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A51143 The history of painting, sculpture, architecture, graving, and of those who have excell'd in them in three books : containing their rise, progress, decay, and revival : with an account of the most considerable productions of the best artists in all ages, and how to distinguish the true and regular performances from those that are otherwise / by P. Monier ...; Histoire des arts qui ont rapport au dessein. English Monier, Pierre, 1639-1703. 1699 (1699) Wing M2419; ESTC R16358 161,014 242

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bezaleel_n antiq._n bezaleel_n jos_n lib._n 2._o of_o antiq._n zaleel_v and_o aholiab_n to_o make_v golden_a image_n of_o cherubin_n and_o all_o the_o ornament_n of_o architecture_n and_o sculpture_n for_o the_o tabernacle_n and_o the_o ark_n of_o the_o covenant_n chap._n iu._n the_o egyptian_n communicate_v these_o art_n to_o the_o phoenician_n and_o they_o carry_v they_o into_o grece_n we_o have_v no_o certainty_n that_o the_o art_n of_o design_v be_v in_o grece_n before_o the_o year_n of_o the_o world_n 2600_o but_o that_o from_o the_o egyptian_n it_o go_v to_o the_o phoenician_n under_o agenor_n who_o reign_v at_o tyre_n his_o grandson_n cadmus_n bring_v the_o first_o letter_n and_o 56._o and_o about_o the_o year_n of_o the_o world_n 2600._o it_o be_v cadmus_n who_o carry_v the_o first_o sixteen_o letter_n of_o the_o alphabet_n into_o grece_n palamedes_n add_v four_o about_o the_o time_n of_o the_o trojan_a war._n tacit._n ann._n lib._n 11._o plutarch_n and_o pliny_n lib._n 7._o chap._n 56._o art_n into_o grece_n there_o he_o build_v thebes_n which_o he_o call_v so_o from_o the_o famous_a thebes_n in_o soldier_n in_o this_o city_n be_v so_o famous_a that_o germanicus_n make_v a_o journey_n on_o purpose_n to_o survey_v its_o magnificent_a ruin_n h._n r._n de_fw-fr coiseteau_fw-fr p._n 276_o and_o cornelius_n tacitus_n lib._n 2._o say_v that_o in_o that_o one_o city_n be_v raise_v 700000_o soldier_n egypt_n about_o the_o end_n of_o the_o three_o age_n argos_n age_n in_o 2496_o athens_n be_v found_v and_o it_o be_v suppose_v argos_n be_v elder_a than_o that_o and_o sicione_n then_o argos_n athens_n be_v found_v by_o its_o first_o king_n cecrops_n who_o come_v from_o egypt_n where_o it_o be_v very_o probable_a he_o also_o lay_v the_o first_o foundation_n of_o the_o art_n and_o science_n it_o be_v here_o the_o famous_a dedalus_n be_v bear_v of_o the_o royal_a 4._o royal_a he_o live_v about_o the_o year_n 2644_o he_o be_v of_o the_o race_n of_o the_o king_n of_o athens_n son_n of_o metion_n cousin-german_a of_o theseus_n according_a to_o pausanias_n in_o his_o attic._n diodorus_n siculus_n and_o eusebius_n lib._n 3._o of_o p._n e._n and_o plutarch_n in_o the_o life_n of_o theseus_n diopenes_n and_o the_o scylli_n be_v son_n of_o dedalus_n milo_n p._n 828._o they_o be_v engraver_n and_o live_v at_o sicione_n plin._n l._n 36._o c._n 4._o family_n excellent_a in_o the_o art_n of_o design_v and_o famous_a for_o his_o self-motion_n his_o it_o be_v think_v the_o beauty_n of_o his_o statue_n give_v occasion_n to_o the_o report_n of_o their_o self-motion_n machine_n and_o self-moving_a statue_n he_o be_v also_o the_o first_o engraver_n we_o have_v mention_v in_o the_o grecian_a history_n this_o learned_a man_n travel_v into_o egypt_n to_o see_v the_o labyrinth_n from_o whence_o he_o form_v the_o design_n of_o that_o he_o afterward_o build_v in_o crete_n and_o though_o it_o be_v not_o the_o hundred_o part_n of_o that_o in_o egypt_n notwithstanding_o it_o be_v so_o famous_a for_o the_o beauty_n of_o the_o architecture_n and_o sculpture_n that_o it_o be_v reckon_v 13._o reckon_v plin._n lib._n 33._o c._n 13._o among_o the_o seven_o wonder_n of_o the_o world_n thirty_o four_o year_n after_o the_o institution_n of_o the_o olympic_a game_n year_n game_n in_o the_o year_n of_o the_o world_n 2836_o begin_v the_o olympic_a game_n from_o which_o time_n the_o grecian_n compute_v time_n by_o their_o olympiad_n which_o return_v every_o five_o year_n happen_v the_o destruction_n of_o troy_n at_o which_o time_n architecture_n and_o sculpture_n be_v much_o cultivate_v by_o the_o 4._o the_o dedalus_n have_v live_v near_o 200_o year_n before_o the_o destruction_n of_o troy_n his_o school_n bring_v up_o and_o send_v several_a engraver_n to_o athens_n sicione_n candie_n and_o sicily_n milo_n and_o pliny_n lib._n 36._o c._n 4._o grecian_n this_o be_v sufficient_o evidence_v by_o the_o structure_n of_o the_o trojan_a horse_n which_o a_o ingenious_a engraver_n make_v for_o they_o who_o be_v also_o a_o excellent_a architect_n 56._o architect_n his_o name_n be_v epeus_n dicrateus_n justin_n lib._n 20._o c._n 2._o plin._n lib._n 7._o c._n 56._o after_o that_o he_o build_v the_o city_n of_o metapontus_n the_o citizen_n mare_n citizen_n this_o city_n of_o metapontus_n be_v in_o old_a lucania_n which_o be_v calabria_n it_o be_v now_o call_v tore_n di_fw-it mare_n whereof_o to_o testify_v the_o veneration_n they_o pay_v to_o his_o memory_n keep_v the_o iron_n tool_n wherewith_o he_o make_v the_o trojan_a horse_n as_o venerable_a relic_n in_o the_o temple_n of_o minerva_n the_o elegant_a description_n homer_n give_v we_o of_o the_o buckler_n of_o achilles_n be_v a_o sufficient_a evidence_n that_o the_o art_n of_o cut_v and_o engrave_v be_v practise_v in_o grece_n for_o that_o famous_a metamorphosis_n famous_a homer_n in_o his_o iliad_n lib._n 18._o it_o be_v hold_v in_o great_a esteem_n in_o the_o year_n 3079._o ovid_n speak_v also_o of_o this_o buckler_n in_o the_o thirteen_o book_n of_o his_o metamorphosis_n poet_n express_v so_o elegant_o the_o beauty_n of_o that_o work_n that_o his_o description_n seem_v rather_o to_o be_v engrave_v than_o write_v he_o moreover_o feign_v by_o reason_n of_o its_o excellence_n that_o it_o be_v wrought_v by_o vulcan_n himself_o as_o for_o the_o trojan_n it_o can_v be_v deny_v but_o that_o engrave_v be_v in_o use_n among_o they_o for_o that_o poet_n tell_v we_o that_o aeneas_n romulus_n aeneas_n aeneas_n go_v into_o italy_n in_o the_o year_n 2872_o he_o be_v the_o first_o king_n of_o the_o latin_n after_o who_o for_o 543_o year_n there_o reign_v nineteen_o king_n to_o the_o time_n of_o romulus_n take_v particular_a care_n to_o carry_v his_o penates_n or_o household_n god_n along_o with_o he_o particular_o the_o palladium_n of_o year_n of_o plutarch_n in_o the_o life_n of_o fur._n camillus_n the_o five_o age_n begin_v at_o the_o foundation_n of_o solomon_n temple_n and_o end_v at_o the_o deliverance_n of_o the_o jew_n out_o of_o the_o babylonish_n captivity_n contain_v from_o the_o year_n 2992_o to_o 3468_o which_o be_v 476_o year_n troy_n and_o the_o idol_n of_o the_o samothracian_o he_o take_v along_o with_o he_o into_o italy_n chap._n v._n the_o art_n of_o design_v flourish_v under_o the_o king_n of_o israel_n one_o hundred_o and_o fifty_o six_o year_n after_o the_o destruction_n of_o troy_n solomon_n be_v about_o to_o build_v a_o temple_n to_o the_o true_a god_n will_v not_o undertake_v that_o piece_n of_o work_n till_o by_o diligent_a search_n he_o have_v find_v out_o all_o the_o most_o able_a and_o ingenious_a workman_n both_o in_o his_o own_o dominion_n and_o elsewhere_o to_o this_o end_n he_o have_v recourse_n to_o the_o king_n of_o tyre_n 3000._o tyre_n chron._n book_n 2._o c._n 2._o the_o temple_n of_o solomon_n be_v finish_v in_o the_o year_n of_o the_o world_n 3000._o his_o friend_n who_o send_v he_o hiram_n who_o through_o respect_n he_o call_v father_n and_o who_o excel_v in_o all_o art_n as_o appear_v by_o the_o architecture_n of_o the_o temple_n and_o of_o the_o 9_o the_o hiram_n make_v two_o palace_n for_o solomon_n the_o one_o in_o jerusalem_n and_o the_o other_o in_o mount_n libanus_n chron._n 2._o c._n 9_o palace_n which_o he_o enrich_v with_o innumerable_a ornament_n of_o sculpture_n and_o work_v of_o gold_n in_o these_o spacious_a building_n be_v to_o be_v see_v the_o lion_n the_o this_o throne_n be_v of_o gold_n and_o ivory_n with_o figure_n and_o lion_n magnificent_a throne_n of_o solomon_n the_o cherubim_n the_o vessel_n of_o gold_n the_o altar_n the_o pillar_n and_o great_a nabuchadnezzar_n great_a this_o sea_n of_o brass_n and_o several_a other_o rich_a work_n be_v break_v to_o piece_n in_o the_o time_n of_o nabuchadnezzar_n sea_n of_o brass_n which_o hold_v 300_o measure_n of_o water_n support_v by_o twelve_o brazen_a ox_n all_o which_o rich_a work_n demonstrate_v that_o hiram_n be_v skill_v in_o the_o art_n of_o sound_v as_o well_o as_o other_o part_n of_o design_v solomon_n after_o this_o lead_v astray_o by_o his_o concubine_n build_v temple_n to_o the_o goddess_n of_o the_o astarthon_n the_o the_o goddess_n of_o the_o sidonian_n be_v astarthon_n sidonian_n to_o the_o idol_n of_o the_o moloch_n the_o the_o idol_n of_o the_o ammonite_n be_v moloch_n ammonite_n and_o to_o that_o of_o the_o camos_fw-la the_o and_o that_o of_o the_o moabite_n camos_fw-la moabite_n after_o which_o jeroboam_n and_o several_a of_o the_o king_n of_o israel_n continue_v the_o worship_n of_o false_a 16._o false_a they_o sacrifice_v to_o the_o idol_n of_o baal_n and_o the_o golden_a calf_n and_o jeroboam_n establish_v that_o worship_n 3_o king_n c._n 16._o ahab_n also_o build_v a_o temple_n to_o baal_n in_o samaria_n where_o he_o have_v 450_o prophet_n and_o 400_o other_o who_o serve_v in_o the_o grove_n and_o all_o be_v feed_v at_o
fit_a to_o take_v this_o church_n for_o a_o model_n of_o the_o church_n of_o the_o holy_a ghost_n and_o st._n laurence_n at_o florence_n which_o be_v of_o his_o design_v in_o the_o church_n of_o the_o apostle_n may_v be_v read_v on_o the_o side_n of_o the_o great_a altar_n the_o foundation_n of_o it_o engrave_v on_o marble_n in_o these_o word_n in_o the_o year_n eight_o hundred_o and_o five_o the_o 6_o of_o april_n charles_n the_o king_n of_o france_n at_o his_o return_n to_o rome_n enter_v into_o florence_n he_o be_v receive_v with_o a_o great_a deal_n of_o joy_n and_o present_v by_o the_o burgher_n with_o several_a chain_n of_o gold_n there_o be_v yet_o to_o be_v see_v on_o the_o altar_n of_o this_o building_n a_o plate_n of_o brass_n whereon_o be_v write_v the_o foundation_n and_o consecration_n of_o it_o by_o the_o archbishop_n of_o turpin_n in_o the_o presence_n of_o roland_n and_o oliver_n vii_o die_v vi_o aprilis_fw-la in_o resurrectione_n domini_fw-la carolus_n francorum_fw-la rex_fw-la à_fw-la roma_fw-la revertens_fw-la ingressus_fw-la florentiam_fw-la cum_fw-la magno_fw-la gaudio_fw-la &_o tripudio_fw-la susceptus_fw-la civium_fw-la copiam_fw-la torqueis_fw-la aureis_fw-la decoravit_fw-la ecclesia_fw-la sanctorum_fw-la apostolorum_fw-la in_o altari_fw-la inclusa_fw-la est_fw-la lamina_fw-la plumbea_fw-la in_o qua_fw-la descripta_fw-la apparet_fw-la praefata_fw-la fondatio_fw-la &_o consecratio_fw-la facta_fw-la per_fw-la archiepiscopum_fw-la turpinum_n testibus_fw-la rolando_n &_o uliverio_n vasari_n proëmio_fw-la dell_fw-it vite._n chap._n xiii_o reflection_n on_o the_o fall_n of_o the_o art_n of_o design_v and_o on_o the_o gothick_n way_n the_o gothick_n way_n continue_v after_o charlemagne_n during_o the_o second_o race_n of_o our_o king_n and_o under_o the_o reign_v of_o most_o part_n of_o the_o three_o under_o these_o last_o prince_n there_o be_v no_o change_n neither_o in_o architecture_n nor_o sculpture_n which_o be_v the_o reason_n we_o see_v nothing_o well_o order_v in_o their_o palace_n this_o be_v apparent_a in_o the_o palace_n of_o king_n robert_n at_o st._n martin_n and_o that_o of_o st._n lewis_n at_o paris_n these_o building_n have_v nothing_o but_o the_o gothick_n way_n in_o they_o this_o method_n continue_v after_o this_o king_n and_o be_v to_o be_v see_v in_o nostre-dame_n at_o paris_n which_o his_o successor_n finish_v all_o the_o beauty_n of_o this_o church_n consist_v in_o its_o vast_a greatness_n and_o fine_a plane_n and_o ingenious_a cut_v of_o the_o stone_n and_o some_o delicate_a small_a part_n or_o piece_n of_o architecture_n which_o notwithstanding_o sustain_v great_a weight_n notwithstanding_o the_o true_a order_n of_o architecture_n and_o good_a sculpture_n be_v there_o want_v every_o thing_n be_v after_o the_o ancient_n gothick_n way_n which_o be_v follow_v in_o france_n till_o the_o reign_n of_o lewis_n the_o xii_o by_o what_o have_v be_v say_v in_o this_o book_n we_o may_v conclude_v that_o the_o art_n of_o design_n decay_v as_o soon_o as_o the_o prince_n of_o the_o latter_a empire_n grow_v out_o of_o love_n with_o they_o and_o no_o long_o protect_v they_o this_o neglect_v of_o they_o begin_v the_o ruin_n of_o these_o art_n which_o increase_v during_o the_o civil_a war_n by_o the_o sacking_n of_o rome_n and_o the_o desolation_n of_o the_o province_n of_o its_o empire_n the_o infidel_n and_o the_o heretic_n contribute_v much_o to_o this_o misfortune_n in_o several_a place_n and_o that_o even_o to_o the_o total_a destruction_n of_o these_o illustrious_a profession_n but_o that_o the_o reflection_n we_o make_v on_o the_o fall_n of_o these_o art_n may_v be_v useful_a to_o those_o who_o learn_v design_v it_o will_v be_v necessary_a to_o know_v wherein_o consist_v the_o ill_a and_o rude_a way_n which_o be_v introduce_v in_o the_o time_n of_o their_o declension_n that_o it_o may_v be_v avoid_v for_o the_o future_a it_o may_v be_v remark_v in_o the_o first_o place_n in_o the_o gothick_n piece_n that_o what_o they_o have_v of_o rude_a or_o ill_a in_o they_o proceed_v from_o the_o ignorance_n of_o those_o that_o make_v they_o in_o the_o just_a proportion_n of_o the_o human_a figure_n which_o be_v the_o solid_a foundation_n of_o just_a design_v since_o all_o their_o statue_n be_v disproportionate_a for_o the_o most_o part_n have_v their_o head_n either_o too_o great_a or_o too_o little_a the_o hand_n and_o the_o extreme_a part_n too_o thin_a and_o slender_a their_o posture_n without_o any_o choiceness_n nay_o without_o intention_n or_o expression_n also_o in_o the_o clothing_n of_o their_o figure_n be_v to_o be_v see_v clothes_n cut_v in_o pleat_n and_o fold_n where_o natural_o there_o be_v none_o in_o short_a their_o work_n have_v nothing_o that_o can_v please_v the_o view_n or_o deserve_v the_o attention_n of_o those_o that_o be_v curious_a these_o be_v fault_n which_o ought_v to_o be_v avoid_v as_o wrong_v principle_n by_o the_o pupil_n of_o design_v who_o ought_v to_o apply_v themselves_o immediate_o to_o the_o just_a proportion_n of_o the_o ancient_n for_o therein_o consist_v the_o true_a beauty_n of_o the_o art_n they_o ought_v to_o begin_v with_o the_o study_n of_o geometry_n and_o perspective_n and_o with_o the_o posture_n which_o natural_o express_v the_o different_a action_n of_o the_o body_n and_o passion_n of_o the_o soul_n they_o ought_v to_o take_v care_n to_o learn_v anatomy_n that_o they_o may_v know_v the_o motion_n of_o the_o muscle_n and_o observe_v their_o just_a contortion_n these_o be_v the_o mean_n which_o ought_v to_o be_v follow_v to_o arrive_v to_o the_o knowledge_n of_o the_o true_a beauty_n and_o excellency_n of_o these_o art_n it_o have_v be_v hereby_o that_o the_o excellent_a modern_a painter_n and_o engraver_n and_o architect_n have_v make_v such_o advance_n to_o who_o we_o be_v oblige_v for_o the_o re-establishment_n of_o paint_v of_o sculpture_n and_o of_o architecture_n which_o shall_v be_v the_o subject_a of_o the_o three_o book_n of_o this_o history_n book_n iii_o of_o the_o re-establishment_n of_o the_o art_n of_o design_n chap._n i._n the_o art_n begin_v to_o flourish_v again_o in_o toscany_n in_o architecture_n and_o sculpture_n after_o have_v show_v in_o the_o second_o book_n of_o this_o history_n the_o cause_n of_o the_o declension_n and_o fall_n of_o paint_v and_o sculpture_n and_o architecture_n by_o the_o ill_a and_o rude_a method_n and_o decay_v from_o that_o excellence_n which_o they_o have_v arrive_v to_o among_o the_o ancient_a grecian_n and_o roman_n we_o will_v show_v in_o this_o three_o book_n how_o these_o art_n by_o little_a and_o little_o emerge_v from_o the_o rude_a gothick_n way_n and_o continue_v their_o re-establishment_n from_o the_o year_n 1013_o to_o the_o end_n of_o 1500_o wherein_o they_o arrive_v to_o their_o primitive_a perfection_n and_o pass_v from_o italy_n into_o several_a other_o part_n and_o particular_o into_o france_n by_o the_o singular_a favour_n they_o find_v under_o our_o king_n francis_n the_o first_o henry_n the_o four_o and_o lewis_n the_o great_a who_o now_o esteem_v it_o as_o a_o part_n of_o his_o glory_n to_o have_v make_v the_o art_n of_o design_n to_o flourish_n these_o art_n of_o design_v begin_v first_o to_o be_v revive_v in_o toscany_n before_o they_o be_v know_v in_o other_o country_n for_o as_o the_o tuscan_n be_v the_o first_o among_o the_o ancient_n who_o practise_v they_o so_o they_o have_v the_o advantage_n of_o be_v the_o first_o in_o italy_n who_o raise_v they_o from_o the_o low_a state_n to_o which_o they_o be_v fall_v thus_o in_o the_o year_n 1300_o there_o begin_v to_o appear_v at_o florence_n a_o better_a sort_n of_o architecture_n than_o the_o ancient_a gothick_n for_o in_o the_o church_n of_o st._n miniate_v build_v in_o that_o time_n architecture_n may_v be_v observe_v to_o creep_v out_o of_o its_o barbarous_a method_n and_o to_o imitate_v in_o all_o the_o part_n of_o that_o building_n the_o way_n 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the_o italian_n the_o practice_n of_o paint_v in_o
wither_v and_o he_o become_v lame_a this_o nerve_n be_v proper_o the_o tendon_n of_o the_o muscle_n call_v the_o biceps_fw-la of_o the_o thigh_n in_o memory_n of_o this_o action_n the_o child_n of_o israel_n do_v not_o eat_v in_o animal_n this_o part_n like_o the_o tendon_n which_o be_v wither_v in_o jacob_n by_o the_o touch_n of_o the_o angel_n of_o the_o lord_n idem_n ver._n 32._o which_o evidentlv_n prove_v that_o it_o be_v not_o only_o the_o nerve_n but_o the_o tendon_n which_o make_v part_n of_o the_o muscle_n and_o the_o motion_n of_o the_o muscle_n by_o the_o study_n which_o he_o make_v under_o mark_n anthony_n de_fw-fr la_fw-fr tour_n professor_n in_o that_o science_n the_o beauty_n of_o the_o celebrate_a leonardo_n advance_v his_o reputation_n throughout_o all_o italy_n and_o beyond_o it_o which_o make_v lewis_n sforza_n duke_n of_o milan_n send_v for_o he_o to_o come_v to_o he_o the_o first_o thing_n he_o set_v about_o be_v to_o re-establish_a the_o academy_n of_o 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picture_n which_o hang_v up_o in_o his_o closet_n at_o fontainbleau_n in_o this_o royal_a house_n this_o painter_n grow_v age_v and_o make_v a_o illustrious_a end_n for_o after_o he_o have_v receive_v much_o honour_n and_o great_a riches_n from_o this_o generous_a prince_n he_o fall_v sick_a and_o when_o his_o majesty_n be_v advertise_v of_o it_o he_o go_v to_o visit_v he_o dam_fw-la vinci_n will_v needs_o raise_v himself_o up_o to_o receive_v so_o glorious_a a_o visit_n whereon_o find_v himself_o extreme_a ill_n the_o king_n approach_v he_o embrace_v he_o and_o he_o expire_v pupil_n expire_v leonardo_z da_o vinci_n die_v at_o the_o age_n of_o 75_o year_n beside_o his_o treatise_n of_o paint_v which_o be_v print_v he_o compose_v several_a other_o book_n one_o of_o the_o anatomy_n of_o human_a body_n with_o figure_n one_o of_o the_o anatomy_n of_o a_o horse_n another_o of_o light_n and_o shadow_n and_o one_o of_o the_o nature_n weight_n and_o motion_n of_o the_o water_n fill_v with_o 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andrew_z andrew_n del_fw-it sarto_n be_v bear_v at_o florence_n in_o 1478._o he_o learn_v the_o trade_n of_o a_o goldsmith_n then_o he_o take_v to_o paint_v under_o peter_n cosimo_n who_o be_v then_o esteem_v to_o be_v one_o of_o the_o best_a painter_n in_o florence_n he_o study_v also_o in_o the_o council-hall_n the_o piece_n do_v by_o leonardo_n da_fw-mi vinci_n and_o michael_n angelo_n and_o make_v several_a admirable_a piece_n at_o florence_n as_o the_o cloister_n of_o the_o annunziata_n la_o madonna_n del_fw-it sacco_n and_o several_a other_o which_o gain_v he_o a_o very_a great_a reputation_n his_o disciple_n be_v james_n de_fw-fr puntormo_n solosmeo_n f._n franciso_n di_fw-it sandro_n francis_n salviati_n george_n vasari_n and_o andrew_n sguazzella_n who_o very_o much_o imitate_v he_o he_o work_v in_o a_o palace_n a_o little_a without_o paris_n as_o also_o do_v the_o say_a vasari_n and_o it_o be_v very_o probable_a that_o it_o be_v from_o hence_o that_o those_o picture_n be_v carry_v to_o paris_n which_o be_v in_o the_o great_a gallery_n of_o the_o jesuit_n which_o have_v the_o way_n of_o design_v and_o method_n of_o andrew_n del_fw-it sarto_fw-la andrew_n live_v forty_o two_o year_n m._n peter_n vettori_n make_v this_o epitaph_n on_o andrew_n del_fw-it sarto_fw-la admirabilis_fw-la ingenii_fw-la pictori_fw-la ac_fw-la veteribus_fw-la illis_fw-la omnium_fw-la judicio_fw-la comparando_fw-la dominicus_n contes_n discipulus_fw-la pro_fw-la laboribus_fw-la in_fw-la se_fw-la instituendo_fw-la susceptis_fw-la grato_fw-la animo_fw-la posuit_fw-la vixit_fw-la ann._n 42._o ob._n a._n mdxxx_o del_o sarto_n rosso_n dominick_n the_o florentine_a salviati_n and_o several_a other_o excellent_a painter_n and_o excellent_a sculptor_n as_o he_o do_v also_o from_o mantua_n primaticcio_n a_o bolonian_a and_o nicholas_n of_o modena_n all_o of_o who_o work_v in_o and_o embellish_v the_o royal_a house_n and_o stir_v up_o the_o french_a to_o emulation_n which_o make_v they_o 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excellent_a piece_n and_o particular_o in_o the_o chapel_n of_o sixtus_n the_o four_o but_o that_o which_o augment_v the_o glory_n of_o this_o ingenious_a painter_n be_v that_o he_o have_v for_o his_o first_o disciple_n raphel_n sanzio_n d'urbin_n chap._n ix_o of_o the_o perfection_n of_o paint_v in_o the_o last_o age._n it_o be_v raphael_n d'urbin_n who_o raise_v paint_v in_o the_o last_o age_n to_o its_o high_a degree_n of_o perfection_n his_o work_n which_o be_v at_o rome_n at_o florence_n at_o bologna_n show_v bologna_n at_o bologna_n in_o the_o church_n of_o st._n john_n on_o the_o hill_n be_v some_o admirable_a piece_n of_o raphael_n which_o represent_v st._n cecilia_n with_o other_o saint_n raphael_n when_o he_o have_v finish_v this_o picture_n send_v it_o to_o francis_n francia_n a_o painter_n of_o bologna_n pray_v he_o to_o take_v care_n to_o set_v it_o up_o at_o the_o altar_n he_o have_v disign_v it_o for_o francia_n who_o believe_v himself_o to_o be_v a_o better_a painter_n than_o in_o reality_n he_o be_v and_o who_o have_v a_o great_a