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body_n horizon_n part_n zone_n 27 3 13.6426 5 false
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ID Title Author Corrected Date of Publication (TCP Date of Publication) STC Words Pages
A60499 The art of painting according to the theory and practise of the best Italian, French, and Germane masters Treating of the antiquity of painting. The reputation it always had. The characters of several masters. Proportion. Action and passion. The effects of light. Perspective. Draught. Colouring. Ordonnance. Far more compleat and compendious then hath yet been publisht by any, antient or modern. The second edition. By M.S. gent. [Smith, Marshall, fl. 1693]. 1693 (1693) Wing S4129A; ESTC R219107 65,543 104

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more_o compact_a and_o settle_v the_o light_n more_o sharp_a and_o full_a of_o force_n in_o old_a age_n the_o light_n appear_v heavy_a and_o full_a of_o majesty_n and_o gravity_n and_o so_o contrary_a wise_a the_o shadow_n by_o reason_n the_o superficies_n be_v deprive_v of_o that_o quality_n of_o increase_v and_o vigour_n yet_o not_o crude_a and_o hallow_v without_o order_n but_o in_o a_o middle_a temper_n in_o dotage_n the_o superficies_n be_v sharp_o elevate_v and_o make_v acute_a angle_n and_o decline_a line_n cause_n the_o light_n run_v upon_o they_o to_o appear_v sharp_a be_v encounter_v with_o very_o deep_a shadow_n the_o eye_n whole_o shadow_v with_o the_o eyebrow_n the_o mouth_n with_o the_o nose_n the_o cheek_n with_o their_o ball_n the_o forehead_n with_o pulse_n and_o so_o through_o all_o other_o part_n as_o the_o concavity_n of_o the_o bone_n without_o flesh_n by_o the_o most_o apparent_a part_n of_o the_o bone_n in_o infancy_n we_o must_v therefore_o express_v 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as_o in_o a_o picture_n of_o rubens_n of_o st._n roche_n where_o the_o sudplicant_n below_o receive_v such_o light_n that_o part_n of_o the_o body_n be_v count_v next_o the_o light_n which_o from_o the_o first_o point_v extend_v itself_o far_a out_o on_o that_o side_n then_o the_o rest_n especial_o if_o it_o be_v from_o on_o high_a therefore_o that_o light_n be_v the_o quick_a cause_v the_o superficies_n to_o receive_v the_o light_n more_o strong_o viz._n that_o superficies_n which_o be_v next_o to_o we_o and_o that_o which_o look_v upward_o both_o which_o receive_v it_o so_o much_o the_o more_o strong_o by_o how_o much_o the_o high_o they_o be_v because_o they_o be_v near_o the_o appoint_v light_n and_o this_o be_v the_o original_a &_o ground_n of_o all_o other_o light_n which_o be_v orderly_o dispose_v through_o all_o body_n give_v they_o their_o heighten_v aceord_o to_o the_o direction_n of_o that_o only_a light_n situation_n and_o climate_n must_v also_o be_v observe_v they_o who_o 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observe_v and_o so_o conclude_v this_o discourse_n of_o chiaro_n scuro_n in_o light_n we_o must_v consider_v the_o sun_n in_o his_o luster_n as_o rise_v meridional_a set_v and_o according_a to_o the_o vapour_n he_o meet_v in_o the_o air._n clear_a air_n likewise_o through_o which_o the_o light_n be_v spread_v and_o be_v something_o bluish_a and_o cloudy_a air_n which_o be_v dark_a but_o leave_v more_o easiness_n for_o object_n to_o be_v discern_v in_o their_o true_a colour_n the_o eye_n not_o be_v dazzle_v with_o too_o great_a a_o brightness_n we_o must_v consider_v light_n as_o principal_a fall_a perpendicular_a without_o interruption_n on_o any_o surface_n or_o extremity_n glance_v by_o slide_v diagonal_o on_o elevate_v body_n and_o secondary_a for_o thing_n at_o distance_n according_a to_o the_o thickness_n of_o vapour_n which_o intervene_v and_o offer_v many_o incidental_a opportunity_n for_o give_v the_o more_o beauty_n to_o the_o strong_a light_n as_o likewise_o loosen_v the_o 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