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anno_fw-la aet_fw-la 75._o georgio_n vasari_n bear_v at_o arezzo_n a_o city_n in_o tuscany_n anno_fw-la 1514_o 1514._o equal_o famous_a for_o his_o pen_n and_o pencil_n and_o as_o eminent_a for_o his_o skill_n in_o architecture_n be_v a_o disciple_n of_o michael_n angelo_n and_o andrea_n del_fw-it sarto_fw-la and_o by_o his_o indefatigable_a diligence_n in_o study_v and_o copy_v all_o the_o best_a piece_n of_o the_o most_o note_a artist_n improve_v his_o invention_n and_o hand_n to_o such_o a_o degree_n that_o he_o attain_v a_o wonderful_a freedom_n in_o both_o he_o spend_v the_o most_o considerable_a part_n of_o his_o life_n in_o travel_v over_o italy_n leave_v in_o all_o place_n mark_n of_o his_o industry_n and_o gather_v every_o where_o material_n for_o his_o history_n of_o the_o life_n of_o the_o most_o excellent_a painter_n sculptor_n architect_n etc._n etc._n which_o he_o publish_v at_o florence_n about_o the_o year_n 1551_o a_o work_n in_o the_o opinion_n of_o hannibal_n caro_n write_v with_o much_o exactness_n and_o judgement_n though_o felibien_n and_o other_o tax_v he_o with_o some_o mistake_n and_o particular_o with_o flatter_v the_o master_n then_o alive_a and_o with_o partiality_n to_o those_o of_o his_o own_o country_n 64._o he_o die_v anno_fw-la 1578._o antonio_z more_o bear_v at_o utrecht_n in_o the_o low-countries_n anno_fw-la 1519_o 1519._o be_v a_o disciple_n of_o john_n schoorel_n and_o in_o his_o young_a day_n have_v see_v rome_n and_o some_o other_o part_n of_o italy_n he_o be_v recommend_v by_o cardinal_n granville_n to_o the_o service_n of_o the_o emperor_n charles_n v._o and_o have_v make_v a_o portrait_n of_o his_o son_n philip_n ii_o at_o madrid_n be_v send_v upon_o the_o same_o accouâ—â—t_n to_o the_o king_n queen_n and_o princess_n of_o portugal_n and_o afterward_o into_o england_n to_o draw_v the_o picture_n of_o queen_n mary_n from_o spain_n he_o retire_v into_o flanders_n where_o he_o become_v a_o mighty_a