Selected quad for the lemma: book_n

Word A	Word B	Word C	Word D	Occurrence	Frequency Band	MI	MI Band	Prominent
book_n	wood_n	work_n	work_v	31	3	7.8955	4	false

Text snippets containing the quad

ID	Title	Author	Corrected Date of Publication (TCP Date of Publication)	STC	Words	Pages
A61253	A treatise of japaning and varnishing being a compleat discovery of those arts : with the best way of making all sorts of varnish ... : together with above an hundred distinct patterns of japan-work ... : curiously engraven on 24 large copper plates / by John Stalker.	Stalker, John.; Parker, George, 17th cent.	1688 (1688)	Wing S5187A; ESTC R229848	89,451	139

varnish_n black_a japan_n page_n 19_o how_o to_o make_v isinglass-size_n page_n 22_o how_o to_o make_v blue_a japan_n page_n 23_o how_o to_o make_v gum-water_n page_n 24_o how_o to_o make_v red_a japan_n page_n 24_o how_o to_o make_v chesnut-colour_n japan_n page_n 25_o how_o to_o make_v olive-colour_n japan_n page_n 26_o how_o to_o work_n metal_n or_o colour_n with_o gum-water_n page_n 26_o how_o to_o make_v gold-size_n for_o japan_n page_n 28_o how_o to_o varnish_n print_v with_o white_a varnish_n page_n 30_o how_o to_o lay_n speckles_n or_o strow_n on_o the_o out_o or_o inside_n of_o box_n drawer_n moulding_n etc._n etc._n page_n 31_o to_o lay_v speckles_n on_o the_o draw_v part_n of_o japan-work_n as_o rock_n garment_n flower_n etc._n etc._n page_n 32_o how_o to_o make_v raise_v work_n in_o imitateon_n of_o japan_n and_o of_o the_o paste_n page_n 33_o to_o prepare_v ordinary_a rough-grained_n wood_n as_o deal_v oak_n etc._n etc._n whereby_o they_o may_v be_v japane_v and_o look_v well_o page_n 35_o how_o to_o imitate_v bantam-work_n page_n 36_o how_o to_o take_v off_o any_o japan-pattern_n in_o this_o book_n upon_o any_o piece_n of_o work_n whatsoever_o page_n 39_o the_o manner_n of_o work_v and_o set_v off_o of_o some_o draught_n in_o this_o book_n page_n 39_o how_o to_o work_v the_o first_o draught_n page_n 41_o to_o set_v oft_o raise_v work_n with_o black_n page_n 42_o to_o work_v the_o second_o pattern_n page_n 43_o to_o work_v the_o three_o draught_n page_n 44_o how_o to_o work_n in_o colour_n and_o gold_n the_o great_a sprig_n in_o the_o 13_o print_n page_n 45_o to_o work_v in_o gold-size_n the_o 20_o print_n of_o this_o book_n page_n 47_o to_o work_v in_o gold-size_n the_o 23d_o draught_n of_o this_o book_n with_o perfect_a and_o corrupt_a metal_n page_n 49_o to_o guild_v any_o thing_n in_o oil_n guild_v of_o guild_v whereby_o it_o may_v safe_o be_v expose_v to_o the_o weather_n page_n 53_o how_o to_o make_v primer_n page_n 54_o of_o fat_a oil_n page_n 54_o of_o gold-size_n in_o oil_n page_n 54_o how_o to_o mix_v and_o lay_v on_o gold-size_n page_n 55_o of_o the_o lay_n on_o the_o gold_n and_o the_o tool_n require_v in_o and_o for_o the_o business_n page_n 55_o to_o lack_a in_o oil_n such_o thing_n as_o be_v to_o be_v expose_v to_o the_o weather_n page_n 56_o to_o prepare_v and_o guild_v carve_v frames_n in_o oil_n that_o be_v not_o to_o be_v expose_v abroad_o page_n 56_o to_o overlie_v wood_n with_o burnish_a gold_n or_o silver_n page_n 57_o of_o gold_n and_o silver-size_n for_o burnish_v burnish_v of_o burnish_v page_n 57_o the_o best_a way_n to_o make_v silver-size_n page_n 58_o the_o best_a gold-size_n now_o in_o use_n page_n 58_o another_o size_n for_o silver_n page_n 58_o how_o to_o gold-size_n your_o frame_n page_n 59_o how_o to_o lay_v on_o gold_n for_o burnish_v page_n 59_o how_o to_o burnish_v your_o work_n page_n 60_o how_o to_o lay_v on_o silver-size_n page_n 60_o how_o to_o make_v paste_n fit_a to_o mould_n or_o raise_v carve_v work_n on_o frames_n for_o guild_v page_n 61_o how_o to_o make_v paste_n page_n 61_o how_o to_o make_v a_o mould_n of_o any_o carve_a frame_n thereby_o to_o imitate_v it_o in_o paste_n page_n 61_o of_o place_v paste_n or_o carve_a work_n on_o frames_n page_n 62_o of_o lacker_n page_n 62_o how_o to_o make_v common_a lacker_n page_n 63_o another_o sort_n of_o lack_a page_n 63_o how_o to_o make_v the_o best_a of_o lack_a now_o use_v by_o the_o guilder_n page_n 63_o to_o make_v a_o lack_a that_o may_v be_v use_v wothout_n fire_n or_o sun_n page_n 63_o to_o lack_a on_o oil_n or_o burnish_a silver_n page_n 64_o to_o make_v lacker_n show_n like_o burnish_a gold_n page_n 64_o of_o guild_v metal_n page_n 64_o how_o to_o prepare_v gold_n page_n 65_o to_o guild_v silver_n copper_n brass_n or_o prince_n metal_n page_n 65_o another_o way_n to_o guild_v silver_n brass_n etc._n etc._n page_n 66_o how_o to_o heal_v or_o heighten_v the_o colour_n of_o the_o gold_n page_n 66_o to_o take_v off_o gold_n from_o any_o gild_n plate_n without_o damage_n to_o the_o one_o or_o loss_n to_o the_o other_o page_n 66_o to_o silver_n over_o brass_n or_o copper_n as_o the_o clock-maker_n do_v their_o dial-plate_n page_n 66_o to_o guild_v iron_n brass_n or_o steel_n with_o leaf-gold_n or_o silver_n page_n 67_o how_o to_o refine_v silver_n page_n 67_o to_o separate_v gold_n and_o silver_n when_o incorporate_v page_n 67_o direction_n to_o paint_v mezzotinto_n print_v on_o glass_n or_o without_o glass_n and_o the_o colour_n therein_o use_v page_n 69_o to_o wash_v any_o of_o the_o powder_a colour_n fine_a page_n 71_o of_o oil_n and_o their_o price_n page_n 72_o how_o to_o make_v the_o best_a dry_n oil_n page_n 72_o a_o dry_n oil_n more_o ordinary_a page_n 72_o to_o make_v varnish_n for_o these_o print_n or_o picture_n in_o oil_n page_n 72_o another_o more_o excellent_a varnish_n either_o for_o picture_n in_o oil_n or_o make_v print_n transparent_a page_n 72_o how_o to_o lie_v print_n on_o glass_n page_n 73_o to_o lay_v print_n either_o grave_v or_o mezzotinto_n on_o glass_n in_o such_o manner_n that_o your_o may_v role_n off_o all_o the_o paper_n and_o leave_v only_o the_o shadow_n behind_o page_n 73_o to_o prepare_v print_n without_o glass_n or_o strain_n frame_v page_n 73_o of_o the_o posture_n and_o position_n of_o the_o print_n and_o those_o that_o paint_v they_o page_n 74_o how_o to_o paint_v a_o mezzotinto_n landscape_n on_o a_o glass_n or_o otherwise_o page_n 74_o to_o paint_v a_o piece_n of_o figure_n as_o man_n woman_n &c_n &c_n page_n 75_o how_o to_o paint_v hair_n page_n 76_o how_o to_o paint_v drapery_n or_o garment_n page_n 76_o how_o to_o paint_v changeable_a drapery_n page_n 77_o to_o paint_v several_a sort_n of_o red_a drapery_n and_o first_o of_o the_o fine_a page_n 77_o another_o red_a near_o the_o same_o page_n 77_o other_o red_n more_o ordinary_a without_o glaze_v page_n 77_o to_o paint_v the_o best_a blue_n and_o glaze_v with_o ultramarine_n page_n 77_o to_o glaze_v and_o paint_v the_o best_a purple_a drapery_n page_n 78_o purple_a without_o glaze_v page_n 78_o yellow_a drapery_n page_n 78_o how_o to_o paint_v the_o most_o beautiful_a yellow_n page_n 78_o to_o finish_v varnish_n and_o polish_v picture_n that_o be_v not_o lay_v on_o glass_n page_n 78_o to_o varnish_v these_o print_n or_o other_o picture_n without_o polish_n page_n 79_o to_o varnish_v picture_n and_o polish_v they_o like_o japan_n page_n 79_o to_o imitate_v or_o counterfeit_v tortoise-shell_n page_n 79_o another_o way_n to_o counterfeit_a tortoise-shell_n page_n 81_o how_o to_o dye_n wood_n a_o beautiful_a red._n page_n 82_o how_o to_o stain_v a_o fine_a yellow_a page_n 82_o to_o stain_n or_o die_v wood_n of_o any_o colour_n for_o inlay_v or_o flower_v work_n do_v by_o the_o cabinet-maker_n page_n 83_o how_o to_o dye_n or_o stain_v wood_n black_n page_n 83_o the_o best_a black_a dye_n for_o ivory_n horn_n bone_n etc._n etc._n page_n 83_o to_o stain_v a_o green_a colour_n on_o wood_n ivory_n horn_n or_o bones_n page_n 84_o how_o to_o die_v ivory_n &c_n &c_n red_a page_n 84_o the_o art_n of_o japanning_n varnish_v etc._n etc._n every_o artist_n who_o undertake_v to_o treat_v of_o his_o profession_n before_o he_o enter_v on_o the_o work_n must_v describe_v the_o instrument_n and_o material_n with_o which_o it_o must_v be_v perform_v and_o by_o observe_v this_o method_n those_o person_n who_o either_o for_o diversion_n or_o advantage_n design_n to_o be_v master_n of_o this_o art_n furnish_v themselves_o with_o all_o thing_n necessary_a after_o the_o best_a manner_n shall_v lay_v a_o good_a foundation_n and_o may_v proceed_v to_o practice_v with_o cheerfulness_n and_o success_n and_o that_o no_o one_o may_v impose_v upon_o you_o in_o the_o price_n or_o goodness_n of_o your_o drug_n that_o your_o spirit_n be_v very_o strong_a your_o gum_n and_o metal_n of_o the_o best_a take_v this_o follow_a account_n as_o your_o only_a security_n against_o all_o cozenage_n and_o imposture_n but_o before_o i_o speak_v of_o these_o thing_n which_o the_o shop_n supply_v we_o with_o i_o presume_v it_o be_v convenient_a to_o acquaint_v you_o with_o other_o that_o conduce_v to_o the_o composition_n mixture_n and_o preservation_n of_o the_o varnish_n colour_n etc._n etc._n and_o 1._o two_o strainer_n be_v require_v make_v of_o pretty_a fine_a flannel_n or_o ordinary_a course_n linen_n in_o shape_n like_o a_o tunnel_n or_o sugar-loaf_n or_o a_o jelly-bag_n that_o woman_n strain_v jelly_n through_o one_o be_v useful_a for_o strain_v your_o white_a varnish_n and_o the_o other_o for_o your_o lacc-varnish_a and_o lacker_n when_o you_o make_v any_o 2._o you_o must_v have_v two_o tin-tunnel_n one_o to_o use_v with_o your_o