v enough_o admire_v chief_o that_o of_o the_o descent_n from_o the_o cross_n of_o our_o saviour_n the_o beauty_n whereof_o be_v sufficient_o know_v throughout_o the_o world_n by_o reason_n of_o the_o great_a number_n of_o copy_n of_o it_o which_o be_v to_o be_v see_v throughout_o all_o europe_n the_o excellence_n of_o this_o picture_n appear_v in_o the_o composition_n lively_a expression_n and_o correctness_n of_o design_n and_o the_o excellency_n of_o the_o paint_n one_o of_o his_o best_a piece_n of_o sculpture_n be_v the_o brazen_a horse_n in_o the_o royal_a square_n at_o paris_n robert_n strozzi_n have_v commission_n from_o queen_n katherine_n de_fw-fr medicis_n to_o procure_v michael_n angelo_n to_o make_v it_o but_o he_o excuse_v himself_o by_o reason_n of_o his_o great_a age_n and_o advise_v this_o lord_n to_o get_v daniel_n da_fw-mi volterra_fw-mi to_o do_v it_o who_o according_o undertake_v it_o but_o he_o be_v so_o unfortunate_a as_o to_o miss_v the_o first_o cast_n but_o the_o second_o time_n he_o succeed_v but_o death_n prevent_v he_o before_o he_o have_v finish_v the_o statue_n of_o henry_n the_o iid_n who_o be_v to_o be_v set_v on_o the_o horse_n thus_o this_o work_n remain_v imperfect_a by_o the_o death_n of_o daniel_n da_fw-mi volterra_fw-mi and_o a_o long_a time_n after_o under_o lewis_n the_o xiiith_o it_o be_v carry_v away_o from_o rome_n and_o the_o figure_n of_o that_o king_n set_v up_o in_o its_o room_n as_o we_o see_v it_o at_o this_o day_n in_o the_o
royal_a square_n there_o be_v other_o famous_a tuscan_a painter_n age._n painter_n dominick_n beccafumi_n of_o sienna_n be_v also_o one_o of_o the_o best_a painter_n of_o tuscany_n he_o have_v a_o natural_a inclination_n for_o design_v which_o make_v he_o often_o of_o his_o own_o acccord_n design_n on_o the_o sand_n as_o he_o keep_v his_o flock_n afterward_o he_o study_v at_o sienna_n the_o work_n of_o peter_n perugin_n and_o after_o that_o at_o rome_n he_o study_v those_o of_o michael_n angelo_n and_o raphael_n then_o he_o go_v to_o dwell_v at_o sienna_n where_o he_o do_v several_a piece_n of_o paint_v in_o the_o church_n of_o the_o dome_n and_o in_o other_o place_n which_o be_v very_o much_o esteem_v his_o assistant_n at_o sienna_n be_v sodoma_n who_o gain_v a_o very_a good_a reputation_n beccafumi_n die_v in_o 1549_o at_o sixty_o five_o year_n of_o age._n appear_v at_o florence_n at_o the_o same_o time_n as_o niel_fw-mi da_fw-mi volterra_fw-mi at_o rome_n among_o who_o be_v jacob_n disciple_n jacob_n james_n da_o puntormo_n be_v bear_v in_o 1493_o and_o live_v 65_o year_n bronzin_n learn_v of_o he_o and_o may_v pass_v for_o his_o disciple_n da_fw-mi puntormo_n francis_n bronzin_n his_o disciple_n and_o salviati_n puntormo_n begin_v under_o leonardo_n da_fw-mi vinci_n and_o in_o 1512_o he_o continue_v to_o perfect_v himself_o with_o andrew_n del_fw-it sarto_fw-la bronzin_n be_v in_o nothing_o inferior_a to_o he_o and_o there_o be_v to_o be_v see_v of_o his_o hand_n some_o picture_n excellent_o well_o do_v salviati_n 1563._o salviati_n francis_n salviati_n be_v bear_v in_o 1510_o and_o die_v at_o rome_n in_o 1563._o learn_v design_v in_o the_o school_n of_o baccio_fw-mi bandinelli_n and_o paint_v of_o andrew_n del_fw-it sarto_fw-la after_o have_v work_v for_o some_o time_n at_o florence_n and_o at_o rome_n he_o come_v in_o the_o year_n 1554_o into_o france_n where_o he_o be_v very_o well_o receive_v by_o primaticcio_n then_o chief_a painter_n and_o architect_n to_o the_o king_n but_o as_o soon_o as_o salviati_n see_v the_o work_n of_o rosso_n who_o have_v be_v chief_a painter_n to_o the_o king_n and_o those_o of_o other_o painter_n he_o affect_v to_o find_v fault_n in_o they_o which_o raise_v great_a expectation_n of_o what_o he_o will_v do_v he_o be_v employ_v by_o the_o cardinal_n de_fw-fr lorraine_n to_o paint_n in_o his_o castle_n of_o dampierre_n but_o not_o be_v please_v in_o france_n he_o return_v to_o his_o own_o country_n chap._n xviii_o the_o city_n of_o ferrara_n and_o other_o of_o lombardy_n and_o urbino_n furnish_v the_o world_n with_o several_a good_a painter_n florence_n be_v not_o the_o only_a city_n of_o italy_n which_o breed_v excellent_a painter_n for_o ferrara_n have_v several_a dosso_n and_o baptista_n his_o brother_n be_v very_o ingenious_a dosso_n be_v very_o much_o extol_v by_o the_o famous_a ariosto_n and_o cherish_v till_o his_o death_n by_o the_o generous_a prince_n alphonsus_n of_o ferrara_n alphonsus_n lombardi_n a_o excellent_a sculptor_n be_v also_o bear_v in_o the_o same_o city_n he_o make_v several_a portrait_n witness_v that_o which_o he_o make_v at_o bologna_n of_o the_o emperor_n charles_n the_o v._o whereby_o he_o gain_v very_o great_a applause_n with_o a_o honourable_a recompense_n from_o that_o prince_n but_o one_o of_o the_o best_a painter_n of_o ferrara_n be_v benvenuto_n garofalo_n interruption_n garofalo_n benvenuto_n garofalo_n be_v bear_v at_o ferrara_n in_o 1481._o beside_o raphael_n who_o be_v his_o friend_n he_o also_o contract_a friendship_n with_o georgeone_n titian_n and_o julio_n romano_n he_o grow_v blind_a towards_o the_o latter_a end_n of_o his_o life_n and_o continue_v so_o for_o nine_o year_n he_o die_v in_o 1550._o at_o seventy_o eight_o year_n of_o age_n one_o of_o his_o best_a pupil_n be_v jerom_n the_o carpi_n who_o go_v to_o copy_n the_o fine_a piece_n of_o correggio_n at_o modena_n and_o at_o parma_n afterward_o he_o work_v at_o bologna_n and_o ferrara_n where_o he_o make_v a_o large_a venus_n with_o cupid_n which_o the_o duke_n send_v to_o king_n francis_n this_o picture_n be_v very_o much_o praise_v by_o vasari_n he_o die_v in_o the_o year_n 1556._o 55_o year_n of_o age._n there_o be_v also_o of_o ferrara_n jerom_n a_o sculptor_n he_o work_v since_o andrew_n contucci_n his_o master_n several_a piece_n in_o marble_n in_o the_o church_n of_o loretta_n where_o he_o be_v employ_v twenty_o six_o year_n without_o any_o interruption_n he_o begin_v to_o learn_v paint_v ferrara_n and_o cremona_n and_o at_o mantua_n under_o corta_fw-la ferrara_n at_o nineteen_o year_n of_o age_n he_o go_v to_o rome_n for_o fifteen_o month_n than_o he_o return_v to_o mantua_n and_o thence_o to_o rome_n again_o where_o the_o work_n of_o raphael_n and_o michael_n angelo_n grand_a gusto_n of_o design_v charm_v he_o so_o much_o that_o he_o repent_v he_o have_v spend_v his_o youth_n in_o study_v the_o lombard_n manner_n this_o make_v he_o resolve_v to_o leave_v they_o and_o become_v a_o disciple_n and_o imitator_n of_o raphael_n during_o the_o space_n of_o two_o year_n because_o he_o find_v himself_o very_o much_o in_o favour_n with_o that_o great_a man_n who_o he_o very_o unwilling_o leave_v for_o some_o affair_n of_o his_o family_n which_o oblige_v he_o to_o dwell_v at_o ferrara_n benvenuto_n garofalo_n be_v there_o very_a much_o esteem_v by_o the_o duke_n and_o the_o principal_a personage_n of_o that_o city_n for_o who_o he_o paint_v several_a piece_n in_o the_o church_n and_o in_o particular_a house_n his_o work_n be_v very_o beautiful_a by_o reason_n he_o follow_v very_o good_a and_o just_a principle_n which_o he_o receive_v from_o raphael_n and_o take_v particular_a care_n to_o join_v thereunto_o the_o imitation_n of_o the_o best_a nature_n the_o state_n of_o urbino_n continue_v to_o yield_v ingenious_a man_n and_o the_o duke_n of_o urbino_n like_v they_o of_o ferrara_n of_o mantua_n and_o of_o florence_n contribute_v to_o the_o revival_n of_o the_o art_n of_o design_v for_o jerom_n genga_n a_o excellent_a painter_n be_v in_o great_a favour_n with_o these_o duke_n he_o have_v study_v under_o peter_n perugino_n with_o raphael_n urbino_n his_o illustrious_a countryman_n he_o practise_v also_o architecture_n and_o the_o duke_n guidobaldo_a employ_v he_o to_o build_v and_o paint_v his_o palace_n of_o urbino_n and_o pisaro_n and_o to_o fortify_v this_o last_o city_n bartholomew_n the_o son_n of_o genga_n be_v also_o a_o architect_n and_o engineer_n as_o well_o as_o his_o father_n from_o this_o state_n of_o urbino_n come_v those_o famous_a brethren_n taddeus_fw-la and_o frederick_n zucchero_n and_o the_o celebrate_a baroche_n taddeus_fw-la year_n taddeus_fw-la taddeus_fw-la zucchero_n bear_v in_o the_o year_n 1529._o die_v in_o 1566._o so_o that_o he_o live_v but_o 37_o year_n learn_v the_o principle_n of_o paint_v in_o the_o city_n of_o st._n angelo_n in_o vado_fw-la which_o be_v his_o own_o country_n but_o as_o his_o master_n be_v but_o ordinary_a painter_n he_o resolve_v at_o fourteen_o year_n of_o age_n to_o go_v to_o rome_n there_o to_o study_v this_o art_n where_o have_v nothing_o to_o live_v upon_o he_o be_v oblige_v to_o work_v for_o pictureseller_n and_o when_o he_o have_v get_v some_o money_n he_o employ_v himself_o in_o design_v and_o particular_o to_o imitate_v and_o copy_n the_o work_n of_o raphael_n which_o he_o chief_o study_v by_o these_o mean_v he_o become_v very_o excellent_a which_o may_v be_v see_v in_o his_o fine_a work_n which_o he_o have_v paint_v in_o the_o castle_n of_o caprarola_n and_o the_o church_n of_o trinity_n on_o the_o hill_n at_o rome_n his_o 1607._o his_o frederick_n zucchero_n bequeath_v his_o good_n to_o the_o academy_n of_o st._n luke_n vite_fw-fr do_v pittori_n del_o c._n baglione_n p._n 124._o he_o also_o make_v model_n very_o well_o and_o be_v a_o good_a architect_n which_o make_v he_o to_o be_v so_o much_o the_o more_o consider_v by_o those_o great_a man_n who_o he_o 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