CANTVS THE Second set of Madrigales to 3.4 and 5. parts apt for Viols and voices Newly composed by Michaell Est LONDON Printed by Iohn Windet the Assigne of VVilliam Barley 1606. To the Right Worshipfull Sir Thomas Gerard Knight SIR it is not long since it first pleased you to grace mee with your acquaintance Yet in so littell time I haue obserued great arguments of your more then most singular loue to this neuer sufficiently beloued and admired faculty of Musick as namely the perfit pleasure and contentment you seeme to take therein Your indefatigable assiduitie in the priuate exercise thereof which hath gayned you such a perfection that way as is rare in a Gentelman of your ranck And lastly your courteous and amiable deportment toward my poore selfe and others such as my selfe the sonnes of Musick when by chance you light among vs. Vnworthie were I then of that thrise worthie Mother vnworthie to be phrased a sonne of Musick should I not hartely affect and honour you in such sort as I doe whom I find so intirely to loue and honour hir And hence it is euen of my loue which you haue well deserued for loueing hir so well that I haue singled you out among so many my worshipfull good friends for the Patron of these my second labours haue first presented them vnto your name that vnder your protection and countenance they might passe abroad into the world May it please you therefore to entertaine them comming from a good affection with a fauourable acceptance which I assure my selfe youâ— gentelnesse will vouchsafe to doe especially since they come in so seasonable a time at the very entrance of a new yeere when vsually all gifts are well taken euen trifles at their hands whose abilitie will not reach to present matters of higher worth And so I humbly take my leaue from Ely house in Holborne Yours in all loue and dutie Michaell Est THE TABLE Songs to 3. voices I doe not loue my Phillis I See Amarillis II Why smilest thou sweet Iewell III How merely wee liue IIII Follow me sweet loue V Round about I follow thee VI Song of 4. voice In dolorus complaining The first part VII Since teares The second part VIII Why runs away my loue The first part IX Why seekes my loue The second part X Farwell false loue XI So much to giue XII Sound out my voice The first part XIII Shee that my plaints The second part XIIII Songs of 5. voices Why smilest thou sweet Iewell XV Deere why doe you ioy XVI Now Cloris laughes The first part XVII Forsaken Thirsis The second part XVIII I fall and rise againe XIX What doth my pretty darling XX Hence starres XXI O Metefisicall Tobaco XXII FINIS Of 3. voâ— I. CANTVS I Doe not loue my Phillis for hir bewtie I doe c. I doe c. yet is it such ij ij ij as praise of all it gay neth as c. as c. it gay neth it is hir loue ij ij that stole my hart from mee that c. sweet is the cause of loue sweet is the cause of loue ij that still remayneth sweet is the cause of loue sweet is the cause of loue that still remayneth ij Of 3. voc II. CANTVS SEe Amaril-lis sha med see c. see Ama rillis shamed when Phillis is but named when c. who though hir hart be now vntamed vntamed be c. hir like on earth was neuer hir c. hir c. fra med who though hir hart be now vntamed vntamed be c. hir like on earth was neuer hir c. hir c was neuer fra med Of 3. voc III. CANTVS WHy smi lest why smi lest why smi lest why smilest thou sweet Iewell art so full and art so full of glad nesse of glad nesse when thou to mee most cru ell when c. most cruell dost cause mee pine in sadnesse dost c. but since you ioy to see mee thus tormented euen for thy loue euen for thy loue I am with griefe conten ted I c Of 3. voc IIII. CANTVS HOw merely we liue that sheperds be How c. that sheperds be ij roundelayes still we sing ij still we sing ij with mery glee roundelaies c. on the plesant dounes where as our stocks wee see on the c wee feele no cares wee feare not fortunes frounes we feele c we haue no enuie we c. which sweet mirth con founds sweet c. wee haue no enuie which sweet mirth con founds wee c. Of 3. voc V. CANTVS FOllow mee follow mee sweet loue and soules de light follow mee follow mee follow mee follow mee follow me sweet loue and soules delight or else by my ex I le my soule is seuerd quite my c my hand my hand my hart my hart my faith my faith my loue my loue my life my life my life my life my life is thine oh saue thine owne if thou wilt not doe mine oh saue thine owne oh c. if thou wilt not doe mine Of 3. voc VI. CANTVS ROund about I follow thee round c. I follow thee yet thou flyest still from me yet c. my sweet Iuell oh sweet harâ— now returne or else in stams of loue I burne or c. or c most cru ell O cease my griefe O c. by turning by turn ning by tur â—ing vnto mee so shalt thou heale me of my mi serie so c. so shalt thou ease mee of my misery Heere endeth the songs of three parts Of .4 voc The first part VII CANTVS IN dolorus complayning in c. in c in c I sat with teares be dewed I c with c to see hir deepe disdaining hir c. to c. to c. disdayning hir c disdayning to c. whom I with loue persu ed whom c and though I found no comfort of ob tayning but my loue still remayning but c. but c. but my loue still remay ning Of 4. voc The Second part VIII CANTVS SInce teares could not obtaine of hir could c since c could c some small compassi-on compasi on since teares could not obtaine of hir since c. some small compassi-on compsa-sion some c bid me refraine dispaire bid mee refraine dispaire c. sad teares sad teares sad teares and lamenta tion and c. and though I still did see hir deep dis dayning but my loue still remayning but c. but c but my loue still remay ning Of .4 voc The first part IX CANTVS WHy runs away my loue from me disdayning why c. why c. from c why c. away from mee disdayning and to to cruell and c. leaues me heere complay ning leaues c. complayning yet O neare thinck by flight mee to remoue men are not where they liue but where they loue but wher they loue but wher
they loue but where they loue Of 4. voc The Second part X. CANTVS WHy doe you seeke by flight mee to es chew to eschew mee to eschew why c. whom to your selfe whom c. you with your bewty drew you c if I did seeke if c your loue by subtill fayning then might you run a way from mee disdayning then c. then might you run a way from me disdayning then c away from mee disdayning Of 4. voc XI CANTVS FArwell falce loue for so I finde farwell c. I finde farwell c for so I finde I finde farwell my hope mistaken farwell c farwell the friend farwell the friend that prooues vnkind farwell I end farwell I end farwell I ende forsaken farwell the friend farwell c farwell the friend that proous vnkinde farwell I ende farwell c. farwell I end forsaken farwell c. Of 4. voc XII CANTVS SO much to gieue and be so small regarded so c. So small regarded so much to giue and be so small regarded is fault in you is fault in you or folly great in mee and when the richest gifts and c. and c. are not rewar ded are c what then for meaner what c. can ex pected bee can c. can expected bee can c. can expec ted be can c. what then for meaner what c. can expected bee can c. can c. can expected bâ— can expec ted bee can c. Of 4. voc The first part XIII CANTVS SOund out my voice sound c my voice with pleasant tunes recording souÌ„d c. my voice with c. the new de light the c. the c the c. that loue to me inspireth that c. pleasd and content pleasd c. with that my minde desireth with c. thancked bee loue thancked bee loue so heauenly ioyes so c. thanck ed bee loue so heauenly ioys af-fording affording Of 4. voc The Second part XIIII CANTVS SHE that my plaints with rigor long reiected with c shee c she c binding my hart binding c binding my hart binding c. with those hir golding tresses hir c hir c in recompence of all my long distresses of c. said with a sigh said with a sigh thy griefe hath mee infected thy c said with a sigh said with a sigh thy griefe hath mee infected thy c Heere endeth the songs of foure parts Of 5. voc XV. CANTVS WHy smi lest why smilest why smi lest why smilest thou sweet Iewell sweet c. and art so full of glad nes of gladnes of glad nes when thou to mee most cruell cruell most cruell dost cause mee piâ—e in sadnes but since you ioy to see mee thus tormented euen for thy loue euen for thy loue euen c I am with griefe contented I am c I am with griefe contented Of 5. voc XVI CANTVS DEere why do you ioy you ioy and take such plea sure such plesure and c and still de light to seme lie languish and still de light to see me lie and languish oh pitty mee oh c my ioy and only treasure and cure my griefe bitter anguish and c and now at last regard mee regard me and with thy loue and c and c for my true loue reward mee and now at last regard mee and with thy loue and c and c for my true loue reward mee and with thy loue for my true loue regard mee Of 5 voc The first part XVII CANTVS NOw Cloris laughs and swears how shee affects mee now Cloris laughs now c. and swears how she af fects mee and now shee weeps and now euen now reiects mee and c. by sad experience now at length I finde women can weepe women c and laugh both with a winde and c. both c. Of 5. voc The second part XVIII CANTVS FOrsaken Thirsis sighing alas singhing sings a las sings alas vnconstant Cloris is not as shee was is c is not as shee was their fa ding face shewes their vnconstant vnconstant minde women can weepe women can weepe and laugh both with a winde and laugh both with a winde Of 5. voc XIX CANTVS I Fall theÌ„ I rise again a loft I c again a loft I c I sing sigh and all with-in a stouÌ„d I slept on stons al though my bed be soft I c on stons although c I clime ful high I c I c. theÌ„ tum ble to the grouÌ„d theÌ„ tum ble to the grouÌ„d theÌ„ tum ble to the ground thus my poore hart with Cupids dart sore wounded doth tire it selfe doth tire it selfe and thus sweet loue is founded and c and c is founded and c Of 5. voc XX CANTVS WHat doth my pretty dar ling what doth my c my c what doth what doth my song and chanting what c what c and chanting that they sing not of hir the praise and vanting the c to hir I giue my vio'lets to c and garlands sweetly smelling for to croune hir sweet locks for c. pure gold excelling pure c pure c pure c Of 5. voc XXI CANTVS HEnce stars you dazel but the sight you teach to grope by night to c you dazell c. you teach to grop by night Se here the shepherds star see c excelling you ij ij so far Then Phebus wipt his eies and Zephir cleerd the skies and c. in sweet acceÌ„ted cries ij Then sang the shepherds nimphs of Di a-na nimphs c long liue faire O-ri-a na long c long c. long c long c O-ri-a-na lâ—â—g c long c. Of 5. voc XXII CANTVS O Metaphysicall Tobacco O c O c fetc ht as far as from Moroc co fetc ht c fetcht c thy searching fume exhalls the rume thy c thy c thy searching fume exhalls the rume thy c thy c O Metaphysi call Tobacco O c. FINIS QVINTVS THE Second set of Madrigales to 3.4 and 5. parts apt for Viols and voices Newly composed by Michaell Est LONâ—ON 〈…〉 Iohn Windet the 〈…〉 of VVilliam 〈…〉 Barley 1606. To the Right Worshipfull Sir Thomas Gerard Knight SIR it is not long since it first pleased you to grace mee with your acquaintance Yet in so littell time I haue obserued great arguments of your more then most singular loue to this neuer sufficiently beloued and admired faculty of Musick as namely the perfit pleasure and contentment you seeme to take therein Your indefatigable assiduitâ—e in the priuate exercise thereof which hath gayned you such a perfection that way as is rare in a Gentelman of your ranck And lastly your courteous and amiable deportment toward my poore selfe and others such as my selfe the
exhalls the rume exhalls the rume thy c exhalls the rume thy c thy c thy searchâ—â—â— rume◠〈…〉 me ex halls the rume thy c 〈…〉 thy c. O Metaphâ—â—â—◠〈…〉 BASSVS THE Second set of Madrigales to 3.4 and 5. parts apt for Viols and voices Newly composed by Michaell Est LONDON Printed by Iohn Windet the Assigne of VVilliam Barley 1606. To the Right Worshipfull Sir Thomas Gerard Knight SIR it is not long since it first pleased you to grace mee with your acquaintance Yet in so littell time I haue obserued great arguments of your more then most singular loue to this neuer sufficiently beloued and admired faculty of Musick as namely the perfit pleasure and contentment you seeme to take therein Your indefatigable assiduitie in the priuate exercise thereof which hath gayned you such a perfection that way as is rare in a Gentelman of your ranck And lastly your courteous and amiable deportment toward my poore selfe and others such as my selfe the sonnes of Musick when by chance you light among vs. Vnworthie were I then of that thrise worthie Mother vnworthie to be phrased a sonne of Musick should I not hartely affect and honour you in such sort as I doe whom I find so intirely to loue and honour hir And hence it is euen of my loue which you haue well deserued for loueing hir so well that I haue singled you out among so many my worshipfull good friends for the Patron of these my second labours haue first presented them vnto your name that vnder your protection and countenance they might passe abroad into the world May it please you therefore to entertaine them comming from a good affection with a fauourable acceptance which I assure my selfe your gentelnesse will vouchsafe to doe especially since they come in so seasonable a time at the very entrance of a new yeere when vsually all gifts are well taken euen trifles at their hands whose abilitie will not â—each to present matters of higher worth And so I humbly take my leaue from Ely house in Hâ—lborne Yours in all loue and dutie Michaell Est THE TABLE Songs to 3. voices I doe not loue my Phillis I See Amarillis II Why smilest thou sweet Iewell III How merely wee liue IIII Follow me sweet loue V Round about I follow thee VI Song of 4. voice In dolorus complaining The first part VII Since teares The second part VIII Why runs away my loue The first part IX Why seekes my loue The second part X Farwell false loue XI So much to giue XII Sound out my voice The first part XIII Shee that my plaints The second part XIIII Songs of 5. voices Why smilest thou sweet Iewell XV Deere why doe you ioy XVI Now Cloris laughes The first part XVII Forsaken Thirsis The second part XVIII I fall and rise againe XIX What doth my pretty darling XX Hence starres XXI O Metefisicall Tobaco XXII FINIS Of 3. voc I BASSVS I Doe not loue my Phillis for hir bewty I doe c I doe c. yet is it such ij ij as praise of all it gayneth it gaineth as c. it is hir loue ij ij that stole my hart from mee my c. sweet is the cause of loue sweet c. that still remayneth sweet is the cause of loue sweet c. sweet c. that still remayneth that c. Of 3. voc II. BASSVS SEe Amaril lis shamed see c. see Amarillis shamed when Phillis is but named when c. who though hir hart be now vn tamed bee c. hir like on earth hir c. hir c. was ne uer framed who thoug hir hart be now vntamed be c. hir like on earth hir c. hir c. was ne uer fra med Of 3. voc III. BASSVS WHy smi lest why smi lest why smilest thou sweet Iewell art so full and art so full of gladnesse of glad nesse when thou to mee most cruell most cruell dost cause mee pine in sad nesse dost c. but since you ioy to see mee thus tormented euen for thy loue euen for thy loue I am with griefe contented I am with griefe contented Of 3. voc IIII. BASSVS HOw merely we liue that sheperds be How c. that sheperds bee roundelayes still we sing ij with mery glee still c. on the plesant dounes whereas our flocks we see on c wee feele no cares wee feare not fortunes frounes we feele c we haue no enuie which sweet mirth confounds sweet c. we haue no enuie which sweet mirth confounds no en uie which sweet mirth confounds Of 3. voc V BASSVS FOllow mee follow mee follow mee sweet loue soules de light follow mee follow mee follow mee follow mee sweet loue soules de light or else by my exile my soule is seuerd quite my c my hand my hand my hart my hart my faith my faith my loue my loue my life my life my life my life is thine oh saue thine owne if thou wilt not doe mine oh saue thine owne oh saue thine owne if thou wilt not doe mine Of 3. voc VI. BASSVS ROund about I follow thee round c. yet thou flyest still from mee my Iu-ell oh sweet hart now returne or else in flames of loue I burne or c. or else in flames of lone I burne most cruell O cease my griefe by tur ning vnto mee so shalt thou heale mee of my miserie so c. so c. Heere endeth the songs of three parts Of 4. voc The first part VII BASSVS IN do-lorus complayning in c. in dolorus complayning I sat with teares be dewed be dewed to se hir deepe disdaining hir deepe disdayning to see hir deepe disdayning to see hir deepe disdayning disdaining whom I with loue persu ed persued though I found no comfort of obtayning but my lone still remayning but c. but my loue still remayning but c. Of 4. voc The Second part VIII BASSVS SInce teares could not obtaine of hir some small com passion since teares since teares could not obtaine of hir some small compassion dispaire bid mee refraine dispaire c. sad teares sad teares sad teares sad teares and la mentation though I still did see hir deep dis dayning but my loue still remayning but my loue still remaining but c but my loue still remaining Of .4 voc The first part IX BASSVS WHy runs away my loue from mee disdayning why c. from mee disdayning and to to cruell leaues meâ—â— heere leaues mee heare complayning leaues c. leaues c. yet O neare thinck by flight mee to remoue but where they loue but where they loue but where they loue but c. Of. 4 voc The second part X. BASSVS WHy doe you seeke by flight mee to eschew why c. whom to your selfe whom c. you with your bewty drew if I did seeke your loue by subtil fayning then might