Selected quad for the lemma: end_n

Word A	Word B	Word C	Word D	Occurrence	Frequency Band	MI	MI Band	Prominent
end_n	hand_n	hold_v	left_a	2,273	5	10.0216	5	true

Text snippets containing the quad

ID	Title	Author	Corrected Date of Publication (TCP Date of Publication)	STC	Words	Pages
A60252	The division-violist, or, An introduction to the playing upon a grovnd divided into two parts, the first directing the hand, with other preparative instructions, the second laying open the manner and method of playing ex-tempore, or composing division to a grovnd : to which, are added some divisions made upon grounds for the practice of learners / by Chr. Simpson.	Simpson, Christopher, d. 1669.	1659 (1659)	Wing S3813; ESTC R184176	37,232	78

next_o note_n of_o the_o ground_n ib._n how_o division_n be_v to_o move_v below_o the_o ground-note_a p._n 25_o a_o example_n of_o break_v the_o ground_n p._n 26_o a_o observation_n for_o play_v flat_a or_o sharp_a in_o the_o seven_o above_o or_o second_o below_o the_o standing-note_a p._n 27_o how_o to_o break_v a_o cadent-note_a at_o a_o final_a close_n and_o how_o elsewhere_o ib._n of_o descant-division_n and_o how_o it_o differ_v from_o break_v the_o ground_n p._n 28_o concern_v a_o six_o ib._n of_o mixt-division_n p._n 29_o cadence_n of_o two_o sort_n ib._n example_n upon_o the_o first_o sort_n of_o cadence_n p._n 30_o 31_o example_n upon_o the_o second_o sort_n of_o cadence_n p._n 32_o 33_o consecution_n of_o fifths_o or_o eighth_v how_o allow_v or_o not_o allow_v in_o division_n to_o a_o ground_n p._n 34_o a_o example_n of_o a_o cadence_n upon_o a_o breve_fw-la p._n 35_o concern_v rise_v or_o fall_v in_o three_o or_o sixth_n and_o in_o what_o case_n this_o or_o that_o be_v better_a p._n 36_o of_o a_o close_a without_o a_o cadence_n and_o a_o example_n thereupon_o p._n 37_o example_n of_o divide_v upon_o crotchet_n rise_v and_o fall_v by_o degree_n p._n 39_o 40_o a_o example_n of_o divide_v upon_o crotchet_n move_v by_o leaps_z or_o interval_n p._n 41_o quaver_n to_o be_v consider_v whether_o they_o be_v not_o the_o minute_n part_v of_o some_o long_a note_n p._n 42_o a_o example_n of_o divide_v upon_o quaver_n rise_v and_o fall_v by_o degree_n p._n 43_o of_o note_n be_v make_v flat_a or_o sharp_a in_o relation_n to_o the_o four_o above_o or_o below_o p._n 44_o a_o example_n of_o quaver_n move_a by_o leaps_z ib._n how_o to_o play_n ex-tempore_a to_o a_o gronnd_n p._n 45_o concern_v the_o order_v and_o dispose_v of_o division_n p._n 47_o of_o compose_v division_n for_o one_o viol_n to_o a_o ground_n ib._n of_o two_o viol_n play_v together_o to_o a_o ground_n p._n 48_o some_o observation_n in_o compose_v division-musick_n of_o two_o and_o three_o part_n p._n 49_o part._n i._o the_o division_n violist_n or_o a_o introduction_n to_o the_o play_v upon_o a_o ground_n before_o i_o treat_v of_o play_v division_n to_o a_o ground_n i_o suppose_v it_o convenient_a to_o speak_v of_o some_o thing_n which_o must_v be_v know_v and_o prepare_v in_o order_n to_o that_o design_n as_o first_o a_o viol_n fit_v for_o that_o purpose_n next_o hand_n enable_v to_o play_n upon_o it_o and_o then_o some_o knowledge_n in_o the_o concord_n of_o music_n with_o these_o therefore_o i_o will_v begin_v in_o assistance_n to_o such_o as_o be_v not_o already_o sufficient_o inform_v therein_o and_o first_o concern_v the_o viol._n what_o kind_n of_o viol_n be_v fit_a for_o division_n and_o how_o to_o be_v accommodate_v i_o will_v have_v a_o division-viol_n to_o be_v of_o something_o a_o short_a since_o than_o a_o consort-basse_a that_o so_o the_o hand_n may_v better_o command_v it_o more_o or_o less_o short_a according_a to_o the_o reach_n of_o his_o finger_n who_o be_v to_o use_v it_o but_o the_o ordinary_a size_n such_o as_o may_v carry_v a_o string_n of_o thirty_o inch_n from_o the_o bridge_n due_o place_v to_o the_o nutt_n the_o sound_n quick_a and_o sprightly_a like_o a_o violin_n and_o viol_n of_o that_o shape_n the_o belly_n be_v dig_v out_o of_o the_o planck_n do_v common_o render_v such_o a_o sound_n it_o must_v be_v accommodate_v with_o six_o string_n and_o seven_o fret_n like_o those_o of_o a_o lute_n but_o something_o thick_a the_o string_n a_o little_o big_a than_o those_o of_o a_o lyra-viol_n which_o must_v be_v lay_v at_o the_o like_a nearness_n to_o the_o finger-board_n for_o ease_n and_o convenience_n of_o stop_v the_o bridge_n as_o round_o as_o that_o of_o a_o consort-basse_a that_o so_o each_o several_a string_n may_v be_v hit_v with_o a_o bold_a touch_n of_o the_o bow_n the_o plate_n or_o finger-board_n exact_o smooth_a and_o even_o it_o be_v length_n full_o two_o part_n of_o three_o from_o the_o nutt_n to_o the_o bridge_n it_o must_v also_o be_v of_o a_o proportionate_a roundness_n to_o the_o bridge_n so_o that_o each_o string_n may_v lie_v at_o a_o equal_a nearness_n to_o it_o as_o for_o example_n if_o the_o roundness_n of_o the_o bridge_n be_v as_o the_o arch_n a._n b._n then_o i_o will_v have_v the_o low_a end_n of_o the_o finger-board_n hereof_o let_v viol-maker_n take_v notice_n hereof_o to_o be_v as_o c._n d._n and_o the_o top_n of_o it_o as_o e._n f._n the_o bow_n a_o viol-bow_n for_o division_n shall_v be_v stiff_a but_o not_o heavy_a it_o be_v length_n betwixt_o the_o two_o place_n where_o the_o hair_n be_v fasten_v at_o each_o end_n about_o 27_o inch_n the_o nutt_n short_a the_o height_n of_o it_o about_o a_o finger_n breadth_n or_o little_o more_o the_o viol_n and_o bow_n thus_o prepare_v i_o must_v now_o teach_v you_o how_o to_o use_v they_o and_o in_o order_n thereto_o first_o how_o to_o hold_v the_o viol._n be_v seat_v place_v your_o viol_n decent_o betwixt_o your_o knee_n so_o that_o the_o low_a end_n of_o it_o may_v rest_v upon_o the_o calf_n of_o your_o leg_n set_a the_o sole_n of_o your_o foot_n flat_a on_o the_o floor_n your_o toe_n turn_v a_o little_a outward_a let_v the_o top_n of_o the_o viol_n be_v erect_v towards_o your_o left_a shoulder_n so_o as_o it_o may_v rest_v in_o that_o posture_n though_o you_o touch_v it_o not_o with_o your_o hand_n how_o to_o hold_v the_o bow_n hold_v the_o bow_n betwixt_o the_o end_n of_o your_o thumb_n and_o two_o foremost_a finger_n near_o to_o the_o nutt_n the_o thumb_n and_o first_o finger_n fasten_v upon_o the_o stalk_v and_o the_o second_o finger_n end_v turn_v in_o short_a against_o the_o hair_n thereof_o by_o which_o you_o may_v poise_v and_o keep_v up_o the_o point_n of_o the_o bow_n if_o the_o second_o finger_n have_v not_o strength_n enough_o you_o may_v join_v the_o three_o finger_n in_o assistance_n to_o it_o but_o in_o play_v swift_a division_n two_o finger_n and_o the_o thumb_n be_v best_a in_o my_o opinion_n hold_v the_o bow_n in_o this_o posture_n you_o may_v stretch_v out_o your_o arm_n and_o draw_v it_o first_o over_o one_o string_n and_o then_o another_o cross_v they_o in_o right-angle_n at_o the_o distance_n of_o two_o or_o three_o inch_n from_o the_o bridge_n make_v each_o several_a string_n yield_v a_o full_a and_o clear_a sound_n and_o order_v your_o knee_n so_o that_o they_o be_v no_o impediment_n to_o the_o motion_n of_o your_o bow_n the_o posture_n of_o the_o left_a hand_n when_o you_o be_v to_o set_v your_o finger_n upon_o the_o string_n you_o must_v not_o grasp_v the_o neck_n of_o your_o viol_n like_o a_o violin_n but_o rather_o as_o those_o that_o play_n on_o the_o lute_n keep_v your_o thumb_n on_o the_o back_n of_o the_o neck_n opposite_a to_o your_o forefinger_n so_o as_o your_o hand_n may_v have_v liberty_n to_o remove_v up_o and_o down_o as_o occasion_n shall_v require_v how_o the_o viol_n be_v tune_v and_o apply_v to_o the_o scale_n of_o music_n it_o be_v suppose_v you_o understand_v song_n and_o consequent_o the_o scale_n of_o music_n which_o know_v the_o tune_n of_o your_o viol_n appear_v in_o such_o order_n as_o you_o see_v the_o six_o semibreve_n which_o stand_v one_o over_o another_o in_o the_o first_o part_n of_o the_o follow_a scale_n where_o note_n that_o all_o the_o degree_n of_o rise_v above_o the_o high_a of_o those_o semibreve_n be_v express_v on_o the_o treble_a or_o high_a string_n by_o stop_v it_o still_o low_o and_o low_a upon_o the_o neck_n of_o the_o viol._n when_o you_o have_v tune_v your_o viol_n according_a to_o the_o six_o semibreve_n your_o next_o business_n be_v to_o play_v those_o other_o note_n which_o you_o see_v ascend_v and_o descend_v by_o degree_n over_o which_o i_o have_v set_v figure_n to_o direct_v you_o with_o what_o finger_n to_o stop_v they_o 1_o 2_o 3_o 4_o be_v set_v for_o first_o second_o three_o and_o four_o finger_n those_o which_o have_v no_o figure_n be_v play_v on_o the_o open_a string_n observation_n for_o play_v note_n upon_o another_o string_n you_o must_v know_v that_o sometime_o note_n be_v not_o play_v on_o those_o string_n to_o which_o they_o seem_v proper_o to_o belong_v but_o for_o ease_n or_o better_a order_n of_o finger_v be_v play_v upon_o some_o other_o string_n a_o instance_n whereof_o you_o have_v in_o those_o two_o note_n mark_v with_o little_a star_n over_o their_o figure_n which_o note_n be_v play_v upon_o the_o second_o string_n though_o a_o little_a before_o note_n stand_v in_o the_o same_o place_n be_v play_v upon_o the_o treble_a and_o therefore_o when_o any_o difficulty_n shall_v occur_v in_o finger_v you_o must_v try_v which_o way_n the_o same_o note_n may_v be_v

express_v with_o most_o ease_n and_o convenience_n to_o the_o hand_n the_o example_n before-going_a be_v set_v in_o the_o whole_a scale_n that_o you_o may_v better_o perceive_v where_o every_o rule_n and_o space_n take_v their_o place_n upon_o the_o viol_n but_o those_o that_o follow_v must_v be_v set_v down_o in_o the_o common_a way_n of_o 5_o line_n and_o when_o note_n exceed_v that_o compass_n they_o be_v still_o reduce_v into_o 5_o line_n by_o set_v another_o cliff_n this_o which_o follow_v i_o will_v have_v you_o practice_v first_o in_o a_o slow_a measure_n increase_v the_o quickness_n by_o degree_n as_o your_o hand_n advance_v in_o readiness_n but_o be_v sure_a to_o make_v all_o your_o note_n sound_v clear_a and_o full_a stop_v the_o string_n firm_a and_o hard_o with_o the_o very_a end_n of_o your_o finger_n also_o give_v as_o much_o bow_n to_o every_o quaver_n as_o the_o length_n of_o it_o will_v permit_v but_o before_o you_o set_v upon_o it_o read_v the_o two_o rule_n which_o follow_v here_o you_o must_v observe_v two_o general_a rule_n one_o be_v for_o stop_v the_o string_n the_o other_o for_o the_o motion_n of_o the_o bow_n a_o rule_n for_o stop_v which_o be_v that_o when_o you_o set_v any_o finger_n down_o you_o be_v to_o let_v it_o rest_v there_o play_v the_o follow_a note_n with_o other_o finger_n until_o some_o occasion_n require_v the_o remove_n it_o this_o be_v do_v both_o for_o better_a order_n of_o finger_v and_o that_o the_o finger_n may_v pass_v more_o smooth_o from_o note_n to_o note_n without_o lift_v they_o too_o far_o from_o the_o string_n as_o also_o to_o continue_v the_o sound_n of_o a_o note_n when_o the_o bow_n have_v leave_v it_o instance_n of_o these_o holding_n you_o have_v where_o you_o see_v such_o a_o stroke_n as_o this_o ✓_o mark_v for_o a_o hold_v and_o draw_v from_o one_o to_o some_o other_o distant_a note_n as_o for_o example_n the_o first_o four_o quaver_n of_o the_o second_o bar_n have_v such_o a_o mark_n under_o they_o which_o signify_v that_o the_o three_o finger_n which_o stop_v the_o first_o of_o they_o must_v be_v keep_v on_o until_o you_o have_v also_o play_v the_o four_o quaver_n because_o in_o play_v the_o two_o middle_a quaver_n there_o be_v no_o necessity_n of_o take_v it_o off_o the_o like_a be_v to_o be_v observe_v in_o the_o rest_n a_o rule_n for_o the_o motion_n of_o the_o bow_n concern_v the_o bow_n observe_v that_o when_o you_o see_v a_o even_o number_n of_o quaver_n semiquaver_n etc._n etc._n as_o 2_o 4_o 6_o 8._o you_o must_v begin_v with_o your_o bow_n forward_o yea_o though_o the_o bow_n be_v employ_v forward_a in_o the_o next_o note_n before_o they_o but_o if_o the_o number_n be_v odd_a as_o 3_o 5_o 7._o which_o always_o happen_v by_o reason_n of_o some_o pricknote_a or_o odd_a rest_n the_o first_o of_o that_o odd_a number_n must_v be_v play_v backward_o and_o this_o be_v most_o proper_o the_o motion_n of_o the_o bow_n although_o not_o absolute_o without_o exception_n when_o you_o can_v play_n the_o last_o example_n you_o may_v practice_v this_o follow_v it_o be_v now_o requisite_a your_o hand_n be_v accustom_v to_o play_n note_n which_o ascend_v above_o the_o fretts_n above_o i_o call_v it_o in_o relation_n to_o sound_n be_v low_o as_o to_o the_o neck_n of_o the_o viol_n to_o which_o purpose_n i_o propose_v unto_o you_o the_o follow_a example_n with_o which_o i_o must_v also_o give_v you_o a_o observation_n for_o finger_v here_o you_o may_v observe_v that_o in_o any_o point_n of_o division_n which_o reach_v to_o the_o low_a fretts_n or_o beyond_o they_o the_o high_a note_n thereof_o be_v always_o stop_v either_o with_o the_o three_o or_o with_o the_o four_o finger_n if_o with_o the_o three_o the_o first_o and_o second_o finger_n take_v their_o orderly_a place_n in_o stop_v the_o two_o note_n gradual_o ascend_v to_o it_o or_o descend_v from_o it_o if_o the_o high_a note_n employ_v the_o four_o finger_n then_o the_o next_o note_n under_o it_o be_v stop_v either_o with_o the_o three_o or_o with_o the_o second_o finger_n according_a as_o the_o say_v under-note_a be_v either_o flat_a or_o sharp_a if_o sharp_a with_o the_o three_o if_o flat_a with_o the_o second_o finger_n but_o whether_o the_o high_a note_n employ_v the_o three_o or_o four_o finger_n you_o may_v be_v assure_v that_o the_o 3_o d._n below_o it_o must_v be_v stop_v with_o the_o first_o finger_n which_o always_o serve_v as_o a_o guide_n unto_o those_o two_o note_n which_o be_v above_o it_o and_o whereas_o you_o will_v see_v sometime_o two_o successive_a note_n stop_v one_o after_o the_o other_o with_o the_o same_o finger_n it_o be_v always_o do_v either_o to_o prepare_v the_o finger_n to_o this_o posture_n or_o to_o remove_v the_o say_a posture_n to_o some_o other_o place_n this_o order_n of_o finger_v hold_v good_a throughout_o the_o whole_a finger-board_n in_o stop_v three_o successive_a note_n upon_o any_o one_o string_n with_o this_o only_a difference_n that_o where_o the_o stopp_n be_v wide_a as_o among_o the_o fretts_n the_o four_o or_o little_a finger_n be_v of_o more_o use_n then_o lower_v down_o where_o the_o stopp_n be_v more_o contract_n as_o for_o the_o posture_n of_o the_o finger_n in_o move_v from_o one_o string_n to_o another_o which_o for_o diversity_n of_o circumstance_n can_v so_o well_o be_v reduce_v to_o rule_v i_o must_v refer_v you_o to_o your_o own_o observation_n in_o make_v use_n of_o those_o finger_n which_o offer_v themselves_o the_o ready_a and_o apt_a for_o stop_v any_o succeed_a note_n if_o you_o find_v any_o difficulty_n in_o this_o example_n play_v it_o the_o slow_a until_o your_o hand_n shall_v have_v overcome_v it_o i_o must_v now_o apply_v your_o hand_n to_o the_o play_v of_o quick_a note_n yet_o not_o till_o i_o have_v say_v something_o concern_v the_o motion_n of_o the_o right_a arm_n and_o wrist_n i_o have_v already_o tell_v you_o that_o you_o must_v stretch_v out_o your_o arm_n so_o that_o your_o bow_n may_v cross_v the_o string_n near_o to_o the_o bridge_n in_o which_o posture_n it_o be_v more_o than_o probable_a you_o will_v move_v your_o shoulder-joint_n for_o in_o play_v long_a note_n necessity_n will_v enforce_v you_o so_o to_o do_v but_o if_o you_o stir_v that_o joint_n in_o quick-note_n it_o will_v cause_v your_o whole_a body_n to_o shake_v which_o by_o all_o mean_n must_v be_v avoid_v as_o also_o any_o other_o indecent_a gesture_n quick_a note_n therefore_o must_v be_v express_v by_o move_v some_o joint_n near_o the_o hand_n which_o be_v general_o agree_v upon_o to_o be_v the_o wrist_n the_o question_n then_o arise_v be_v about_o the_o menage_n of_o the_o elbow-joint_n concern_v which_o there_o be_v two_o different_a opinion_n some_o will_v have_v it_o to_o be_v keep_v straight_o and_o stiff_a insomuch_o that_o i_o have_v hear_v a_o very_a eminent_a and_o judicious_a violist_n positive_o affirm_v that_o if_o a_o scholar_n can_v but_o attain_v to_o the_o play_v of_o quaver_n with_o his_o wrist_n keep_v his_o arm_n straight_o and_o stiff_a in_o the_o elbow_n he_o have_v get_v the_o mastery_n of_o the_o bow-hand_n other_o contend_v that_o the_o motion_n of_o the_o wrist_n must_v be_v strengthen_v and_o assist_v by_o a_o compliance_n or_o yield_v of_o the_o elbow-joint_n unto_o it_o and_o they_o to_o back_o their_o argument_n produce_v for_o instance_n a_o ●orcome_v a_o mr._n daniel_n ●orcome_v person_n famous_a for_o the_o excellency_n of_o the_o bow-hand_n use_v a_o free_a and_o loose_a arme._n to_o deliver_v my_o own_o opinion_n i_o do_v much_o approve_v the_o straightness_n of_o the_o arm_n especial_o in_o beginner_n because_o it_o be_v a_o mean_n to_o keep_v the_o body_n upright_o which_o be_v a_o commendable_a posture_n i_o can_v also_o admit_v the_o stiffness_n of_o the_o elbow_n in_o smooth_a division_n for_o which_o it_o be_v most_o proper_o apt_a but_o cross_n and_o skip_a division_n can_v i_o think_v be_v well_o express_v without_o some_o consent_n or_o yield_v of_o the_o elbow-joint_n unto_o the_o motion_n of_o the_o wrist_n how_o to_o gain_v the_o motion_n of_o the_o wrist_n the_o best_a way_n i_o can_v advise_v you_o be_v upon_o move_v the_o bow_n forward_a and_o backward_a to_o carry_v the_o hand_n to_o and_o from_fw-mi a_o little_a beyond_o the_o motion_n of_o the_o arm_n in_o such_o manner_n that_o the_o arm_v return_v shall_v as_o it_o be_v draw_v the_o hand_n after_o it_o when_o you_o can_v do_v this_o in_o long_a note_n you_o may_v practise_v it_o in_o short_a by_o degree_n a_o little_a exercise_n will_v effect_v it_o i_o will_v set_v your_o next_o example_n in_o c-fa-ut_a with_o the_o low_a string_n put_v down_o a_o note_n to_o make_v it_o a_o sub-octave_n thereunto_o as_o we_o common_o do_v