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death_n age_n denote_v great_a 21 3 2.1077 3 false
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ID Title Author Corrected Date of Publication (TCP Date of Publication) STC Words Pages
A51143 The history of painting, sculpture, architecture, graving, and of those who have excell'd in them in three books : containing their rise, progress, decay, and revival : with an account of the most considerable productions of the best artists in all ages, and how to distinguish the true and regular performances from those that are otherwise / by P. Monier ...; Histoire des arts qui ont rapport au dessein. English Monier, Pierre, 1639-1703. 1699 (1699) Wing M2419; ESTC R16358 161,014 242

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john_n of_o bruges_n by_o present_n which_o he_o make_v he_o of_o several_a piece_n of_o design_v after_o the_o italian_a way_n and_o john_n see_v himself_o old_a resolve_v to_o teach_v antonelle_n to_o paint_n in_o oil_n and_o he_o do_v not_o leave_v off_o till_o he_o have_v perfect_o attain_v that_o way_n antonello_n after_o the_o death_n of_o john_n van_fw-mi eick_n return_v into_o italy_n to_o impart_v the_o secret_a he_o have_v learn_v but_o when_o he_o have_v be_v some_o month_n at_o messina_n he_o go_v to_o venice_n church_n venice_n antonello_n die_v at_o venice_n at_o 49_o year_n of_o age_n and_o the_o painter_n of_o that_o city_n perform_v his_o obsequy_n with_o a_o great_a deal_n of_o honour_n and_o in_o memory_n of_o the_o secret_a which_o he_o have_v show_v they_o of_o paint_v in_o oil_n they_o engrave_v on_o his_o tomb_n this_o epitaph_n antonius_n pictor_n proecipuum_fw-la messaniae_fw-la suae_fw-la &_o siciliae_fw-la totius_fw-la ornamentum_fw-la hac_fw-la humo_fw-la 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also_o the_o apostle_n in_o silver_n which_o be_v on_o a_o altar_n in_o the_o pope_n chapel_n and_o which_o be_v pillage_v by_o the_o imperialist_n at_o the_o take_a rome_n one_o of_o his_o contemporary_n in_o sculpture_n be_v mino_n he_o make_v the_o two_o figure_n of_o st._n peter_n and_o st._n paul_n which_o be_v place_v in_o the_o entrance_n of_o that_o church_n and_o the_o sepulchre_n of_o paul_n the_o second_o in_o the_o same_o church_n where_o he_o establish_v himself_o and_o make_v several_a picture_n which_o be_v esteem_v by_o the_o noble_n and_o by_o all_o those_o of_o the_o city_n which_o acquire_v he_o a_o great_a reputation_n among_o the_o painter_n that_o flourish_v at_o venice_n at_o that_o time_n dominicus_n venetianus_n be_v one_o of_o the_o most_o celebrate_a he_o very_o much_o caress_v antonelle_n at_o his_o arrival_n and_o thereby_o acquire_v his_o friendship_n insomuch_o that_o he_o show_v he_o the_o way_n of_o paint_v in_o oil_n after_o which_o dominick_n in_o 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art_n of_o design_v but_o not_o in_o so_o great_a a_o number_n as_o at_o florence_n where_o their_o genius_n be_v natural_o incline_v to_o learn_v it_o and_o who_o also_o have_v among_o they_o the_o advantage_n of_o a_o academy_n of_o design_v which_o be_v in_o no_o other_o city_n thus_o we_o see_v that_o the_o art_n begin_v to_o come_v to_o perfection_n not_o only_o at_o venice_n but_o also_o at_o ferrara_n at_o mantua_n and_o at_o bulloign_n where_o francis_n francia_n be_v of_o the_o first_o rank_n laurence_n costa_n of_o ferrara_n his_o disciple_n make_v several_a of_o the_o fine_a piece_n that_o have_v yet_o ever_o appear_v there_o although_o they_o be_v only_o paint_v in_o distemper_n costa_n be_v very_o much_o honour_v by_o francis_n gonsague_n marquis_n of_o mantua_n who_o cause_v he_o to_o paint_n a_o chamber_n in_o his_o palace_n of_o st._n sebastian_n this_o painter_n have_v several_a pupil_n rome_n pupil_n costa_n have_v moreover_o for_o his_o disciple_n laurence_n 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school_n after_o have_v bring_v up_o several_a
apply_v himself_o more_o to_o architecture_n than_o paint_v and_o sculpture_n because_o after_o the_o death_n of_o antony_n sangallo_n architect_n the_o pope_n prefer_v michael_n angelo_n to_o any_o other_o and_o make_v he_o chief_a architect_n of_o the_o fabric_n of_o st._n peter_n and_o of_o the_o apostolic_a chamber_n although_o he_o will_v have_v excuse_v himself_o from_o it_o have_v accept_v this_o charge_n he_o go_v to_o st._n peter_n to_o see_v the_o model_n of_o sangallo_n to_o finish_v what_o remain_v to_o be_v build_v of_o that_o great_a church_n and_o after_o have_v examine_v it_o he_o public_o declare_v that_o that_o architect_n have_v make_v the_o model_n of_o it_o without_o any_o art_n because_o without_o side_n he_o have_v make_v too_o many_o pillar_n one_o upon_o another_o and_o unncessary_a spire_n and_o too_o many_o small_a branching_n and_o little_a member_n which_o be_v quite_o contrary_a to_o good_a architecture_n last_o that_o this_o model_n be_v of_o a_o gusto_n 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and_o sculpture_n and_o architecture_n and_o his_o other_o good_a quality_n have_v gain_v he_o such_o a_o esteem_n with_o the_o pope_n who_o he_o have_v the_o honour_n to_o serve_v that_o julius_n the_o iiid_v use_v to_o make_v he_o sit_v by_o he_o and_o talk_n with_o he_o concern_v the_o art_n of_o design_v and_o oftentimes_o this_o pope_n will_v take_v his_o part_n against_o those_o who_o criticise_v upon_o he_o by_o all_o these_o honour_n which_o michael_n angelo_n receive_v and_o the_o universal_a applause_n that_o be_v give_v to_o all_o his_o work_n we_o may_v conclude_v that_o it_o be_v this_o famous_a designer_n who_o in_o that_o age_n advance_v sculpture_n and_o architecture_n with_o the_o true_a way_n of_o design_v to_o the_o high_a degree_n of_o perfection_n that_o ever_o they_o arrive_v to_o at_o rome_n and_o florence_n chap._n xvi_o several_a disciple_n of_o michael_n angelo_n and_o raphael_n continue_v the_o excellency_n of_o paint_v and_o architecture_n at_o rome_n in_o 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