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city_n call_v great_a year_n 5,893 4 4.5292 3 false
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ID Title Author Corrected Date of Publication (TCP Date of Publication) STC Words Pages
A36766 De arte graphica The art of painting / by C.A. Du Fresnoy ; with remarks ; translated into English, together with an original preface containing a parallel betwixt painting and poetry, by Mr. Dryden ; as also A short account of the most eminent painters, both ancient and modern, continu'd down to the present times, according to the order of their succession, by another hand.; De arte graphica. English Dufresnoy, Charles-Alphonse, 1611-1668.; Dryden, John, 1631-1700.; Graham, Richard, fl. 1680-1720. Short account of the most eminent painters. 1695 (1695) Wing D2458; ESTC R18532 173,861 426

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which_o they_o endeavour_v to_o represent_v lest_o otherwise_o the_o spectator_n shall_v never_o be_v able_a to_o discover_v what_o they_o intend_v by_o it_o the_o next_o improvement_n be_v by_o cleophantus_n of_o corinth_n who_o first_o attempt_v to_o fill_v up_o his_o out-line_n with_o a_o single_a colour_n from_o whence_o his_o piece_n and_o those_o of_o hygiemon_n dinias_n and_o charmas_n his_o follower_n get_v the_o name_n of_o monochromata_n viz._n picture_n of_o one_o colour_n eumarus_n the_o athenian_a begin_v to_o paint_v man_n and_o woman_n in_o a_o manner_n different_a from_o each_o other_o and_o venture_v to_o imitate_v all_o sort_n of_o object_n but_o be_v far_o excel_v by_o his_o disciple_n cimon_n the_o cleonaean_a who_o find_v out_o the_o art_n of_o paint_v historical_o design_v his_o figure_n in_o variety_n of_o posture_n distinguish_v the_o several_a part_n of_o the_o body_n by_o their_o joint_n and_o be_v the_o first_o who_o take_v notice_n of_o the_o fold_n of_o drapery_n in_o his_o piece_n in_o what_o century_n the_o master_n abovemention_v live_v antiquity_n have_v give_v we_o no_o account_n yet_o certain_a it_o be_v 3198._o that_o about_o the_o time_n of_o the_o foundation_n of_o rome_n anno_fw-la 750_o ante_fw-la chr._n the_o grecian_n have_v carry_v paint_v to_o such_o a_o height_n of_o reputation_n that_o candaules_n king_n of_o lydia_n surname_v myrsilus_n the_o last_o of_o the_o heraclidae_fw-la and_o who_o be_v kill_v by_o gyges_n anno_fw-la quarto_fw-la olymp._n 16._o for_o a_o picture_n make_v by_o bularchus_n represent_v a_o battle_n of_o the_o magnesian_o give_v its_o weight_n in_o gold_n panaenus_n of_o athens_n live_v olymp._n 83._o anno_fw-la 446_o ante_fw-la chr._n and_o be_v celebrate_v for_o have_v paint_v the_o battle_n at_o marathon_n 3502._o between_o the_o athenian_n and_o persian_n so_o very_o exact_o that_o miltiades_n and_o all_o the_o general_a officer_n on_o both_o side_n be_v easy_o to_o be_v know_v and_o distinguish_v from_o each_o other_o in_o that_o piece_n phidias_n his_o brother_n the_o son_n of_o charmidas_n flourish_v olymp._n 84._o anno_fw-la 442_o ante_fw-la chr._n and_o be_v famous_a both_o for_o paint_v and_o sculpture_n 3506._o but_o particular_o in_o the_o latter_a so_o profound_o skilled_a that_o his_o statue_n of_o jupiter_n olympius_n be_v by_o the_o ancient_n esteem_a one_o of_o the_o seven_o wonder_n of_o the_o world_n as_o his_o minerva_n in_o the_o citadel_n of_o athens_n make_v of_o ivory_n and_o gold_n be_v by_o way_n of_o eminence_n call_v the_o beautiful_a form_n he_o be_v very_o intimate_v with_o pericles_n the_o athenian_a general_n and_o so_o much_o envy_v upon_o that_o account_n and_o for_o the_o glory_n which_o he_o acquire_v by_o his_o work_n that_o his_o enemy_n can_v never_o be_v at_o rest_n till_o they_o have_v plot_v he_o into_o a_o prison_n and_o have_v there_o as_o some_o say_v take_v away_o his_o life_n by_o poison_n polycletus_n a_o native_a of_o sicyon_n and_o
the_o border_n of_o the_o dukedom_n of_o florence_n anno_fw-la 1285_o 1285._o be_v a_o disciple_n of_o giotto_n who_o manner_n he_o improve_v in_o draw_v after_o the_o life_n and_o be_v particular_o celebrate_v by_o petrarch_n for_o a_o excellent_a portrait_n which_o he_o make_v of_o his_o belove_a laura_n he_o be_v applaud_v for_o his_o free_a and_o easy_a invention_n and_o begin_v to_o understand_v the_o decorum_n in_o his_o composition_n 60._o obiit_fw-la anno_fw-la 1345._o taddeo_n gaddi_n another_o disciple_n of_o giotto_n 1300._o bear_v at_o florence_n anno_fw-la 1300_o excel_v his_o master_n in_o the_o beauty_n of_o his_o colour_v and_o the_o liveliness_n of_o his_o figure_n he_o be_v also_o a_o very_a skilful_a architect_n and_o much_o commend_v for_o the_o bridge_n which_o he_o build_v over_o the_o river_n arno_n 50._o at_o florence_n he_o die_v anno_fw-la 1350._o tomaso_n 1324._o call_v giottino_n for_o his_o affect_v and_o imitate_v giotto_n manner_n bear_v also_o at_o florence_n anno_fw-la 1324_o begin_v to_o add_v strength_n to_o his_o figure_n 32._o and_o to_o improve_v the_o art_n of_o perspective_n he_o die_v anno_fw-la 1356._o johannes_n ab_fw-la eyk_fw-mi 1370._o common_o call_v john_n of_o bruges_n bear_v at_o maseech_v on_o the_o river_n maez_n in_o the_o low-countries_n anno_fw-la 1370_o be_v a_o disciple_n of_o his_o brother_n hubert_n and_o a_o considerable_a painter_n but_o above_o all_o thing_n famous_a for_o have_v be_v the_o happy_a inventor_n of_o the_o art_n of_o paint_v in_o oil_n anno_fw-la 1410_o thirty_o year_n before_o printing_n be_v find_v out_o by_o john_n guttemberg_n of_o strasburgh_n he_o die_v anno_fw-la 1441_o 71._o have_v some_o year_n before_o his_o decease_n communicate_v his_o invention_n to_o antonello_n of_o messina_n who_o travel_v from_o his_o own_o country_n into_o flanders_n on_o purpose_n to_o learn_v the_o secret_a and_o return_v to_o sicily_n and_o afterward_o to_o venice_n be_v the_o first_o who_o practise_v and_o teach_v it_o in_o italy_n he_o die_v anno_fw-la aetat_fw-la 49._o in_o the_o precede_a century_n flourish_v several_a other_o master_n of_o good_a repute_n but_o their_o manner_n be_v the_o same_o or_o but_o very_o little_a different_a from_o that_o of_o giotto_n it_o will_v be_v sufficient_a to_o mention_v the_o name_n only_o of_o some_o of_o the_o most_o eminent_a and_o such_o be_v andrea_n orgagna_fw-la pietro_n cavallino_n stefano_n bonamico_n buffalmacco_n pietro_n laurati_fw-la lippo_fw-la spinello_n casentino_n pisano_n etc._n etc._n and_o thus_o the_o art_n of_o paint_v continue_v almost_o at_o a_o stand_n for_o about_o a_o hundred_o year_n advance_v but_o slow_o and_o gather_v but_o little_a strength_n till_o the_o time_n of_o masaccio_n 1417._o who_o be_v bear_v in_o tuscany_n anno_fw-la 1417_o and_o for_o his_o copious_a invention_n and_o true_a manner_n of_o design_v for_o his_o delightful_a way_n of_o colour_v and_o the_o graceful_a action_n which_o he_o give_v his_o figure_n for_o his_o looseness_n in_o drapery_n and_o extraordinary_a judgement_n in_o perspective_n be_v reckon_v to_o have_v be_v the_o master_n of_o the_o second_o or_o middle_a age_n of_o modern_a paint_n which_o it_o be_v think_v he_o will_v have_v carry_v to_o a_o much_o high_a degree_n of_o perfection_n 26._o if_o death_n have_v not_o stop_v he_o in_o his_o career_n by_o poison_n as_o it_o be_v suppose_v an._n 1443._o gentile_a and_o giovanni_n the_o son_n and_o disciple_n of_o giacomo_n bellino_n 1421._o be_v bear_v at_o venice_n gentile_a anno_fw-la 1421._o and_o be_v so_o eminent_a in_o their_o time_n that_o gentile_n be_v send_v for_o to_o constantinople_n by_o mahomet_n ii_o emperor_n of_o the_o turk_n for_o who_o have_v among_o other_o thing_n paint_v the_o decollation_n of_o s._n john_n baptist_n the_o emperor_n to_o convince_v he_o that_o the_o neck_n after_o its_o separation_n from_o the_o body_n can_v not_o be_v so_o long_o as_o he_o have_v make_v it_o in_o his_o picture_n order_v a_o slave_n to_o be_v bring_v to_o he_o and_o command_v his_o head_n to_o be_v immediate_o strike_v off_o in_o his_o presence_n which_o so_o tetrify_v gentile_a that_o he_o can_v never_o be_v at_o rest_n till_o he_o get_v leave_v to_o return_v home_o which_o the_o emperor_n grant_v after_o he_o have_v knight_v he_o and_o noble_o reward_v he_o for_o his_o service_n the_o most_o considerable_a work_n of_o these_o brother_n be_v at_o venice_n where_o giovanni_n live_v to_o the_o age_n of_o 90_o year_n have_v very_o rare_o paint_v any_o thing_n but_o scripture-story_n and_o religious_a subject_n which_o he_o perform_v so_o well_o as_o to_o be_v esteem_v the_o most_o excellent_a of_o all_o the_o bellini_n 80._o see_v more_o of_o he_o pag._n 217._o gentile_a die_v anno_fw-la 1501._o andrea_n mantegna_n bear_v at_o padova_n anno_fw-la 1431_o 1431._o a_o disciple_n of_o squarcione_n be_v very_o correct_v in_o design_v admirable_a in_o fore●●_n short'ning_n his_o 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