Selected quad for the lemma: heaven_n
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A37022
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The Songs to the new play of Don Quixote as they are sung at the Queen's Theatre in Dorset Garden / set by the most eminent masters of the age ; all written by Mr. D'urfey.
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D'Urfey, Thomas, 1653-1723.
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1694
(1694)
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Wing D2785; Wing D2784; ESTC R228703
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13,828
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76
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cringe and the Alderman squeez The Canter the Toper The Church-Interloper The Punk and the Practise of Piety Groper But of all he that fails our true Rites to maintain And deserts the Cause Royal is deepest in grain He that first to mend the matter Made Laws to bind our Nature shou'd have found a way To make Wills obey And have Moddel'd new the Creature For the savage in Man From Original ran And in spight of Confinement now raigns as 't began Here 's Preaching and Praying and Reason displaying Yet Brother with Brother is Killing and Slaying Then blame not the Rogue that free-Sense does enjoy Then falls like a Log and believesâhe shall lye The 5th Song for Cardenio in the 4th Act. Set by Mr. Henry Purcell LET the dreadfull Engines of eâterânal will the Thunâder Roâar and crookâed Lightning kill my Rage is hot is hot is hot as theirs as faâtall too and dares as horrid and dares as horrid horrid exâeâcution do Or let the Frozen North its ranâcour show within my Breast far far greaâter Tempests grow despaire's more cold more coâld than aâll the winds can blow Can nothing can noâthing warm me can nothing can nothing warm me yes yes yes yes Lucinda's Eyes yes yes yes yes yes yes Lucinda's Eyes yes yes yes yes yes Lucinda's Eyes there there there there there Etâna there there there there Vesââsuvio lyes to furânish Hell with flames that mountâing mounting reach the Skyes can nothing can nothing warm me can nothing can nothing warm me yes yes yes yes Lucinda's Eyes yes yes yes yes yes yes Lucinda's Eyes yes yes yes yes yes Lucinda's Eyes Ye pow'rs I did but use her name and see how all and see how all the Meteors flame blew lightning flashes round the Court of Sol and now the Globe more feircely burns than once at Phaeton's fall Slow Ah! âah âwhere where are now where are now where are now those Flowâr'y Groves where Zephir's fragrant winds did play ah where are now where are now where are now those flowâr'y Groves where Zephir's fragrant winds did play where guarded by a Troop of Loves the fair the fair Luâcinâda sleeping lay there Sung the Nightingale and Lark around us all was sweet and gay we ne're grew sad till it grew dark nor nothing fear'd but shortâning day I glow I glow I glow but 't is w'th hate why must I burn why must I burn why why must I burn for this inâgrate why why must I burn for this inâgrate Coole coole it then cooâle it then and raile since nothing noâthing will preâvaile When a Woman Love pretends 't is but till she gains her ends and for better and for Worse is for Marrow of the Purse where she Jilts you o're and o're proves a Slattern or a Whore this hour will teize will teize and vex will teize will teize and ver and will Cuckold ye the next they were all contriv'd in spight to torâment us not deâlight but to scold to scold and scratch and bite and not one of them proves right but all all are Witches by this light And so I fairâly bid e'm and the World good night good night good night good night good night good night The 6th Song for Sancho in the 4th Act. Set by Mr. Iohn Eccles. 'T WAS early one morning the Cock had just Crow'd Sing hey ding hoe ding langtridown derâry my hoâlyday Clothes on and face newly Mow'd with a hey down hoe down drink your brown Berâry The Sky was all painted no Scarlet so Red for the Sun was just then getting out of his Bed when Teâreâsa and I went to Church to be sped with a hey ding hoe ding shall I come to Wooe thee hey ding hoe ding will ye buckle to me ding ding ding ding ding ding derry derry derry ding ding ding ding ding hey langtudown derry II. Her Face was as fair as if 't had been in Print Sing hey ding c. And her small Ferret Eyes did lovingly Squint With a hey down c. Yet her Mouth had been damag'd with Comfits and Plumbs And her Teeth that were useless for biting her Thumbs Had late like ill Tennants forsaken her Gums With a hey ding hoe ding c. III. But when night came on and we both were a bed Sing hey ding c. Such strange things were done ther 's no more to be said With a hey down c. Next Morning her head ran of mending her Gown And mine was plagu'd how to pay Piper a Crown And so we rose up the same Fools we lay down With a hey ding hoe ding c. The 7th Song for Montesmò an Inchanter and Mellissa and Vrganda Inchantresses Sung in the 5th Act of the first Part of Don-Quixot Set by Mr. Henry Purcell Violine Soft Montesmò WIth this this sacred charmâing Wand I can Heav'n can Heav'n and Earth command command command command com âmand hush hush hush all the Winds that curâle the anâgry Sea and make the rowâling Waves oâbey Urganda I I from the Clouds can Conâjure down the Rain I from the Clouds can Conâjure down the Rain can Conâjure down the Rain and make it Deâluge and make it Deâ Mellissa âluge once once aâgain I when I please I when I please make Naâture smile smile smile as gaây as gaây as at first she did on as at first she did on her Creâaât'on day Groves with Eâterânal sweets shall fraâgrant grow shall fragrant fraâgrant grow and make a true Eâliâzium and make a true Eâliâzium heer beâlow CHORUS Groves with Eâterânal sweets shall fraâgrant grow shall fragrant Groves with Eâterânal sweets shall fraâgrant groâw Groves with Eâterânal sweets shall fraâgrant grow shall fragrant fraâgrant grow and make a true Eâliâ and make a true Eâliâzium and make a true Eâliâzium and make a true Eâliâzium here beâ fraâgrant grow and make a true Eâliâzium and â zium a true Eâliâzium here beââlow make a true Eâliâzium here beâlow Ritornello Mellissa I can give Beauty make the aged young and Love's dear momentary rapture long Love 's dear momentary rapture long Vrganda Nature reâstore and life and life when spenât reânew Nature reâstore and life and life when spenât reânew all this all this by Art all this by Art can great can greaâ â Urâganâda doe can great can greaât Urâganâda doe Mellissa Urganda Why Why then why then will Mortals dare Art all can doe all all can doe Why then why then why then will Mortals dare to urge a Fate to urge a to urge a Fate to urge a Fate to urge a then will Mortals dare to urge a Fate to urge a Fate Fate why then why then will Mortals dare to urge a Fate to urge a Fate why then why then will Mortals dare to urge a Fate to urge a Fate why then why then will Mortals Fate to urge a Fate to urge a Fate to urge a to urge a Fate to urge a Fate to urge a Fate to urge a Faâ