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king_n write_v year_n zeal_n 43 3 7.4078 4 false
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ID Title Author Corrected Date of Publication (TCP Date of Publication) STC Words Pages
A51143 The history of painting, sculpture, architecture, graving, and of those who have excell'd in them in three books : containing their rise, progress, decay, and revival : with an account of the most considerable productions of the best artists in all ages, and how to distinguish the true and regular performances from those that are otherwise / by P. Monier ...; Histoire des arts qui ont rapport au dessein. English Monier, Pierre, 1639-1703. 1699 (1699) Wing M2419; ESTC R16358 161,014 242

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see_v moreover_o in_o that_o history_n pag._n 64._o 78._o 109._o 130._o 140._o 141._o and_o 157._o instead_o of_o letter_n resemble_v the_o hieroglyphic_n of_o the_o egyptian_n and_o paint_v be_v so_o much_o in_o use_n there_o that_o this_o prince_n show_v to_o the_o say_a captain_n one_o of_o his_o courrier_n who_o bring_v he_o paint_v on_o a_o piece_n of_o cloth_n some_o spanish_a succour_n which_o be_v new_o arrive_v upon_o this_o cloth_n be_v represent_v the_o vessel_n the_o man_n the_o artillery_n the_o horse_n and_o the_o dog_n whereof_o those_o recruit_n consist_v the_o advantage_n which_o cortes_n moreover_o in_o particular_a receive_v by_o mean_n of_o this_o paint_n be_v very_o considerable_a for_o some_o indian_a lord_n have_v conspire_v to_o kill_v he_o he_o be_v advertise_v thereof_o by_o one_o of_o they_o who_o show_v he_o a_o cloth_n whereon_o be_v design_v the_o portrait_n of_o all_o the_o conspirator_n and_o by_o these_o happy_a mean_n this_o captain_n escape_v the_o danger_n the_o advantage_n and_o excellency_n of_o the_o art_n of_o design_v show_v the_o difficulty_n of_o attain_v to_o 853._o
to_o vigenerus_n pag._n 853._o perfection_n in_o they_o by_o reason_n they_o require_v a_o great_a deal_n of_o knowledge_n to_o succeed_v well_o in_o the_o practice_n of_o they_o for_o beside_o a_o natural_a inclination_n for_o they_o the_o rule_n of_o they_o must_v be_v very_o nice_o study_v and_o care_n must_v be_v take_v to_o match_v good_a instruction_n and_o a_o natural_a genius_n for_o they_o together_o otherwise_o it_o will_v be_v impossible_a to_o become_v excellent_a in_o they_o these_o difficulty_n in_o the_o three_o last_o age_n stir_v up_o a_o emulation_n among_o several_a great_a prince_n jealous_a of_o their_o own_o glory_n and_o the_o qualification_n of_o their_o subject_n they_o establish_v academy_n of_o design_v at_o florence_n then_o at_o rome_n and_o bolonia_n and_o afterward_o at_o antwerp_n and_o last_o at_o paris_n where_o the_o painter_n sculptor_n and_o architect_n time_n architect_n the_o royal_a academy_n of_o paint_v and_o sculpture_n be_v found_v in_o 1648._o and_o his_o majesty_n begin_v in_o 1665_o another_o academy_n at_o rome_n to_o perfect_v the_o disciple_n of_o the_o academy_n royal_a which_o continue_v to_o this_o present_a time_n compose_v illustrious_a body_n those_o which_o 1671._o which_o the_o king_n moreover_o establish_v another_o particular_a academy_n for_o architecture_n in_o 1671._o lewis_n fourteen_o have_v erect_v in_o his_o metropolis_n have_v be_v the_o most_o powerful_a mean_n that_o can_v be_v invent_v to_o make_v excellent_a painter_n sculptor_n and_o architect_n there_o youth_n be_v teach_v to_o design_n after_o nature_n there_o be_v also_o teach_v the_o doctrine_n of_o proportion_n geometry_n perspective_n and_o anatomy_n and_o every_o month_n there_o be_v conference_n upon_o whatever_o relate_v to_o the_o instruction_n of_o their_o disciple_n among_o the_o lecture_n which_o i_o have_v have_v the_o honour_n to_o read_v there_o upon_o the_o concourse_n or_o out-line_n of_o body_n upon_o perspective_n anatomy_n and_o the_o motion_n of_o the_o muscle_n and_o also_o on_o the_o progress_n fall_v and_o re-establishment_n of_o the_o art_n of_o design_v i_o have_v choose_v these_o latter_a conference_n to_o form_n out_o of_o they_o the_o history_n of_o the_o art_n which_o relate_v thereunto_o in_o the_o first_o book_n i_o treat_v of_o the_o original_a and_o progress_n of_o architecture_n sculpture_n and_o paint_v from_o the_o first_o age_n of_o the_o world_n till_o after_o the_o time_n of_o the_o emperor_n marcus_n aurelius_n when_o these_o art_n begin_v to_o decline_v throughout_o all_o this_o tract_n of_o time_n we_o take_v notice_n of_o the_o curiosity_n of_o the_o king_n of_o assyria_n egypt_n phoenicia_n persia_n and_o israel_n to_o raise_v huge_a and_o extraordinary_a building_n we_o there_o remark_n how_o these_o art_n go_v from_o the_o phoenician_n to_o the_o grecian_n and_o carthaginian_n and_o how_o afterward_o they_o go_v into_o italy_n and_o the_o progress_n they_o make_v in_o tuscany_n and_o at_o rome_n in_o the_o time_n of_o their_o king_n of_o the_o republic_n and_o of_o the_o emperor_n last_o we_o show_v in_o what_o esteem_n they_o be_v there_o and_o how_o far_o protect_v till_o their_o decay_n in_o the_o second_o book_n we_o treat_v of_o their_o fall_n and_o show_v how_o the_o true_a manner_n and_o gust_n of_o design_v begin_v to_o decline_v at_o rome_n after_o commodus_n down_o to_o constantine_n and_o afterward_o architecture_n also_o decay_v insomuch_o that_o a_o ill_a and_o rude_a manner_n be_v introduce_v in_o building_n in_o paint_v and_o sculpture_n the_o zeal_n of_o the_o christian_a religion_n contribute_v very_o much_o to_o the_o destruction_n of_o the_o ancient_a temple_n and_o image_n as_o do_v also_o the_o take_n of_o rome_n the_o reign_v of_o the_o goth_n and_o lombard_n who_o follow_v that_o rude_a manner_n in_o italy_n and_o propagate_v it_o almost_o throughout_o all_o europe_n but_o the_o magnificence_n of_o architecture_n be_v maintain_v long_o in_o the_o eastern_a empire_n than_o in_o other_o place_n and_o especial_o at_o constantinople_n by_o reason_n that_o the_o first_o emperor_n be_v very_o much_o addict_v to_o architecture_n as_o we_o see_v in_o constantius_n theodosius_n and_o in_o justinian_n who_o employ_v vast_a treasure_n in_o building_n which_o for_o some_o time_n keep_v up_o architecture_n sculpture_n and_o paint_v these_o two_o last_o suffer_v very_o much_o since_o the_o time_n of_o those_o prince_n by_o the_o iconoclaste_n who_o destroy_v the_o image_n and_o barbarous_o persecute_v the_o painter_n and_o at_o length_n these_o art_n fall_v entire_o in_o that_o empire_n in_o the_o reign_v of_o the_o mahometan_n who_o suffer_v none_o to_o design_n the_o human_a figure_n nor_o any_o thing_n that_o have_v life_n in_o the_o three_o book_n we_o show_v that_o about_o the_o year_n 1110_o the_o art_n of_o design_v begin_v to_o revive_v a_o little_a at_o florence_n and_o in_o some_o other_o city_n of_o italy_n the_o protection_n they_o afterward_o find_v under_o the_o king_n of_o naples_n of_o france_n the_o republic_n of_o venice_n and_o florence_n the_o great_a duke_n of_o tuscany_n and_o the_o pope_n of_o that_o illustrious_a house_n and_o several_a other_o prince_n of_o italy_n give_v mean_n and_o opportunity_n to_o several_a excellent_a genius_n to_z apply_v themselves_o with_o a_o great_a deal_n of_o zeal_n to_o the_o re-establishment_n of_o paint_v sculpture_n and_o architecture_n in_o fine_a in_o the_o year_n 1500_o i_o conclude_v the_o re-establishment_n of_o these_o art_n for_o it_o be_v in_o this_o happy_a century_n that_o they_o be_v bring_v to_o perfection_n by_o the_o famous_a designer_n who_o flourish_v about_o that_o time_n this_o have_v be_v acknowledge_v by_o all_o the_o famous_a designer_n of_o our_o age_n who_o have_v esteem_v it_o their_o glory_n to_o imitate_v the_o work_n of_o raphael_n correggio_n julio_n romano_n and_o titian_n and_o several_a other_o ingenious_a man_n of_o the_o last_o age._n for_o it_o have_v be_v by_o mean_n of_o this_o imitation_n that_o the_o true_a way_n of_o paint_v and_o design_v have_v continue_v down_o to_o we_o as_o also_o the_o right_a manner_n of_o sculpture_n and_o architecture_n as_o have_v be_v practise_v from_o the_o begin_n of_o this_o century_n 1600._o by_o the_o famous_a carrache_n and_o afterward_o by_o their_o disciple_n domenichino_n albani_n guido_n lanfranc_n algradi_n afterward_o the_o true_a way_n and_o manner_n be_v continue_v in_o these_o three_o art_n at_o rome_n by_o poussin_n francis_n du_fw-fr quesnoy_n peter_n da_fw-mi cortona_n and_o bernini_n as_o also_o in_o flanders_n by_o rubens_n and_o van_n dick_n moreover_o france_n by_o de_fw-fr brosse_n le_fw-fr mercier_n le_fw-fr sueur_n sarrazin_n mansard_n bourdon_n le_fw-fr brun_n mignard_n and_o several_a other_o great_a man_n who_o have_v flourish_v in_o the_o art_n of_o design_v but_o this_o true_a and_o regular_a manner_n be_v keep_v up_o very_o successful_o at_o present_a by_o those_o ingenious_a man_n who_o compose_v the_o royal_a academy_n of_o paint_v sculpture_n and_o architecture_n have_v determine_v to_o follow_v the_o footstep_n of_o the_o ingenious_a ancient_n and_o the_o incomparable_a maxim_n of_o those_o excellent_a genius_n who_o appear_v with_o so_o much_o glory_n in_o the_o age_n before_o they_o we_o may_v perhaps_o hereafter_o present_a the_o reader_n with_o a_o continuation_n of_o this_o history_n throughout_o the_o century_n 1600_o which_o we_o reserve_v for_o a_o second_o volume_n nor_o ought_v it_o to_o surprise_v any_o that_o a_o painter_n shall_v undertake_v to_o write_v a_o history_n of_o design_v because_o among_o other_o accomplishment_n he_o ought_v to_o be_v master_n of_o that_o of_o be_v well_o verse_v in_o history_n be_v none_o of_o the_o least_o for_o thereby_o he_o make_v his_o work_n conformable_a to_o truth_n and_o can_v give_v a_o reason_n of_o his_o representation_n and_o join_v the_o theory_n of_o his_o art_n with_o the_o practice_n he_o become_v expert_a enough_o to_o compose_v a_o system_fw-la of_o the_o rule_n of_o it_o far_o better_o than_o those_o who_o be_v not_o designer_n this_o be_v practise_v by_o the_o most_o famous_a painter_n of_o antiquity_n as_o apelles_n and_o his_o disciple_n perseus_n and_o architecture_n and_o asclepiodorus_n protogenes_n euphranor_n and_o praxiteles_n write_v of_o paint_v and_o sculpture_n as_o do_v argellius_n and_o vitruvius_n of_o architecture_n other_o the_o illustrious_a modern_n have_v also_o write_v of_o the_o art_n of_o design_v as_o leon_n baptista_n alberti_n leonardo_n da_fw-mi vinci_n and_o several_a other_o cerceau_fw-fr other_o the_o chief_a of_o the_o modern_a painter_n who_o have_v write_v of_o paint_v since_o leon_n baptista_n alberti_n and_o leonardo_n da_fw-mi vinci_n be_v vasari_n armenini_fw-la p._n lomazzo_n f._n zucchero_n albert_n dalinea_n borgo_n san_n sepolcro_n albert_n durer_n john_n cousin_n charles_n alphonsus_n du_fw-fr fresnoy_n and_o the_o chief_a of_o those_o who_o have_v write_v of_o architecture_n beside_o