Selected quad for the lemma: heaven_n

Word A	Word B	Word C	Word D	Occurrence	Frequency Band	MI	MI Band	Prominent
heaven_n	angel_n	lord_n	praise_v	7,773	5	9.9558	5	true

Text snippets containing the quad

ID	Title	Author	Corrected Date of Publication (TCP Date of Publication)	STC	Words	Pages
A55066	An introduction to the skill of musick in two books : the first, the grounds and rules of musick, according to the gam-ut, and other principles thereof, the second, instructions & lessons for the bass-viol, and instruments & lessons for the treble-violin / by John Playford ; to which is added, The art of descant, or composing musick in parts, by Dr. Tho. Campion ; with annotations thereon, by Mr. Chr. Simpson.	Playford, John, 1623-1686?; Simpson, Christopher, d. 1669.; Lowe, Edward, d. 1682.; Campion, Thomas, 1567-1620. Art of descant.	1674 (1674)	Wing P2480; ESTC R11472	60,656	189

for_o his_o glory_n we_o may_v count_v above_o the_o heaven_n high_a to_o be_v with_o god_n the_o lord_n who_o may_v compare_v who_o dwelling_n in_o the_o heaven_n be_v of_o such_o great_a power_n and_o force_n be_v he._n psal._n 148._o give_n laud_n unto_o the_o lord_n from_o heaven_n that_o be_v so_o high_a praise_v he_o in_o deed_n and_o word_n above_o the_o starry_a sky_n and_o also_o you_o his_o angel_n all_o army_n royal_a praise_v he_o with_o glee_n psal._n 119._o bless_a be_v they_o that_o perfect_a be_v and_o pure_a in_o mind_n and_o heart_n who_o life_n and_o conversation_n from_o god_n law_n never_o start_v bless_a be_v they_o that_o give_v themselves_o his_o statute_n to_o observe_v seek_v the_o l._n with_o all_o their_o heart_n and_o never_o from_o he_o swerve_v a_o brief_a introduction_n to_o the_o play_v on_o the_o bass-viol_n the_o second_o book_n the_o viol_n usual_o call_v the_o gamba_n or_o consort_n viol._n because_o the_o music_n thereon_o be_v play_v from_o the_o rule_n of_o the_o gam-ut_a and_o not_o as_o the_o lyra-viol_n which_o be_v by_o letter_n or_o tabulature_n of_o this_o viol_n the_o gamba_n there_o be_v three_o several_a size_n one_o large_a than_o the_o other_o according_a to_o the_o three_o part_n of_o music_n set_v forth_o in_o the_o gam-ut_a viz._n treble-viol_n tenor-viol_n and_o bass-viol_n the_o treble-viol_n play_v the_o high_a part_n and_o its_o lesson_n be_v prick_v by_o the_o g_o sol_fw-mi re_fw-mi ut_fw-la cliff_n the_o tenor-viol_n or_o middle_a part_n its_o lesson_n be_v by_o the_o c_o sol_fw-mi fa_fw-mi ut_fw-la cliff_n and_o the_o bass-viol_n which_o be_v the_o large_a its_o lesson_n be_v by_o the_o f_o fa_fw-it ut_fw-la cliff_n these_o three_o viol_n agree_v in_o one_o manner_n of_o tune_v where_o i_o shall_v give_v you_o the_o direction_n for_o tune_v the_o bass-viol_n which_o be_v usual_o string_v with_o six_o string_n as_o you_o may_v observe_v on_o the_o figure_n express_v in_o the_o forego_n page_n which_o six_o string_n be_v know_v by_o six_o several_a name_n the_o first_o which_o be_v the_o small_a be_v call_v the_o treble_a the_o second_o the_o small_a mean_a the_o three_o the_o great_a mean_a the_o four_o the_o counter-tenor_n the_o five_o the_o tenor_n or_o gam-ut_a string_n the_o six_o the_o bass._n but_o if_o you_o will_v name_v they_o after_o they_o be_v tune_v according_a to_o the_o rule_n of_o the_o gam-ut_a the_o treble_a string_n be_v d_o la_fw-fr sol_fw-mi re_fw-mi the_o small_a mean_a a_o la_fw-fr mi_fw-mi re_fw-mi the_o great_a mean_a e_z la_z mi_fw-mi the_o counter-tenor_n c_o fa_z ut_fw-la the_o tenor_n or_o five_o string_n gam-ut_a and_o the_o six_o or_o bass_n double_a d_o sol_fw-mi re_fw-mi belong_v to_o these_o six_o string_n there_o be_v seven_o fret_n or_o stop_v on_o the_o neck_n of_o your_o viol_n which_o be_v for_o stop_v the_o various_a sound_n according_a to_o the_o several_a note_n of_o the_o gam-ut_a both_o flat_n and_o sharps_n for_o the_o more_o plain_a understanding_n of_o which_o i_o have_v draw_v a_o exact_a table_n in_o the_o follow_a pag._n 88_o beginning_n with_o the_o low_a note_n on_o your_o six_o string_n and_o so_o ascend_v to_o the_o high_a on_o the_o first_o or_o treble_a string_n your_o perfect_a understanding_n of_o that_o table_n will_v much_o further_o you_o in_o the_o knowledge_n of_o tune_v your_o viol_n for_o which_o tune_v i_o will_v give_v you_o two_o rule_n one_o by_o tabulature_n or_o letter_n the_o other_o by_o the_o gam-ut_a rule_n the_o first_o be_v the_o easy_a way_n to_o a_o beginner_n who_o ear_n at_o first_o be_v not_o well_o acquaint_v with_o the_o several_a distance_n of_o sound_n that_o the_o string_n be_v tune_v in_o shall_v by_o this_o way_n use_v only_o one_o sound_a viz._n a_o unison_n which_o be_v to_o make_v two_o string_n one_o of_o they_o be_v stop_v the_o other_o not_o to_o agree_v in_o one_o and_o the_o same_o sound_n the_o letter_n be_v eight_o a_o b_o c_o d_o e_o f_o g_o h_o seven_o of_o these_o be_v assign_v to_o the_o seven_o fret_n on_o the_o neck_n of_o the_o viol_n a_o be_v for_o the_o string_n open_a so_z b_o be_v the_o first_o fret_v c_o the_o second_o d_o the_o three_o e_z the_o four_o f_o the_o five_o g_z the_o six_o and_o h_n the_o seven_o six_o string_n when_o you_o begin_v to_o tune_n raise_v your_o treble_n or_o small_a string_n as_o high_a as_o convenient_o it_o will_v bear_v without_o break_v then_o stop_v only_o your_o second_o or_o small_a mean_a in_o f_o and_o tune_v it_o till_o it_o agree_v in_o sound_n with_o your_o treble_a open_a that_o do_v stop_v your_o three_o in_o f_o and_o make_v it_o agree_v with_o your_o second_o open_a then_o stop_v your_o four_o in_o f_o and_o make_v it_o agree_v with_o your_o three_o open_a then_o stop_v your_o five_o in_o f_o and_o make_v it_o agree_v with_o your_o four_o open_a and_o last_o stop_v your_o six_o in_o f_o and_o make_v it_o agree_v to_o your_o five_o open_a this_o be_v exact_o do_v you_o will_v find_v your_o viol_n in_o tune_n according_a to_o the_o rule_n of_o the_o gam-ut_a example_n tune_v by_o letter_n example_n tune_v by_o note_n d_o la_fw-fr sol_fw-mi re_fw-mi at_fw-fr la_fw-fr mi_fw-mi re_fw-mi e_o la_o mi._n c_o fa_z ut_fw-la gam-ut_a d_o d_o sol_fw-mi re_fw-mi the_o other_o way_n of_o tuning_n be_v by_o the_o rule_n of_o the_o gam-ut_a by_o distance_n of_o sound_n as_o in_o the_o forego_n example_n thus_o the_o treble_a be_v raise_v as_o high_a as_o it_o will_v convenient_o bear_v without_o break_v be_v call_v d_o la_fw-fr sol_fw-mi re_fw-mi then_o tune_v your_o second_o four_o note_n low_a and_o it_o be_v a_o la_fw-fr mi_fw-mi re_fw-mi the_o three_o four_o note_n low_a be_v e_o la_fw-fr mi_fw-mi the_o four_o three_o note_n or_o a_o f●at_n three_o lower_v be_v c_o fa_fw-mi ut_fw-la the_o five_o four_o note_n low_a be_v gam-ut_a and_o the_o six_o four_o note_n low_a than_o the_o five_o be_v double_a d_o sol_fw-mi re_fw-mi this_o be_v the_o most_o usual_a way_n of_o tune_v it_o yet_o there_o be_v some_o lesson_n do_v require_v it_o one_o note_n low_o which_o be_v double_a c_o fa_z ut_fw-la but_o that_o be_v very_o seldom_o example_n of_o the_o note_n ascend_v and_o descend_v your_o viol._n be_v tune_v practice_n to_o play_v this_o example_n of_o the_o note_n ascend_v and_o descend_v and_o by_o it_o you_o shall_v know_v your_o viol_n be_v right_o tune_v a_o exact_a table_n direct_v the_o place_n of_o the_o note_n flat_a and_o sharp_a to_o every_o stop_n on_o the_o bass-viol_n according_a to_o the_o gam-ut_a beginning_n at_o the_o low_a note_n of_o the_o bass_n on_o the_o six_o string_n and_o ascend_v to_o the_o high_a on_o the_o treble_a 6_o string_n double_o d_o ●ol_fw-mi re_fw-mi double_v e_o la_fw-fr mi._n flat_a d_o d_o e_o la_fw-fr mi._n proper_a d_o d_o ffa_n ut_fw-la d_o d_o f_o fa_o ut_fw-mi sharp_a six_o string_n open_a six_o string_n first_o fret_n six_o string_n second_o fret_v six_o string_n three_o fret_v six_o st●ing_n four_o fret_v 5._o string_n gamut_n gamut_n sharp_a a_o re_fw-mi b_o mi_fw-mi flat_n b_o mi_fw-mi proper_n five_o string_n open_a five_o string_n ●●●st_n fret_v five_o string_n second_o fret_v five_o string_n three_o fret_v five_o string_n four_o fret_n 4_o string_n c_o fa_fw-it ut_fw-mi c_o fa_z ut_fw-mi sharp_a d_o sol_fw-mi re_fw-mi e_o la_z mi_fw-mi flat_a four_o string_n open_a four_o string_n first_o fret_n four_o string_n second_o fret_v four_o string_n four_o fret_n 2_o string_n e_o la_fw-fr mi_fw-mi f_o fa_fw-it ut_fw-mi f_o fa_fw-it ut_fw-mi sharp_a g_z sol_fw-mi re_fw-mi ut_fw-mi g_o sol_fw-mi ●e_n ut_fw-la sharp_a three_o string_n open_a three_o string_n first_o f●et_n three_o string_n second_o fret_v three_o string_n three_o fret_v three_o string_n four_o f●et_n 2_o string_n a_o la_fw-fr mi_fw-mi re_fw-mi b_o fa_z b_o mi_fw-mi flat_a b_o fa_z b_o mi._n proper_a ●_o 〈◊〉_d fa_fw-it ut_fw-la c_o sol_fw-la fa_fw-it ut_fw-la sharp_a second_o string_n open_a second_o string_n first_o fret_n second_o string_n second_o fret_v second_o string_n three_o fret_v second_o string_n four_o fret_n 1_o string_n d_o la_fw-fr sol_fw-mi re_fw-mi e_z la_fw-fr mi_fw-mi flat_a e_o la_fw-fr mi_fw-mi f_o fa_fw-it ut_fw-mi e_z la_fw-fr ut_fw-mi sharp_a g_z sol_fw-mi r●_n ut_fw-mi first_o string_n open_a first_o string_n first_o fret_n first_o string_n second_o fret_v first_o string_n three_o fret_v first_o string_n four_o fret_n first_o string_n five_o fret_n it_o be_v usual_a in_o lesson_n for_o the_o bass-viol_n to_o change_v the_o cliff_n where_o the_o note_n ascend_v above_o d_o la_fw-fr sol_fw-mi re_fw-mi which_o be_v very_o necessary_a to_o prevent_v the_o draw_n of_o more_o line_n above_o therefore_o the_o practitioner_n ought_v