Selected quad for the lemma: duty_n

Word A	Word B	Word C	Word D	Occurrence	Frequency Band	MI	MI Band	Prominent
duty_n	david_n	psalm_n	sing_v	985	5	9.2598	5	false

Text snippets containing the quad

ID	Title	Author	Corrected Date of Publication (TCP Date of Publication)	STC	Words	Pages
A45173	A collection of some verses out of the Psalms of David suited to several occasions. Composed in two parts, cantus & bassus: being [the] common tunes to the Psalms in metre, now used in parish-churches. To which is added, some instructions for singing of them. Collected forMr. Henry Hunt, for the use of his scholars, and such as delight in psalmody.	Hunt, Henry, 17th/18th cent.	1698 (1698)	Wing H3729AA; ESTC R216492	32,286	114

Gloria Deo Cantate Domino Canticū Nouvm Psal 95 A COLLECTION OF SOME VERSES OUT OF THE Psalms of David Suited to several Occasions Composed in TWO PARTS CANTVS BASSVS BEING Common Tunes to the PSALMS in Metre now used in ParishChurches To which is added Some INSTRUCTIONS for Singing of them Collected for Mr. HENRY HUNT for the Vse of his Scholars and such as delight in Psalmody The Second Edition Psal XXXV v. 3. Praise ye the Lord for the Lord is good sing praises unto his Name for it is a comely thing LONDON Printed by J. Heptinstall for Henry Playford and are to be Sold by Anthony Boys at his Shop in St. Albans in Hertfordshire 1698. Price stitch'd 1 s. 6 d. THE PREFACE Courteous Reader I Need not acquaint you with the Original and Progress of MVSICK and of its Divine Vse in all Ages since we have the Testimony of it in Holy Scripture both for Antiquity and Administration in the Church We cannot doubt of the Inventor thereof since Holy Writ has directed us to Jubal Gen. 4.21 Nor can we be better informed of its Vse in all Ages than by those Songs of Praise which Moses and the Children of Israel sung at the Overthrow of the Egyptian Army Besides the Psalms of David are mark'd with Musical Notes above and below which is a clear Demonstration of Psalmsinging amongst the Jews of old Singing of Psalms was not only a part of the Jewish Devotion but likewise a Christian Duty commended by St. Paul who reckons Singing of Psalms Hymns and Spiritual Songs a great mark of Conversion 'T is commanded by St. James ch 5. v. 13. If any man be afflicted let him pray if any be merry let him sing Psalms And this kind of Devotion the common People are most intent upon to Instruct whom was the main Design of this little Collection It having been a means to introduce that most excellent Book entituled The whole Book of Psalms in Three Parts Composed by Mr. John Playford Those who make use of these Books may sing without the Scots way of reading the Words and do it in a standing Posture letting their Hearts be ravished with the Harmony of God's Love and Goodness whilst their Voices are joyned in his Praises that having perfectly learned their Parts here they may at last come to joyn with the Heavenly Chorus and Sing Hallelujahs to all Eternity Which is the hearty Wish and Prayer of Your Friend Henry Hunt Instructions for Singing the PSALMS The GAMUT or Scale of MUSICK Treble   A la mi re in Alt la la mi G sol re ut in Alt sol sol la F fa ut fa fa sol E la la mi ♭ fa D la sol sol la la C sol fa fa sol sol B fa ♯ mi mi ♭ fa ♭ fa A la mi re la la mi Mean G sol re ut 𝄞 Cliff sol 𝄞 sol 𝄢 la F fa ut fa fa sol E la mi la mi ♭ fa   D la sol re sol la la C sol fa ut 𝄡 Cliff fa 𝄡 sol 𝄡 sol B fa ♯ mi mi ♭ fa ♭ fa Bass A la mi re la la mi G sol re ut sol sol la F fa ut 𝄢 Cliff fa 𝄢 fa 𝄢 sol   E la mi la mi ♭ fa D sol re sol la la C fa ut fa sol sol B mi mi ♭ fa ♭ fa A re la la mi G Γamut sol sol la   FF fa ut fa fa sol EE la mi la mi fa DD sol re sol la la CC fa ut fa sol sol     B sharp B proper B flat The Names of the NOTES according to the Gamut as they Ascend or Descend in the Treble S D la sol re L E la mi. F F fa ut S G sol re ut L A la mi re M B fa ♯ mi. F C sol fa. S D la sol L E la. F F fa ut S G sol re ut L A la mi re Those Notes above F fa ut are called Notes in Alt as G sol re ut in Alt A la mi re in Alt c. The first three Notes above your Mi Are Fa sol la here you may see The next three under Mi that fall Them La sol fa you ought to call The eight Notes Ascending and Descending Sol la mi fa sol la fa sol Sol fa la sol fa mi la sol The Names of the NOTES as you ought to call them in Singing If that no Flat be set in B Then in that place standeth your Mi. Sol la fa sol la ♯ mi fa sol la fa sol la. But if your B alone be Flat Then E is Mi be sure of that La ♯ mi fa sol la fa sol la ♯ mi fa sol la. If both be Flat your B and E Then A is Mi here you may see La fa sol la ♯ mi fa sol la fa sol la ♯ mi. If all be Flat A B and E Then Mi alone doth stand in D. ♯ mi fa sol la fa sol la ♯ mi fa sol la fa. The Ascendings 3 d. 4 th 5 th 6 th 7 th 8 th The Descendings 3 d. 4 th 5 th 6 th 7 th 8 th The breaking of Notes Thirds Fifths s m l f m s f l l f s m f l m s. f s s l Eighths f f s s. s s f f l s s f. s s l l f f s s s s f f l l s s. The Names of the NOTES according to the Gamut as they Ascend or Descend in the Bass F CC fa ut S DD sol re L EE la mi. F FF fa ut S Gamut L A re M B mi. F C fa ut S D sol re L E la mi. F F fa ut S G sol re ut L A la mi re M B fa ♯ mi. F C sol fa ut Those Notes below Gamut are called Double Notes as Double F fa ut Double Ela mi c. The first three Notes above your Mi Are Fa sol la here you may see The next three under Mi that fall Them La sol fa you ought to call The eight Notes Ascending and Descending Sol la mi fa sol la fa sol Sol fa la sol fa mi la sol The Names of the NOTES as you ought to call them in Singing If that no Flat be set in B Then in that place standeth your Mi. Fa sol la ♯ mi fa sol la fa sol la ♯ mi fa. But if your B alone be Flat Then E is Mi be sure of that Fa sol la fa sol la ♯ mi fa sol la fa sol If both be Flat your B and E Then A is